Fujifilm GFX 100S vs Nikon D7000
The Fujifilm GFX 100S and the Nikon D7000 are two digital cameras that were officially introduced, respectively, in January 2021 and September 2010. The GFX 100S is a mirrorless interchangeable lens camera, while the D7000 is a DSLR. The cameras are based on a medium format (GFX 100S) and an APS-C (D7000) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S and the Nikon D7000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 100S and the Nikon D7000. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D7000 is notably smaller (11 percent) than the Fujifilm GFX 100S. Moreover, the D7000 is markedly lighter (13 percent) than the GFX 100S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 100S gets 460 shots out of its NP-W235 battery, while the D7000 can take 1050 images on a single charge of its EN-EL15 power pack. The power pack in the GFX 100S can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|2.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|4.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|5.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|6.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999|
|7.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|8.||Fujifilm XP130||110 mm||71 mm||28 mm||207 g||240||n||Jan 2018||229|
|9.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|10.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895|
|11.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999|
|12.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|13.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|14.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|15.||Nikon D90||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299|
|16.||Pentax K-3 III||135 mm||104 mm||74 mm||820 g||800||Y||Mar 2021||1,999|
|17.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D7000 was launched at a markedly lower price (by 75 percent) than the GFX 100S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100S features a medium format sensor and the Nikon D7000 an APS-C sensor. The sensor area in the D7000 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 100S has a native 4:3 aspect ratio, while the one in the D7000 offers a 3:2 aspect.
With 101.8MP, the GFX 100S offers a higher resolution than the D7000 (16.1MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 4.80μm for the D7000). However, the GFX 100S is a much more recent model (by 10 years and 4 months) than the D7000, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon D7000 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The GFX 100S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the D7000, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm GFX 100S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D7000 are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|3.||Canon R5||Full Frame||44.8||8192||5464||8k/30p||25.3||14.6||3042||95|
|6.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|7.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|9.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|10.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|11.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||..||..||..||..|
|16.||Pentax K-3 III||APS-C||25.6||6192||4128||4K/30p||..||..||..||..|
|17.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 100S provides a higher video resolution than the D7000. It can shoot video footage at 4K/30p, while the Nikon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 100S has an electronic viewfinder (3690k dots), while the D7000 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 100S has a higher magnification than the one of the D7000 (0.77x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100S, the Nikon D7000, and comparable cameras.
|1.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|2.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|3.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0||n||Y|
|4.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|5.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0||n||Y|
|6.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|7.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0||n||n|
|8.||Fujifilm XP130||none||n||3.0 / 920||fixed||n||1/2000s||10.0||Y||Y|
|9.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||n|
|10.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0||n||Y|
|11.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0||n||Y|
|12.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|13.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|14.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0||Y||n|
|15.||Nikon D90||optical||Y||3.0 / 920||fixed||n||1/4000s||4.5||Y||n|
|16.||Pentax K-3 III||optical||Y||3.2 / 1620||fixed||Y||1/8000s||12.0||n||Y|
|17.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
One feature that differentiates the GFX 100S and the D7000 is in-body image stabilization (IBIS). The GFX 100S reduces the risk of handshake-induced blur with all attached lenses, while the D7000 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100S and the Nikon D7000 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100S and the D7000 write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 100S supports UHS-II cards (on both slots), while the D7000 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S and Nikon D7000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|5.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|6.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|7.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|8.||Fujifilm XP130||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|9.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|10.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|11.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|13.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|14.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Nikon D90||Y||mono / mono||-||-||mini||2.0||-||-||-|
|16.||Pentax K-3 III||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|17.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
It is notable that the GFX 100S has a headphone jack, which is not present on the D7000 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the D7000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 100S is a recent model that features in the current product line-up of Fujifilm. In contrast, the D7000 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D7000 was succeeded by the Nikon D7100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So how do things add up? Which of the two cameras – the Fujifilm GFX 100S or the Nikon D7000 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm GFX 100S:
- More detail: Offers more megapixels (101.8 vs 16.1MP) with a 146% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.63x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 10 years and 4 months of technical progress since the D7000 launch.
Arguments in favor of the Nikon D7000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (132x105mm vs 150x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 120g or 13 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (1050 versus 460) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100S is the clear winner of the match-up (26 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100S and the Nikon D7000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 100S or the D7000 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|2.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|3.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|4.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|5.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|6.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999|
|7.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|8.||Fujifilm XP130||..||o||..||..||3.5/5||4/5||Jan 2018||229|
|9.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|10.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895|
|11.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999|
|12.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|13.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|14.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|15.||Nikon D90||..||+ +||..||+ +||4/5||4.5/5||Aug 2008||1,299|
|16.||Pentax K-3 III||..||..||..||..||..||..||Mar 2021||1,999|
|17.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Nikon D7000
- Fujifilm GFX 100S vs Fujifilm X-Pro1
- Fujifilm GFX 100S vs Nikon D5200
- Fujifilm GFX 100S vs Nikon D7500
- Fujifilm GFX 100S vs Nikon Z5
- Fujifilm GFX 100S vs Panasonic G95
- Fujifilm GFX 100S vs Sigma fp
- Leica M-E Typ 240 vs Nikon D7000
- Leica V-LUX 4 vs Nikon D7000
- Nikon D7000 vs Olympus E-520
- Nikon D7000 vs Olympus E-PL9
- Nikon D7000 vs Pentax 645D
Specifications: Fujifilm GFX 100S vs Nikon D7000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 100S||Nikon D7000|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm G mount lenses||Nikon F mount lenses|
|Launch Date||January 2021||September 2010|
|Launch Price||USD 5,999||USD 1,499|
|Sensor Specs||Fujifilm GFX 100S||Nikon D7000|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||43.8 x 32.9 mm||23.6 x 15.7 mm|
|Sensor Area||1441.02 mm2||370.52 mm2|
|Sensor Diagonal||54.8 mm||28.3 mm|
|Sensor Resolution||101.8 Megapixels||16.1 Megapixels|
|Image Resolution||11648 x 8736 pixels||4928 x 3264 pixels|
|Pixel Pitch||3.76 μm||4.80 μm|
|Pixel Density||7.06 MP/cm2||4.34 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/24p Video|
|ISO Setting||100 - 12,800 ISO||100 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||X-Processor 4||EXPEED 2|
|DXO Sensor Quality (score)||..||80|
|DXO Color Depth (bits)||..||23.5|
|DXO Dynamic Range (EV)||..||13.9|
|DXO Low Light (ISO)||..||1167|
|Screen Specs||Fujifilm GFX 100S||Nikon D7000|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||921k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 100S||Nikon D7000|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Fujifilm GFX 100S||Nikon D7000|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm GFX 100S||Nikon D7000|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||460 shots per charge||1050 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
150 x 104 x 87 mm
(5.9 x 4.1 x 3.4 in)
132 x 105 x 77 mm
(5.2 x 4.1 x 3.0 in)
|Camera Weight||900 g (31.7 oz)||780 g (27.5 oz)|
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