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Fujifilm GFX 100 vs Panasonic G5

The Fujifilm GFX 100 and the Panasonic Lumix DMC-G5 are two digital cameras that were revealed to the public, respectively, in May 2019 and July 2012. Both the GFX 100 and the G5 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100) and a Four Thirds (G5) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100 versus Panasonic G5
Fujifilm GFX 100 Panasonic G5
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Micro Four Thirds lenses
101.8 MP, Medium Format Sensor 15.9 MP, Four Thirds Sensor
4K/30p Video 1080/60p Video
ISO 100-12,800 (50 - 102,400) ISO 160-12,800
Viewfinder optional Electronic viewfinder (1440k dots)
3.2 LCD, 2360k dots 3.0 LCD, 920k dots
Tilting touchscreen Swivel touchscreen
5 shutter flaps per second 6 shutter flaps per second
In-body stabilizationLens stabilization only
Weathersealed bodynot weather sealed
800 shots per battery charge320 shots per battery charge
156 x 144 x 75 mm, 1320 g 120 x 83 x 71 mm, 396 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 100 and the Panasonic G5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The G5 can be obtained in two different colors (black, silver), while the GFX 100 is only available in black.

Size Fujifilm GFX 100 vs Panasonic G5
Compare GFX 100 versus G5 top
Comparison GFX 100 or G5 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is considerably smaller (56 percent) than the Fujifilm GFX 100. Moreover, the G5 is substantially lighter (70 percent) than the GFX 100. It is worth mentioning in this context that the GFX 100 is splash and dust resistant, while the G5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the G5 can take 320 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the GFX 100 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 100 156 mm 144 mm 75 mm 1320 g 800 Y May 2019 9,999 i
2.
 
Panasonic G5 120 mm 83 mm 71 mm 396 g 320 n Jul 2012 599 i
3.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 i
4.
 
Fujifilm X-T4 135 mm 93 mm 64 mm 607 g 500 Y Feb 2020 1,699 i
5.
 
Fujifilm XP140 110 mm 71 mm 28 mm 207 g 240 Y Feb 2019 229 i
6.
 
Fujifilm X-H1 140 mm 97 mm 86 mm 673 g 310 Y Feb 2018 1,899 i
7.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
8.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i
9.
 
Panasonic G7 125 mm 86 mm 77 mm 410 g 350 n May 2015 649 i
10.
 
Panasonic G6 122 mm 85 mm 71 mm 390 g 340 n Apr 2013 599 i
11.
 
Panasonic G3 115 mm 84 mm 47 mm 336 g 270 n May 2011 599 i
12.
 
Panasonic GX1 116 mm 68 mm 39 mm 318 g 320 n Nov 2011 699 i
13.
 
Panasonic G10 124 mm 84 mm 74 mm 388 g 380 n Mar 2010 499 i
14.
 
Pentax K-1 II 137 mm 110 mm 86 mm 1010 g 670 Y Feb 2018 1,999 i
15.
 
Pentax 645Z 156 mm 117 mm 123 mm 1550 g 650 Y Apr 2014 8,499 i
16.
 
Pentax 645D 156 mm 117 mm 119 mm 1480 g 800 Y Mar 2010 9,995 i
17.
 
Sony A7 III 127 mm 96 mm 74 mm 650 g 610 Y Feb 2018 1,999 i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5 was launched at a markedly lower price (by 94 percent) than the GFX 100, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

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Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 84 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Fujifilm GFX 100 and Panasonic G5 sensor measures

With 101.8MP, the GFX 100 offers a higher resolution than the G5 (15.9MP), but the GFX 100 nevertheless has the same individual pixel size (pixel pitch of 3.76μm) as the G5 due to its larger sensor. It is noteworthy in this context that the GFX 100 is a mch more recent model (by 6 years and 10 months) than the G5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Panasonic G5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).

GFX 100 versus G5 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 100 Medium Format 101.8 11648 87364K/30p...... ..
2.
 
Panasonic G5 Four Thirds 15.9 4608 34561080/60p...... ..
3.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p...... ..
4.
 
Fujifilm X-T4 APS-C 26.0 6240 41604K/60p...... ..
5.
 
Fujifilm XP140 1/2.3 15.9 4608 34564K/15p...... ..
6.
 
Fujifilm X-H1 APS-C 24.0 6000 40004K/30p...... ..
7.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p...... ..
8.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p...... ..
9.
 
Panasonic G7 Four Thirds 15.8 4592 34484K/30p...... ..
10.
 
Panasonic G6 Four Thirds 15.9 4608 34561080/60p21.311.5639 61
11.
 
Panasonic G3 Four Thirds 15.8 4592 34481080/60i21.010.6667 56
12.
 
Panasonic GX1 Four Thirds 15.8 4592 34481080/60p20.810.6703 55
13.
 
Panasonic G10 Four Thirds 12.0 4000 3000720/30p21.210.1411 52
14.
 
Pentax K-1 II Full Frame 36.2 7360 49121080/60i...... ..
15.
 
Pentax 645Z Medium Format 51.1 8256 61921080/60i26.014.74505 101
16.
 
Pentax 645D Medium Format 39.5 7264 5440none24.612.61262 82
17.
 
Sony A7 III Full Frame 24.0 6000 40004K/30p25.014.73730 96

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 100 provides a higher video resolution than the G5. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.

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Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The adjacent table lists some of the other core features of the Fujifilm GFX 100 and Panasonic G5 along with similar information for a selection of comparators.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 100optional Y 3.2 2360 tilting Y 1/4000s 5.0 n Y
2.
 
Panasonic G51440 n 3.0 920 swivel Y 1/4000s 6.0 Y n
3.
 
Fujifilm GFX 100S3690 Y 3.2 2360 full-flex Y 1/4000s 5.0 n Y
4.
 
Fujifilm X-T43690 n 3.0 1620 swivel Y 1/8000s 15.0 n Y
5.
 
Fujifilm XP140none n 3.0 920 fixed n 1/2000s 10.0 Y Y
6.
 
Fujifilm X-H13690 Y 3.0 1040 full-flex Y 1/8000s 14.0 n Y
7.
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
8.
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
9.
 
Panasonic G72360 n 3.0 1040 swivel Y 1/4000s 7.0 Y n
10.
 
Panasonic G61440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n
11.
 
Panasonic G31440 n 3.0 460 swivel Y 1/4000s 4.0 Y n
12.
 
Panasonic GX1optional n 3.0 460 fixed Y 1/4000s 4.2 Y n
13.
 
Panasonic G10202 n 3.0 460 fixed n 1/4000s 2.6 Y n
14.
 
Pentax K-1 IIoptical Y 3.2 1037 full-flex n 1/8000s 4.4 n Y
15.
 
Pentax 645Zoptical Y 3.2 1037 tilting n 1/4000s 3.0 n n
16.
 
Pentax 645Doptical Y 3.0 921 fixed n 1/4000s 1.1 n n
17.
 
Sony A7 III2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y

One feature that is present on the GFX 100, but is missing on the G5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The G5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100 and the G5 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G5 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the G5 can use UHS-I cards.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 100YstereomonoYYmicro3.1Y-Y
2.
 
Panasonic G5Ystereomono--mini2.0---
3.
 
Fujifilm GFX 100SYstereomonoYYmicro3.2Y-Y
4.
 
Fujifilm X-T4YstereomonoY-micro3.1Y-Y
5.
 
Fujifilm XP140-monomono--micro2.0Y-Y
6.
 
Fujifilm X-H1YstereomonoY-micro3.0Y--
7.
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
8.
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
9.
 
Panasonic G7YstereomonoY-micro2.0Y--
10.
 
Panasonic G6YstereomonoY-mini2.0YY-
11.
 
Panasonic G3Ystereomono--mini2.0---
12.
 
Panasonic GX1Ystereomono--mini2.0---
13.
 
Panasonic G10Ymono---mini2.0---
14.
 
Pentax K-1 IIYstereomonoYYmicro2.0Y--
15.
 
Pentax 645ZYstereomonoY-mini3.0---
16.
 
Pentax 645DYstereo----2.0---
17.
 
Sony A7 IIIYstereomonoYYmicro3.1YYY

It is notable that the GFX 100 has a microphone port, which is missing on the G5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the G5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 100 is a recent model that features in the current product line-up of Fujifilm. In contrast, the G5 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G5 was succeeded by the Panasonic G6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.

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Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 100 and the Panasonic G5? Which camera is better? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Fujifilm GFX 100:

  • More detail: Offers more megapixels (101.8 vs 15.9MP) with a 153% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
  • Longer lasting: Can take more shots (800 versus 320) on a single battery charge.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Sharper images: Has hand-shake reducing image stabilization built-in.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 6 years and 10 months of technical progress since the G5 launch.

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Advantages of the Panasonic Lumix DMC-G5:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x83mm vs 156x144mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 924g or 70 percent) and is thus easier to take along.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (94 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in July 2012).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 is the clear winner of the match-up (27 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100 27:10 G5

How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 100 and the G5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 1004.5/5+ +90/1005/54.5/5 May 2019 9,999 i
2.
 
Panasonic G53/5+ +..4.5/54.5/5 Jul 2012 599 i
3.
 
Fujifilm GFX 100S5/5..90/100..5/5 Jan 2021 5,999 i
4.
 
Fujifilm X-T45/5+ +..5/55/5 Feb 2020 1,699 i
5.
 
Fujifilm XP140..+..3.5/54/5 Feb 2019 229 i
6.
 
Fujifilm X-H1..+86/1004.5/54.5/5 Feb 2018 1,899 i
7.
 
Fujifilm GFX 50R5/5..84/1004.5/54.5/5 Sep 2018 4,499 i
8.
 
Fujifilm GFX 50S....85/1005/54.5/5 Sep 2016 6,499 i
9.
 
Panasonic G74/5+ +80/1005/54.5/5 May 2015 649 i
10.
 
Panasonic G64/5+ +..5/54.5/5 Apr 2013 599 i
11.
 
Panasonic G33/5+ +75/1004.5/55/5 May 2011 599 i
12.
 
Panasonic GX13/5+77/1004.5/54.5/5 Nov 2011 699 i
13.
 
Panasonic G103/5..70/1004/54/5 Mar 2010 499 i
14.
 
Pentax K-1 II....79/1004.5/54.5/5 Feb 2018 1,999 i
15.
 
Pentax 645Z5/5....4.5/55/5 Apr 2014 8,499 i
16.
 
Pentax 645D5/5........ Mar 2010 9,995 i
17.
 
Sony A7 III..+ +89/1005/55/5 Feb 2018 1,999 i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Fujifilm GFX 100:
Check Amazon price
Panasonic G5:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 100 vs Panasonic G5

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100 Panasonic G5
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Micro Four Thirds lenses
    Launch Date May 2019 July 2012
    Launch Price USD 9,999 USD 599
    Sensor Specs Fujifilm GFX 100 Panasonic G5
    Sensor Technology BSI-CMOS CMOS
    Sensor Format Medium Format Sensor Four Thirds Sensor
    Sensor Size 43.8 x 32.9 mm 17.3 x 13.0 mm
    Sensor Area 1441.02 mm2 224.9 mm2
    Sensor Diagonal 54.8 mm 21.6 mm
    Crop Factor 0.79x 2.0x
    Sensor Resolution 101.8 Megapixels 15.9 Megapixels
    Image Resolution 11648 x 8736 pixels 4608 x 3456 pixels
    Pixel Pitch 3.76 μm 3.76 μm
    Pixel Density 7.06 MP/cm2 7.08 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 4K/30p Video 1080/60p Video
    ISO Setting 100 - 12,800 ISO 160 - 12,800 ISO
    ISO Boost 50 - 102,400 ISO no Enhancement
    Image Processor X-Processor 4 Venus VII FHD
    Screen Specs Fujifilm GFX 100 Panasonic G5
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.70x
    Viewfinder Resolution 1440k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 920k dots
    LCD Attachment Tilting screen Swivel screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 100 Panasonic G5
    Focus System On-Sensor Phase-detect Contrast-detect AF
    Manual Focusing AidFocus Peakingno Peaking Feature
    Continuous Shooting 5 shutter flaps/s 6 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationIn-body stabilizationLens stabilization only
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 100 Panasonic G5
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.1 USB 2.0
    HDMI Port micro HDMI mini HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in no Wifi
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Fujifilm GFX 100 Panasonic G5
    Environmental SealingWeathersealed bodynot weather sealed
    Battery Type NP-T125 DMW-BLC12
    Battery Life (CIPA)800 shots per charge320 shots per charge
    In-Camera Charging USB charging no USB charging
    Body Dimensions 156 x 144 x 75 mm
    (6.1 x 5.7 x 3.0 in)
    120 x 83 x 71 mm
    (4.7 x 3.3 x 2.8 in)
    Camera Weight 1320 g (46.6 oz) 396 g (14.0 oz)

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    You are here Home  »  CAM-parator  »  Fujifilm GFX 100 vs Panasonic G5

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