Canon T6i vs Leica V-LUX 2
The Canon EOS Rebel T6i (called Canon 750D in some regions) and the Leica V-LUX 2 are two digital cameras that were revealed to the public, respectively, in February 2015 and September 2010. The T6i is a DSLR, while the V-LUX 2 is a fixed lens compact. The cameras are based on an APS-C (T6i) and a 1/2.3-inch (V-LUX 2) sensor. The Canon has a resolution of 24 megapixels, whereas the Leica provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6i and the Leica V-LUX 2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T6i and the Leica V-LUX 2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica V-LUX 2 is notably smaller (26 percent) than the Canon T6i. In this context, it is worth noting that neither the T6i nor the V-LUX 2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 2 has a lens built in, whereas the T6i is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T6i and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|2.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849|
|3.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|4.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|5.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|6.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|9.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|12.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|13.||Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|14.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|15.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T6i features an APS-C sensor and the Leica V-LUX 2 a 1/2.3-inch sensor. The sensor area in the V-LUX 2 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the T6i has a native 3:2 aspect ratio, while the one in the V-LUX 2 offers a 4:3 aspect.
With 24MP, the T6i offers a higher resolution than the V-LUX 2 (14MP), but the T6i nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 1.41μm for the V-LUX 2) due to its larger sensor. Moreover, the T6i is a much more recent model (by 4 years and 4 months) than the V-LUX 2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the V-LUX 2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon T6i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6i for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica V-LUX 2 are 21.6 x 16.2 inches or 54.9 x 41.1 cm for good quality, 17.3 x 13 inches or 43.9 x 32.9 cm for very good quality, and 14.4 x 10.8 inches or 36.6 x 27.4 cm for excellent quality prints.
The T6i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T6i has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Leica V-LUX 2 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||19.4||10.7||321||39|
|13.||Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||19.8||11.1||501||43|
|14.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||19.7||11.0||430||42|
|15.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||18.4||9.5||-727||29|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the V-LUX 2 provides a faster frame rate than the T6i. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the V-LUX 2 has an electronic viewfinder (202k dots), while the T6i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon T6i, the Leica V-LUX 2, and comparable cameras.
|1.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Leica V-LUX 2||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
|3.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|4.||Canon T7i||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|5.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|10.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|11.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|12.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0||Y||n|
|13.||Leica V-LUX 4||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|14.||Leica V-LUX 3||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|15.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|17.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The T6i has a touchscreen, while the V-LUX 2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
Concerning the storage of imaging data, both the T6i and the V-LUX 2 write their files to SDXC cards. The T6i supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the V-LUX 2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6i and Leica V-LUX 2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|2.||Leica V-LUX 2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon T7i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Leica V-LUX 4||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Leica V-LUX 3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|15.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the T6i has a microphone port, which is missing on the V-LUX 2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the T6i and the V-LUX 2 have been discontinued, but can regularly be found used on eBay. The V-LUX 2 was replaced by the Leica V-LUX 3, while the T6i was followed by the Canon T7i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So how do things add up? Which of the two cameras – the Canon T6i or the Leica V-LUX 2 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS Rebel T6i:
- More detail: Offers more megapixels (24 vs 14MP) with a 34% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 4 months of technical progress since the V-LUX 2 launch.
Arguments in favor of the Leica V-LUX 2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the T6i requires a separate lens.
- More compact: Is smaller (124x80mm vs 132x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the T6i).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the T6i is the clear winner of the match-up (17 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6i and the Leica V-LUX 2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the T6i and the V-LUX 2 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|2.||Leica V-LUX 2||..||..||..||..||..||..||Sep 2010||849|
|3.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|4.||Canon T7i||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749|
|5.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|6.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|9.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|12.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|13.||Leica V-LUX 4||..||..||..||..||..||..||Sep 2012||949|
|14.||Leica V-LUX 3||..||..||..||..||..||..||Dec 2011||949|
|15.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Canon T6i
- Canon 1Ds vs Canon T6i
- Canon SX70 vs Leica V-LUX 2
- Canon T6i vs Fujifilm X-E2
- Canon T6i vs Nikon D60
- Canon T6i vs Panasonic GF2
- Canon T6i vs Pentax K-70
- Leica V-LUX 2 vs Nikon L840
- Leica V-LUX 2 vs Olympus E-PL3
- Leica V-LUX 2 vs Sony A7R
- Leica V-LUX 2 vs Sony RX10 IV
- Leica V-LUX 2 vs Zeiss ZX1
Specifications: Canon T6i vs Leica V-LUX 2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6i||Leica V-LUX 2|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-600mm f/2.8-5.2|
|Launch Date||February 2015||September 2010|
|Launch Price||USD 749||USD 849|
|Sensor Specs||Canon T6i||Leica V-LUX 2|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||14 Megapixels|
|Image Resolution||6000 x 4000 pixels||4320 x 3240 pixels|
|Pixel Pitch||3.72 μm||1.41 μm|
|Pixel Density||7.22 MP/cm2||49.86 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100 - 12,800 ISO||100 - 1,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 6,400 ISO|
|DXO Sensor Quality (score)||71||..|
|DXO Color Depth (bits)||22.7||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||919||..|
|Screen Specs||Canon T6i||Leica V-LUX 2|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon T6i||Leica V-LUX 2|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon T6i||Leica V-LUX 2|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon T6i||Leica V-LUX 2|
|Battery Life (CIPA)||440 shots per charge||410 shots per charge|
132 x 101 x 78 mm
(5.2 x 4.0 x 3.1 in)
124 x 80 x 95 mm
(4.9 x 3.1 x 3.7 in)
|Camera Weight||555 g (19.6 oz)||520 g (18.3 oz)|
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