Canon T6 vs Nikon D500
The Canon EOS Rebel T6 (called Canon 1300D in some regions) and the Nikon D500 are two digital cameras that were officially introduced, respectively, in March 2016 and January 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6 and the Nikon D500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T6 and the Nikon D500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is notably larger (30 percent) than the Canon T6. Moreover, the D500 is substantially heavier (77 percent) than the T6. It is noteworthy in this context that the D500 is splash and dust-proof, while the T6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T6) and the Nikon Lens Catalog (D500).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|2.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|3.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|4.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|6.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|9.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|10.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|11.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|12.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|13.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|14.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|15.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|16.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|17.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The T6 was launched at a markedly lower price (by 78 percent) than the D500, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D500 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (T6) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 20.7MP, the D500 offers a higher resolution than the T6 (17.9MP), but the D500 has marginally smaller individual pixels (pixel pitch of 4.22μm versus 4.31μm for the T6). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D500 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Canon T6 are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The Canon EOS Rebel T6 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Nikon D500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-1640000.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D500 provides a better video resolution than the T6. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The T6 and the D500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the D500 offers a wider field of view (100%) than the one in the T6 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D500 has a higher magnification (0.67x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon T6, the Nikon D500, and comparable cameras.
|1.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|2.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|3.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|6.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|10.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|11.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|12.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|13.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|14.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|15.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|16.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|17.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The T6 has one, while the D500 does not. While the built-in flash of the T6 is not very powerful, it can at times be useful as a fill-in light.
The Nikon D500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The T6 writes its imaging data to SDXC cards, while the D500 uses SDXC or XQD cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the T6 only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the T6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6 and Nikon D500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|2.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|3.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|14.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|15.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|16.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|17.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the D500 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The T6 lacks such a headphone port.
Studio photographers will appreciate that the Nikon D500 (unlike the T6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The D500 is a recent model that features in the current product line-up of Nikon. In contrast, the T6 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T6 was succeeded by the Canon T7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So how do things add up? Which of the two cameras – the Canon T6 or the Nikon D500 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS Rebel T6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (129x101mm vs 147x115mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 375g or 44 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (78 percent cheaper at launch).
Arguments in favor of the Nikon D500:
- More detail: Has more megapixels (20.7 vs 17.9MP), which boosts linear resolution by 7%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.50x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (1240 versus 500) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
If the count of relative strengths (bullet points above) is taken as a measure, the D500 is the clear winner of the contest (22 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6 and the Nikon D500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the T6 and the D500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|2.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|3.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|4.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|6.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|9.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|10.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|11.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|12.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|13.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|14.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|15.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|16.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|17.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon T6 vs Nikon D500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6||Nikon D500|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Nikon F mount lenses|
|Launch Date||March 2016||January 2016|
|Launch Price||USD 449||USD 1,999|
|Sensor Specs||Canon T6||Nikon D500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.7 mm|
|Sensor Area||332.27 mm2||368.95 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||17.9 Megapixels||20.7 Megapixels|
|Image Resolution||5184 x 3456 pixels||5568 x 3712 pixels|
|Pixel Pitch||4.31 μm||4.22 μm|
|Pixel Density||5.39 MP/cm2||5.60 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 12,800 ISO||50 - 1,640,000 ISO|
|Image Processor||DIGIC 4+||EXPEED 5|
|DXO Sensor Quality (score)||..||83|
|DXO Color Depth (bits)||..||24.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1324|
|Screen Specs||Canon T6||Nikon D500|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||920k dots||2359k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon T6||Nikon D500|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon T6||Nikon D500|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon T6||Nikon D500|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||1240 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
|Camera Weight||485 g (17.1 oz)||860 g (30.3 oz)|
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