Canon R5 vs Nikon D500
The Canon EOS R5 and the Nikon D500 are two enthusiast cameras that were revealed to the public, respectively, in July 2020 and January 2016. The R5 is a mirrorless interchangeable lens camera, while the D500 is a DSLR. The cameras are based on a full frame (R5) and an APS-C (D500) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 and the Nikon D500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon R5 and the Nikon D500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is notably larger (25 percent) than the Canon R5. Moreover, the D500 is markedly heavier (17 percent) than the R5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R5 gets 320 shots out of its LP-E6NH battery, while the D500 can take 1240 images on a single charge of its EN-EL15 power pack. The power pack in the R5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899||amazon.com|
|2.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499||amazon.com|
|4.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999||amazon.com|
|5.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||ebay.com|
|6.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||amazon.com|
|7.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||ebay.com|
|8.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||ebay.com|
|9.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||amazon.com|
|10.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799||ebay.com|
|11.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|12.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499||amazon.com|
|13.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499||amazon.com|
|14.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||amazon.com|
|15.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499||amazon.com|
|16.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|17.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D500 was launched at a markedly lower price (by 49 percent) than the R5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R5 features a full frame sensor and the Nikon D500 an APS-C sensor. The sensor area in the D500 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 44.8MP, the R5 offers a higher resolution than the D500 (20.7MP), but the R5 nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 4.22μm for the D500) due to its larger sensor. Moreover, the R5 is a much more recent model (by 4 years and 6 months) than the D500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Nikon D500 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
The R5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-1640000.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the R5 provides substantially higher image quality than the D500, with an overall score that is 12 points higher. This advantage is based on 1.3 bits higher color depth, 0.6 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|4.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|5.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|9.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|11.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|12.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|13.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|14.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|15.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|16.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R5 provides a higher video resolution than the D500. It can shoot video footage at 8K/30p, while the Nikon is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the R5 has an electronic viewfinder (5760k dots), while the D500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the R5 has a higher magnification than the one of the D500 (0.76x vs 0.67x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon R5 and Nikon D500 along with similar information for a selection of comparators.
|1.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||12.0/s||n||Y|
|2.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|3.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0/s||n||Y|
|5.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|6.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|7.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|8.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|9.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|10.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0/s||Y||n|
|11.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|12.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|13.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|15.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|17.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the R5 and the D500 is in-body image stabilization (IBIS). The R5 reduces the risk of handshake-induced blur with all attached lenses, while the D500 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The R5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 and the Nikon D500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 writes its imaging data to CFexpress (type B) or SDXC cards, while the D500 uses SDXC or XQD cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 and Nikon D500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|3.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|5.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|6.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|7.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|8.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|9.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|10.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|13.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|14.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the R5 and the D500 are recent models that are part of the current product line-up. The D500 replaced the earlier Nikon D300S, while the R5 does not have a direct predecessor. Further information on the features and operation of the R5 and D500 can be found, respectively, in the Canon R5 Manual (free pdf) or the online Nikon D500 Manual.
So how do things add up? Is there a clear favorite between the Canon R5 and the Nikon D500? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS R5:
- More detail: Offers more megapixels (44.8 vs 20.7MP) with a 47% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (12 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.6 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.2 stops ISO advantage).
- Better video: Provides higher definition movie capture (8K/30p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.67x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (138x98mm vs 147x115mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 122g or 14 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More modern: Reflects 4 years and 6 months of technical progress since the D500 launch.
Advantages of the Nikon D500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 2100k dots).
- Longer lasting: Gets more shots (1240 versus 320) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (49 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the R5 is the clear winner of the match-up (20 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 and the Nikon D500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the R5 or the D500 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899||amazon.com|
|2.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|3.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499||amazon.com|
|4.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999||amazon.com|
|5.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399||ebay.com|
|6.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299||amazon.com|
|7.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199||ebay.com|
|8.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199||ebay.com|
|9.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999||amazon.com|
|10.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799||ebay.com|
|11.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|12.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499||amazon.com|
|13.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499||amazon.com|
|14.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499||amazon.com|
|15.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499||amazon.com|
|16.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|17.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon R5 vs Nikon D500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R5||Nikon D500|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Canon RF mount lenses||Nikon F mount lenses|
|Launch Date||July 2020||January 2016|
|Launch Price||USD 3,899||USD 1,999|
|Sensor Specs||Canon R5||Nikon D500|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.5 x 15.7 mm|
|Sensor Area||864 mm2||368.95 mm2|
|Sensor Diagonal||43.3 mm||28.3 mm|
|Sensor Resolution||44.8 Megapixels||20.7 Megapixels|
|Image Resolution||8192 x 5464 pixels||5568 x 3712 pixels|
|Pixel Pitch||4.39 μm||4.22 μm|
|Pixel Density||5.18 MP/cm2||5.60 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||8K/30p Video||4K/30p Video|
|ISO Setting||100 - 51,200 ISO||100 - 51,200 ISO|
|ISO Boost||50 - 102,400 ISO||50 - 1,640,000 ISO|
|Image Processor||DIGIC X||EXPEED 5|
|DXO Sensor Quality (score)||95||83|
|DXO Color Depth (bits)||25.3||24.0|
|DXO Dynamic Range (EV)||14.6||14.0|
|DXO Low Light (ISO)||3042||1324|
|Screen Specs||Canon R5||Nikon D500|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2100k dots||2359k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon R5||Nikon D500|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||300 000 actuations||200 000 actuations|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CFexB or SDXC cards||SDXC or XQD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||UHS-II|
|Connectivity Specs||Canon R5||Nikon D500|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.2||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon R5||Nikon D500|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||320 shots per charge||1240 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
|Camera Weight||738 g (26.0 oz)||860 g (30.3 oz)|
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