Canon T3i vs Leica D-LUX 7
The Canon EOS Rebel T3i (called Canon 600D in some regions) and the Leica D-LUX 7 are two digital cameras that were announced, respectively, in February 2011 and November 2018. The T3i is a DSLR, while the D-LUX 7 is a fixed lens compact. The cameras are based on an APS-C (T3i) and a Four Thirds (D-LUX 7) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Leica provides 16.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T3i and the Leica D-LUX 7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T3i and the Leica D-LUX 7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 7 is considerably smaller (43 percent) than the Canon T3i. In this context, it is worth noting that neither the T3i nor the D-LUX 7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the T3i is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T3i and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the T3i gets 440 shots out of its LP-E8 battery, while the D-LUX 7 can take 300 images on a single charge of its BP-DC15 power pack. The power pack in the D-LUX 7 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|2.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195|
|3.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|4.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|5.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|6.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|9.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|10.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|11.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|12.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|13.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|14.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|15.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|16.||Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195|
|17.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T3i features an APS-C sensor and the Leica D-LUX 7 a Four Thirds sensor. The sensor area in the D-LUX 7 is 44 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.2. The sensor in the T3i has a native 3:2 aspect ratio, while the one in the D-LUX 7 offers a 4:3 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 17.9MP, the T3i offers a slightly higher resolution than the D-LUX 7 (16.8MP), but the T3i nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.32μm for the D-LUX 7) due to its larger sensor. However, the D-LUX 7 is a much more recent model (by 7 years and 9 months) than the T3i, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon T3i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T3i for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inches or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inches or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inches or 40.1 x 30.1 cm for excellent quality prints.
The Canon EOS Rebel T3i has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Leica D-LUX 7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||22.9||12.8||1002||72|
|14.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|16.||Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||22.4||12.1||607||67|
|17.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D-LUX 7 provides a better video resolution than the T3i. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D-LUX 7 has an electronic viewfinder (2764k dots), while the T3i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the D-LUX 7 offers a wider field of view (100%) than the one in the T3i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D-LUX 7 has a higher magnification (0.70x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon T3i and Leica D-LUX 7 along with similar information for a selection of comparators.
|1.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|2.||Leica D-LUX 7||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|3.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3/s||n||n|
|9.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|12.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|13.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|14.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|15.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Leica D-LUX Typ 109||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|17.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The T3i has one, while the D-LUX 7 does not. While the built-in flash of the T3i is not very powerful, it can at times be useful as a fill-in light.The T3i has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D-LUX 7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX 7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T3i and the D-LUX 7 write their files to SDXC cards. The D-LUX 7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T3i cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T3i and Leica D-LUX 7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Leica D-LUX 7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Leica D-LUX Typ 109||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
It is notable that the T3i has a microphone port, which is missing on the D-LUX 7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The D-LUX 7 is a recent model that features in the current product line-up of Leica. In contrast, the T3i has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T3i was succeeded by the Canon T4i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So what is the bottom line? Is the Canon T3i better than the Leica D-LUX 7 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS Rebel T3i:
- More detail: Offers more megapixels (17.9 vs 16.8MP) with a 5% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (440 versus 300) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in February 2011).
Advantages of the Leica D-LUX 7:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.53x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (11 vs 3.7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the T3i requires a separate lens.
- More compact: Is smaller (115x66mm vs 133x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the T3i).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Reflects 7 years and 9 months of technical progress since the T3i launch.
If the count of relative strengths (bullet points above) is taken as a measure, the D-LUX 7 is the clear winner of the contest (21 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T3i and the Leica D-LUX 7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the T3i or the D-LUX 7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|2.||Leica D-LUX 7||..||..||..||..||..||4.5/5||Nov 2018||1,195|
|3.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|4.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|5.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|6.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|9.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|10.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|11.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|12.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|13.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|14.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249|
|15.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049|
|16.||Leica D-LUX Typ 109||..||..||..||..||4.5/5||4.5/5||Sep 2014||1,195|
|17.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon RP vs Canon T3i
- Canon T3i vs Kodak S-1
- Canon T3i vs Nikon D7100
- Canon T3i vs Olympus E-30
- Canon T3i vs Pentax K-3
- Canon T3i vs Sony RX100 II
- Leica D-LUX 7 vs Nikon D60
- Leica D-LUX 7 vs Panasonic FZ82
- Leica D-LUX 7 vs Panasonic G9
- Leica D-LUX 7 vs Sony NEX-5N
- Leica D-LUX 7 vs Sony RX10 IV
- Leica D-LUX 7 vs Sony RX100
Specifications: Canon T3i vs Leica D-LUX 7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T3i||Leica D-LUX 7|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-75mm f/1.7-2.8|
|Launch Date||February 2011||November 2018|
|Launch Price||USD 599||USD 1,195|
|Sensor Specs||Canon T3i||Leica D-LUX 7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||15.7 x 11.8 mm|
|Sensor Area||332.27 mm2||185.26 mm2|
|Sensor Diagonal||26.8 mm||19.6 mm|
|Sensor Resolution||17.9 Megapixels||16.8 Megapixels|
|Image Resolution||5184 x 3456 pixels||4736 x 3552 pixels|
|Pixel Pitch||4.31 μm||3.32 μm|
|Pixel Density||5.39 MP/cm2||9.08 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 12,800 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||65||..|
|DXO Color Depth (bits)||22.1||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||793||..|
|Screen Specs||Canon T3i||Leica D-LUX 7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon T3i||Leica D-LUX 7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3.7 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon T3i||Leica D-LUX 7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon T3i||Leica D-LUX 7|
|Battery Life (CIPA)||440 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
133 x 100 x 80 mm
(5.2 x 3.9 x 3.1 in)
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
|Camera Weight||570 g (20.1 oz)||392 g (13.8 oz)|
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