Canon T2i vs Leica D-LUX 7
The Canon EOS Rebel T2i (called Canon 550D in some regions) and the Leica D-LUX 7 are two digital cameras that were officially introduced, respectively, in February 2010 and November 2018. The T2i is a DSLR, while the D-LUX 7 is a fixed lens compact. The cameras are based on an APS-C (T2i) and a Four Thirds (D-LUX 7) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Leica provides 16.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T2i and the Leica D-LUX 7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon T2i and the Leica D-LUX 7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 7 is considerably smaller (40 percent) than the Canon T2i. In this context, it is worth noting that neither the T2i nor the D-LUX 7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the T2i is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T2i and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the T2i gets 440 shots out of its LP-E8 battery, while the D-LUX 7 can take 300 images on a single charge of its BP-DC15 power pack. The power pack in the D-LUX 7 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699||ebay.com|
|2.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195||amazon.com|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||amazon.com|
|4.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|5.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|6.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||ebay.com|
|7.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||ebay.com|
|8.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||ebay.com|
|9.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||ebay.com|
|10.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799||ebay.com|
|11.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||ebay.com|
|12.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799||ebay.com|
|13.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|14.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|15.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||ebay.com|
|16.||Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195||ebay.com|
|17.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T2i features an APS-C sensor and the Leica D-LUX 7 a Four Thirds sensor. The sensor area in the D-LUX 7 is 44 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.2. The sensor in the T2i has a native 3:2 aspect ratio, while the one in the D-LUX 7 offers a 4:3 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 17.9MP, the T2i offers a slightly higher resolution than the D-LUX 7 (16.8MP), but the T2i nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.32μm for the D-LUX 7) due to its larger sensor. However, the D-LUX 7 is a much more recent model (by 8 years and 9 months) than the T2i, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon T2i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T2i for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inches or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inches or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inches or 40.1 x 30.1 cm for excellent quality prints.
The Canon EOS Rebel T2i has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Leica D-LUX 7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||22.9||12.8||1002||72|
|14.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|16.||Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||22.4||12.1||607||67|
|17.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D-LUX 7 provides a better video resolution than the T2i. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D-LUX 7 has an electronic viewfinder (2764k dots), while the T2i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the D-LUX 7 offers a wider field of view (100%) than the one in the T2i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D-LUX 7 has a higher magnification (0.70x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon T2i, the Leica D-LUX 7, and comparable cameras.
|1.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|2.||Leica D-LUX 7||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|7.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|9.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|10.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|11.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|12.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|14.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|15.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Leica D-LUX Typ 109||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|17.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The T2i has one, while the D-LUX 7 does not. While the built-in flash of the T2i is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX 7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T2i and the D-LUX 7 write their files to SDXC cards. The D-LUX 7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T2i cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T2i and Leica D-LUX 7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|2.||Leica D-LUX 7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|11.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Leica D-LUX Typ 109||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
It is notable that the T2i has a microphone port, which is missing on the D-LUX 7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The D-LUX 7 is a recent model that features in the current product line-up of Leica. In contrast, the T2i has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the T2i was succeeded by the Canon T3i. Further information on the features and operation of the T2i and D-LUX 7 can be found, respectively, in the Canon T2i Manual (free pdf) or the online Leica D-LUX 7 Manual.
So what is the bottom line? Is there a clear favorite between the Canon T2i and the Leica D-LUX 7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS Rebel T2i:
- More detail: Offers more megapixels (17.9 vs 16.8MP) with a 5% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (440 versus 300) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in February 2010).
Arguments in favor of the Leica D-LUX 7:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.54x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (11 vs 3.7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the T2i requires a separate lens.
- More compact: Is smaller (115x66mm vs 129x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the T2i).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Reflects 8 years and 9 months of technical progress since the T2i launch.
If the count of relative strengths (bullet points above) is taken as a measure, the D-LUX 7 is the clear winner of the contest (21 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T2i and the Leica D-LUX 7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the T2i and the D-LUX 7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699||ebay.com|
|2.||Leica D-LUX 7||..||..||..||..||..||4.5/5||Nov 2018||1,195||amazon.com|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399||amazon.com|
|4.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|5.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|6.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649||ebay.com|
|7.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849||ebay.com|
|8.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449||ebay.com|
|9.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599||ebay.com|
|10.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799||ebay.com|
|11.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799||ebay.com|
|12.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799||ebay.com|
|13.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|14.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|15.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049||ebay.com|
|16.||Leica D-LUX Typ 109||..||..||..||..||4.5/5||4.5/5||Sep 2014||1,195||ebay.com|
|17.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 760D vs Leica D-LUX 7
- Canon M50 vs Canon T2i
- Canon T2i vs Fujifilm X-T10
- Canon T2i vs Leica S Typ 007
- Canon T2i vs Olympus E-PL3
- Canon T2i vs Pentax KP
- Canon T2i vs Sony NEX-6
- Contax N Digital vs Leica D-LUX 7
- Leica D-LUX 7 vs OM System OM-1
- Leica D-LUX 7 vs Panasonic ZS200
- Leica D-LUX 7 vs Sony A9
- Leica D-LUX 7 vs Sony HX95
Specifications: Canon T2i vs Leica D-LUX 7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T2i||Leica D-LUX 7|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-75mm f/1.7-2.8|
|Launch Date||February 2010||November 2018|
|Launch Price||USD 699||USD 1,195|
|Sensor Specs||Canon T2i||Leica D-LUX 7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||15.7 x 11.8 mm|
|Sensor Area||332.27 mm2||185.26 mm2|
|Sensor Diagonal||26.8 mm||19.6 mm|
|Sensor Resolution||17.9 Megapixels||16.8 Megapixels|
|Image Resolution||5184 x 3456 pixels||4736 x 3552 pixels|
|Pixel Pitch||4.31 μm||3.32 μm|
|Pixel Density||5.39 MP/cm2||9.08 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 12,800 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||66||..|
|DXO Color Depth (bits)||22.1||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||784||..|
|Screen Specs||Canon T2i||Leica D-LUX 7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon T2i||Leica D-LUX 7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3.7 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon T2i||Leica D-LUX 7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon T2i||Leica D-LUX 7|
|Battery Life (CIPA)||440 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
|Camera Weight||530 g (18.7 oz)||392 g (13.8 oz)|
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