Canon SX620 vs Panasonic S1
The Canon PowerShot SX620 HS and the Panasonic Lumix DC-S1 are two digital cameras that were revealed to the public, respectively, in May 2016 and February 2019. The SX620 is a fixed lens compact, while the S1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX620) and a full frame (S1) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX620 HS and the Panasonic Lumix DC-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX620 and the Panasonic S1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The SX620 can be obtained in three different colors (black, silver, red), while the S1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is considerably larger (196 percent) than the Canon SX620. It is noteworthy in this context that the S1 is splash and dust-proof, while the SX620 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX620 has a lens built in, whereas the S1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the SX620 gets 295 shots out of its NB-13L battery, while the S1 can take 400 images on a single charge of its DMW-BLJ31 power pack. The power pack in the S1 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon SX620||97 mm||57 mm||28 mm||182 g||295||n||May 2016||279|
|2.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|4.||Canon SX430||104 mm||69 mm||85 mm||323 g||195||n||Jan 2017||299|
|5.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|6.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|7.||Canon SX420||104 mm||69 mm||85 mm||325 g||195||n||Jan 2016||299|
|8.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|9.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|10.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|11.||Canon SX410||104 mm||69 mm||85 mm||325 g||185||n||Feb 2015||279|
|12.||Canon SX610||105 mm||61 mm||27 mm||191 g||270||n||Jan 2015||249|
|13.||Canon SX710||113 mm||66 mm||35 mm||269 g||230||n||Jan 2015||349|
|14.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|15.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|16.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999|
|17.||Sony A900||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX620 was launched at a lower price than the S1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX620 features a 1/2.3-inch sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the SX620 has a native 4:3 aspect ratio, while the one in the S1 offers a 3:2 aspect.
With 24MP, the S1 offers a higher resolution than the SX620 (20.2MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.18μm for the SX620) due to its larger sensor. Moreover, the S1 is a much more recent model (by 2 years and 8 months) than the SX620, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon SX620 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
Unlike the SX620, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot SX620 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|5.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|10.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|14.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|15.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|16.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|17.||Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S1 provides a better video resolution than the SX620. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the S1 has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX620 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon SX620 and Panasonic S1 in connection with corresponding information for a sample of similar cameras.
|1.||Canon SX620||none||n||3.0 / 922||fixed||n||1/2000s||2.5||Y||Y|
|2.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0||n||Y|
|3.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|4.||Canon SX430||none||n||3.0 / 230||fixed||n||1/4000s||0.5||Y||Y|
|5.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|6.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9||Y||Y|
|7.||Canon SX420||none||n||3.0 / 230||fixed||n||1/4000s||0.5||Y||Y|
|8.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9||Y||Y|
|9.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9||Y||Y|
|10.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|11.||Canon SX410||none||n||3.0 / 230||fixed||n||1/4000s||0.5||Y||Y|
|12.||Canon SX610||none||n||3.0 / 922||fixed||n||1/2000s||2.5||Y||Y|
|13.||Canon SX710||none||n||3.0 / 922||fixed||n||1/3200s||6.0||Y||Y|
|14.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0||n||Y|
|15.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0||n||Y|
|16.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0||n||Y|
|17.||Sony A900||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The SX620 has one, while the S1 does not. While the built-in flash of the SX620 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SX620 writes its imaging data to SDXC cards, while the S1 uses SDXC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX620 only has one slot. The S1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the SX620 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX620 HS and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX620||-||mono / mono||-||-||micro||2.0||Y||Y||-|
|2.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon SX430||-||mono / mono||-||-||-||2.0||Y||Y||-|
|5.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|6.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|7.||Canon SX420||-||mono / mono||-||-||-||2.0||Y||Y||-|
|8.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|10.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Canon SX410||-||stereo / mono||-||-||-||2.0||-||-||-|
|12.||Canon SX610||-||- / -||-||-||micro||2.0||Y||Y||-|
|13.||Canon SX710||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|15.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|16.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Sony A900||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the S1 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX620 does not feature such a mic input.
Studio photographers will appreciate that the Panasonic S1 (unlike the SX620) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SX620 and the S1 are recent models that are part of the current product line-up. The SX620 replaced the earlier Canon SX610, while the S1 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Canon SX620 and the Panasonic S1? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot SX620 HS:
- Ready to shoot: Has a lens built-in, whereas the S1 requires a separate lens.
- More compact: Is smaller (97x57mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the S1).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in May 2016).
Reasons to prefer the Panasonic Lumix DC-S1:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 922k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 295) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Reflects 2 years and 8 months of technical progress since the SX620 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S1 is the clear winner of the contest (31 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX620 and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SX620 or the S1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX620||..||..||..||..||..||4/5||May 2016||279|
|2.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|3.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|4.||Canon SX430||..||..||..||..||3.5/5||3.5/5||Jan 2017||299|
|5.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|6.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|7.||Canon SX420||..||..||..||..||..||3/5||Jan 2016||299|
|8.||Canon SX540||..||..||..||..||..||..||Jan 2016||399|
|9.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|10.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|11.||Canon SX410||..||o||..||..||..||..||Feb 2015||279|
|12.||Canon SX610||..||..||..||..||4/5||4/5||Jan 2015||249|
|13.||Canon SX710||..||+||..||..||4/5||3.5/5||Jan 2015||349|
|14.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|15.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|16.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999|
|17.||Sony A900||..||+ +||..||+ +||4.5/5||5/5||Sep 2008||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 600D vs Panasonic S1
- Canon G9 X vs Canon SX620
- Canon M6 Mark II vs Canon SX620
- Canon SX60 vs Canon SX620
- Canon SX620 vs Olympus E-PL5
- Canon SX620 vs Panasonic G2
- Canon SX620 vs Sony A7R IV
- Canon SX70 vs Panasonic S1
- Fujifilm X-A7 vs Panasonic S1
- Fujifilm X-E4 vs Panasonic S1
- Panasonic GH2 vs Panasonic S1
- Panasonic S1 vs Sony RX1R II
Specifications: Canon SX620 vs Panasonic S1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX620||Panasonic S1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-625mm f/3.2-6.6||Leica L mount lenses|
|Launch Date||May 2016||February 2019|
|Launch Price||USD 279||USD 2,499|
|Sensor Specs||Canon SX620||Panasonic S1|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.6 x 23.8 mm|
|Sensor Area||28.0735 mm2||847.28 mm2|
|Sensor Diagonal||7.7 mm||42.8 mm|
|Sensor Resolution||20.2 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3888 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.18 μm||5.94 μm|
|Pixel Density||71.80 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||4K/60p Video|
|ISO Setting||80 - 3,200 ISO||100 - 51,200 ISO|
|ISO Boost||no Enhancement||50 - 204,800 ISO|
|Image Processor||DIGIC 4+||Venus|
|DXO Sensor Quality (score)||..||95|
|DXO Color Depth (bits)||..||25.2|
|DXO Dynamic Range (EV)||..||14.5|
|DXO Low Light (ISO)||..||3333|
|Screen Specs||Canon SX620||Panasonic S1|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||922k dots||2100k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX620||Panasonic S1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||2.5 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon SX620||Panasonic S1|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon SX620||Panasonic S1|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||295 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
97 x 57 x 28 mm
(3.8 x 2.2 x 1.1 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||182 g (6.4 oz)||1017 g (35.9 oz)|
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