Canon SX50 vs Sony A5000
The Canon PowerShot SX50 HS and the Sony Alpha A5000 are two digital cameras that were announced, respectively, in September 2012 and January 2014. The SX50 is a fixed lens compact, while the A5000 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX50) and an APS-C (A5000) sensor. The Canon has a resolution of 12 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX50 HS and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SX50 and the Sony A5000. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The A5000 can be obtained in three different colors (black, silver, white), while the SX50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is considerably smaller (35 percent) than the Canon SX50. In this context, it is worth noting that neither the SX50 nor the A5000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the A5000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A5000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the SX50 gets 315 shots out of its NB-10L battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|2.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|3.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|5.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|6.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|7.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|8.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|9.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|10.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|11.||Canon G12||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499|
|12.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|13.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|14.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|15.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|16.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|17.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX50 was launched at a lower price than the A5000, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX50 features a 1/2.3-inch sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 1175 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX50 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the SX50 (12MP), but the A5000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 1.53μm for the SX50) due to its larger sensor. Moreover, the A5000 is a somewhat more recent model (by 1 year and 3 months) than the SX50, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Canon SX50 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot SX50 HS has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A5000 offers substantially better image quality than the SX50 (overall score 32 points higher). The advantage is based on 3.5 bits higher color depth, 1.8 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|7.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|14.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A5000 provides a faster frame rate than the SX50. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the SX50 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon SX50 and Sony A5000 in connection with corresponding information for a sample of similar cameras.
|7.||Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
|14.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
The SX50 writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. The A5000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX50 HS and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|7.||Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|14.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the SX50 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the SX50 and the A5000 have been discontinued, but can regularly be found used on eBay. The SX50 was replaced by the Canon SX60, while the A5000 was followed by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is the Canon SX50 better than the Sony A5000 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot SX50 HS:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Ready to shoot: Has a lens built-in, whereas the A5000 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
Reasons to prefer the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 12MP), which boosts linear resolution by 31%.
- Better image quality: Scores substantially higher (32 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.6 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/24p).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3.5 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (110x63mm vs 123x87mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (420 versus 315) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (1 year and 3 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A5000 is the clear winner of the contest (16 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX50 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the SX50 and the A5000 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX50||3/5||+ +||72/100||4.5/5||4.5/5||Sep 2012||429|
|2.||Sony A5000||3/5||+||..||4.5/5||4.5/5||Jan 2014||449|
|3.||Canon M10||..||..||..||..||4/5||Oct 2015||499|
|4.||Canon SX60||3/5||+ +||75/100||4/5||4.5/5||Sep 2014||549|
|5.||Canon G16||4/5||+||..||4.5/5||4.5/5||Aug 2013||549|
|6.||Canon S120||..||+ +||..||4.5/5||4.5/5||Aug 2013||449|
|7.||Canon G1 X||5/5||+||76/100||4/5||4.5/5||Jan 2012||799|
|8.||Canon G15||4/5||+||76/100||4.5/5||4.5/5||Sep 2012||499|
|9.||Canon SX40||..||+||..||4.5/5||4/5||Sep 2011||429|
|10.||Canon 1100D||..||80/100||69/100||4/5||4.5/5||Feb 2011||449|
|11.||Canon G12||4/5||+||73/100||4.5/5||4.5/5||Sep 2010||499|
|12.||Panasonic LX7||3/5||+ +||75/100||4/5||4.5/5||Jul 2012||499|
|13.||Panasonic FZ150||3/5||+ +||76/100||4/5||4.5/5||Aug 2011||499|
|14.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|15.||Sony A5100||4.5/5||+||..||4.5/5||5/5||Aug 2014||549|
|16.||Sony A6000||5/5||+||80/100||4.5/5||5/5||Feb 2014||599|
|17.||Sony NEX-3N||3/5||..||..||4.5/5||4.5/5||Feb 2013||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon SX50 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX50||Sony A5000|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1200mm f/3.4-6.5||Sony E mount lenses|
|Launch Date||September 2012||January 2014|
|Launch Price||USD 429||USD 449|
|Sensor Specs||Canon SX50||Sony A5000|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.2 x 15.4 mm|
|Sensor Area||28.0735 mm2||357.28 mm2|
|Sensor Diagonal||7.7 mm||27.8 mm|
|Sensor Resolution||12 Megapixels||19.8 Megapixels|
|Image Resolution||4000 x 3000 pixels||5456 x 3632 pixels|
|Pixel Pitch||1.53 μm||4.25 μm|
|Pixel Density||42.74 MP/cm2||5.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/60i Video|
|ISO Setting||80 - 6,400 ISO||100 - 16,000 ISO|
|Image Processor||DIGIC 5||BIONZ X|
|DXO Sensor Quality (score)||47||79|
|DXO Color Depth (bits)||20.3||23.8|
|DXO Dynamic Range (EV)||11.2||13.0|
|DXO Low Light (ISO)||179||1089|
|Screen Specs||Canon SX50||Sony A5000|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||461k dots||461k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon SX50||Sony A5000|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||2.2 shutter flaps/s||3.5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX50||Sony A5000|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon SX50||Sony A5000|
|Battery Life (CIPA)||315 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||595 g (21.0 oz)||269 g (9.5 oz)|
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