Olympus E-P5 vs Sony A5000
The Olympus PEN E-P5 and the Sony Alpha A5000 are two digital cameras that were announced, respectively, in May 2013 and January 2014. Both the E-P5 and the A5000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-P5) and an APS-C (A5000) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-P5 and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-P5 and the Sony A5000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in three different colors (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is notably smaller (18 percent) than the Olympus E-P5. Moreover, the A5000 is substantially lighter (36 percent) than the E-P5. In this context, it is worth noting that neither the E-P5 nor the A5000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-P5) and the Sony E-Mount Lens Catalog (A5000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the E-P5 gets 330 shots out of its BLN-1 battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|2.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449||ebay.com|
|3.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||ebay.com|
|4.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499||ebay.com|
|5.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||ebay.com|
|6.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||ebay.com|
|7.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|8.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||ebay.com|
|9.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|10.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299||ebay.com|
|11.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599||ebay.com|
|12.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499||ebay.com|
|13.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799||ebay.com|
|14.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|16.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||ebay.com|
|17.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A5000 was launched at a markedly lower price (by 55 percent) than the E-P5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-P5 features a Four Thirds sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 59 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-P5 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the E-P5 (15.9MP), but the A5000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 3.76μm for the E-P5) due to its larger sensor. Moreover, the A5000 is a somewhat more recent model (by 7 months) than the E-P5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Olympus E-P5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Olympus PEN E-P5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A5000 has a markedly higher DXO score than the E-P5 (overall score 7 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 0.6 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|5.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|6.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|7.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|8.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|9.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|10.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|11.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|12.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|13.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|14.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A5000 provides a faster frame rate than the E-P5. It can shoot movie footage at 1080/60i, while the Olympus is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The E-P5 and the A5000 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the E-P5 can be equipped with an optional viewfinder – the VF-4. The table below summarizes some of the other core capabilities of the Olympus E-P5 and Sony A5000 in connection with corresponding information for a sample of similar cameras.
|1.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|2.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5/s||Y||n|
|3.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|4.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|5.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|6.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|7.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|8.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|9.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|10.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0/s||n||Y|
|11.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|12.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0/s||n||Y|
|13.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0/s||Y||Y|
|14.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|16.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0/s||Y||n|
|17.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the E-P5 and the A5000 is in-body image stabilization (IBIS). The E-P5 reduces the risk of handshake-induced blur with all attached lenses, while the A5000 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The A5000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-P5 does not have a selfie-screen.
The Olympus E-P5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-P5 writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-P5 and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the E-P5 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the E-P5 and the A5000 have been discontinued, but can regularly be found used on ebay. The E-P5 was replaced by the Olympus E-P7, while the A5000 was followed by the Sony A5100. Further information on the features and operation of the E-P5 and A5000 can be found, respectively, in the Olympus E-P5 Manual (free pdf) or the online Sony A5000 Manual.
So what is the bottom line? Is there a clear favorite between the Olympus E-P5 and the Sony A5000? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus PEN E-P5:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 461k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 3.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in May 2013).
Reasons to prefer the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 15.9MP), which boosts linear resolution by 14%.
- Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (110x63mm vs 122x69mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 151g or 36 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (420 versus 330) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
- More modern: Was introduced somewhat (7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A5000 emerges as the winner of the match-up (12 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-P5 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-P5 or the A5000 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|2.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449||ebay.com|
|3.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499||ebay.com|
|4.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499||ebay.com|
|5.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199||ebay.com|
|6.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649||ebay.com|
|7.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|8.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599||ebay.com|
|9.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|10.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299||ebay.com|
|11.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|12.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499||ebay.com|
|13.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799||ebay.com|
|14.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|16.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549||ebay.com|
|17.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M200 vs Sony A5000
- Canon SX420 vs Sony A5000
- Canon SX730 vs Sony A5000
- Nikon D3500 vs Olympus E-P5
- Nikon Df vs Olympus E-P5
- Olympus E-M1 vs Olympus E-P5
- Olympus E-P3 vs Olympus E-P5
- Olympus E-P5 vs Panasonic GF1
- Olympus E-P5 vs Panasonic S1H
- Olympus E-PL7 vs Sony A5000
- Panasonic FZ80 vs Sony A5000
- Sony A5000 vs Sony HX400V
Specifications: Olympus E-P5 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-P5||Sony A5000|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||May 2013||January 2014|
|Launch Price||USD 999||USD 449|
|Sensor Specs||Olympus E-P5||Sony A5000|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.2 x 15.4 mm|
|Sensor Area||224.9 mm2||357.28 mm2|
|Sensor Diagonal||21.6 mm||27.8 mm|
|Sensor Resolution||15.9 Megapixels||19.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||5456 x 3632 pixels|
|Pixel Pitch||3.76 μm||4.25 μm|
|Pixel Density||7.08 MP/cm2||5.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||200 - 25,600 ISO||100 - 16,000 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||TruePic VI||BIONZ X|
|DXO Sensor Quality (score)||72||79|
|DXO Color Depth (bits)||22.8||23.8|
|DXO Dynamic Range (EV)||12.4||13.0|
|DXO Low Light (ISO)||895||1089|
|Screen Specs||Olympus E-P5||Sony A5000|
|Viewfinder Type||Viewfinder optional||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||461k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-P5||Sony A5000|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||9 shutter flaps/s||3.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus E-P5||Sony A5000|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-P5||Sony A5000|
|Battery Life (CIPA)||330 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 69 x 37 mm
(4.8 x 2.7 x 1.5 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||420 g (14.8 oz)||269 g (9.5 oz)|
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