Canon SL3 vs Sony RX1
The Canon EOS Rebel SL3 (called Canon 250D in some regions) and the Sony Cyber-shot DSC-RX1 are two digital cameras that were announced, respectively, in April 2019 and September 2012. The SL3 is a DSLR, while the RX1 is a fixed lens compact. The cameras are based on an APS-C (SL3) and a full frame (RX1) sensor. Both cameras offer a resolution of 24 megapixels.
As their names suggest, both the Canon EOS Rebel SL3 and the Sony Cyber-shot DSC-RX1 belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon SL3 and Sony RX1. Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SL3||Sony RX1|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||35mm f/2.0|
|24 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|4K/25p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 100-25600 (50-102400)|
|Optical viewfinder||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|5 shutter flaps per second||5 shutter flaps per second|
|1070 shots per battery charge||270 shots per battery charge|
|122 x 93 x 70 mm, 449 g||113 x 65 x 70 mm, 482 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL3 and the Sony Cyber-shot DSC-RX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SL3 and the Sony RX1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SL3 can be obtained in two different colors (black, white), while the RX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1 is considerably smaller (35 percent) than the Canon SL3. In this context, it is worth noting that neither the SL3 nor the RX1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1 has a lens built in, whereas the SL3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the SL3 and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the SL3 gets 1070 shots out of its LP-E17 battery, while the RX1 can take 270 images on a single charge of its NP-BX1 power pack. The power pack in the RX1 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon SL3»||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Sony RX1«||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||-||Sony RX1|
|Canon M50« »||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon T100« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon T100|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T2i« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon T2i|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Sony RX1R II« »||4.4 in||2.6 in||2.8 in||17.9 oz||220||n||Oct 2015||3,299||Sony RX1R II|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||-||Sony RX1R|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SL3 features an APS-C sensor and the Sony RX1 a full frame sensor. The sensor area in the RX1 is 157 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Even though the RX1 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the RX1 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.96μm versus 3.72μm for the SL3), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the SL3 is much more recent (by 6 years and 6 months) than the RX1, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The SL3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL3 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon SL3»||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon SL3|
|Sony RX1«||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon T7« »||APS-C||24.0||6000||4000||1080/30p||-||-||-||-||Canon T7|
|Canon T100« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon T100|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Sony RX1R II« »||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97||Sony RX1R II|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony RX1R« »||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL3 provides a higher video resolution than the RX1. It can shoot video footage at 4K/25p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the SL3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the RX1 relies on live view and the rear LCD for framing. That said, the RX1 can be equipped with an optional viewfinder – the FDA-EV1MK. The table below summarizes some of the other core capabilities of the Canon SL3 and Sony RX1 in connection with corresponding information for a sample of similar cameras.
|Canon SL3»||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Sony RX1«||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon T7« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon T100« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T100|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon T2i|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Sony RX1R II« »||2360||n||3.0||1229||tilting||n||1/4000s||5.0||n||n||Sony RX1R II|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony RX1R« »||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1R|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL3 has a touchscreen, while the RX1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The SL3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX1 does not have a selfie-screen.
The Canon SL3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SL3 writes its imaging data to SDXC cards, while the RX1 uses SDXC or Memory Stick PRO Duo cards. The SL3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the RX1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL3 and Sony Cyber-shot DSC-RX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SL3»||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Sony RX1«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon T7« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon T100« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T100|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Sony RX1R II« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony RX1R II|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony RX1R« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
It is notable that the SL3 offers wifi support, while the RX1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The SL3 is a recent model that features in the current product line-up of Canon. In contrast, the RX1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX1 was succeeded by the Sony RX1R. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is the Canon SL3 better than the Sony RX1 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS Rebel SL3:
- Better video: Provides higher definition movie capture (4K/25p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1070 versus 270) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 6 months of technical progress since the RX1 launch.
Reasons to prefer the Sony Cyber-shot DSC-RX1:
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Ready to shoot: Comes with an integrated lens, while the SL3 requires a separate lens.
- More compact: Is smaller (113x65mm vs 122x93mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the SL3 is the clear winner of the match-up (13 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL3 and the Sony RX1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL3 or the RX1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SL3»||o||79/100||4/5||-||4/5||Apr 2019||599||Canon SL3|
|Sony RX1«||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon T7« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon T7|
|Canon T100« »||o||-||3.5/5||-||3.5/5||Feb 2018||399||Canon T100|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon SL2« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T2i« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Sony RX1R II« »||-||82/100||-||o||4.5/5||Oct 2015||3,299||Sony RX1R II|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony RX1R« »||-||-||4/5||o||4.5/5||Jun 2013||2,799||-||Sony RX1R|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon SL3 vs Sony RX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL3||Sony RX1|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||35mm f/2.0|
|Launch Date||April 2019||September 2012|
|Launch Price||USD 599||USD 2799|
|Sensor Specs||Canon SL3||Sony RX1|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.8 x 23.8 mm|
|Sensor Area||332.27 mm2||852.04 mm2|
|Sensor Diagonal||26.8 mm||43 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||5.96 μm|
|Pixel Density||7.22 MP/cm2||2.82 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/25p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||50-102400 ISO|
|Image Processor||DIGIC 8||BIONZ X|
|DXO Sensor Quality (score)||..||93|
|DXO Color Depth (bits)||..||25.1|
|DXO Dynamic Range (EV)||..||14.3|
|DXO Low Light (ISO)||..||2534|
|Screen Specs||Canon SL3||Sony RX1|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon SL3||Sony RX1|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon SL3||Sony RX1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SL3||Sony RX1|
|Battery Life (CIPA)||1070 shots per charge||270 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
113 x 65 x 70 mm
(4.4 x 2.6 x 2.8 in)
|Camera Weight||449 g (15.8 oz)||482 g (17.0 oz)|
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