Canon SL3 vs Olympus E-5
The Canon EOS Rebel SL3 (called Canon 250D in some regions) and the Olympus E-5 are two digital cameras that were announced, respectively, in April 2019 and September 2010. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (SL3) and a Four Thirds (E-5) sensor. The Canon has a resolution of 24 megapixels, whereas the Olympus provides 12.2 MP.
As their names suggest, both the Canon EOS Rebel SL3 and the Olympus E-5 belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon SL3 and Olympus E-5. Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SL3||Olympus E-5|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Four Thirds lenses|
|24 MP, APS-C Sensor||12.2 MP, Four Thirds Sensor|
|4K/25p Video||720/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-6400|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Swivel touchscreen||Swivel screen (not touch-sensitive)|
|5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|1070 shots per battery charge||750 shots per battery charge|
|122 x 93 x 70 mm, 449 g||142 x 117 x 75 mm, 873 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL3 and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SL3 and the Olympus E-5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The SL3 can be obtained in two different colors (black, white), while the E-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is considerably larger (46 percent) than the Canon SL3. Moreover, the E-5 is substantially heavier (94 percent) than the SL3. It is noteworthy in this context that the E-5 is splash and dust-proof, while the SL3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL3) and the Four Thirds Lens Catalog (E-5).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon SL3»||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Olympus E-5«||5.6 in||4.6 in||3.0 in||30.8 oz||750||Y||Sep 2010||1,699||-||Olympus E-5|
|Canon M50« »||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon T100« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon T100|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T2i« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon T2i|
|Olympus E-30« »||5.6 in||4.3 in||3.0 in||24.7 oz||750||n||Nov 2008||1,299||-||Olympus E-30|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||-||Olympus E-520|
|Olympus E-3« »||5.6 in||4.6 in||3.0 in||30.9 oz||750||Y||Oct 2007||1,699||-||Olympus E-3|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||-||Olympus E-510|
|Olympus E-1« »||5.6 in||4.1 in||3.2 in||26.0 oz||750||Y||Jun 2003||1,699||-||Olympus E-1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL3 was launched at a markedly lower price (by 65 percent) than the E-5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SL3 features an APS-C sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the SL3 has a native 3:2 aspect ratio, while the one in the E-5 offers a 4:3 aspect.
With 24MP, the SL3 offers a higher resolution than the E-5 (12.2MP), but the SL3 has smaller individual pixels (pixel pitch of 3.72μm versus 4.29μm for the E-5). However, the SL3 is a much more recent model (by 8 years and 6 months) than the E-5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon SL3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL3 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inch or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inch or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inch or 34.1 x 25.6 cm for excellent quality prints.
The SL3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL3 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon SL3»||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon SL3|
|Olympus E-5«||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon T7« »||APS-C||24.0||6000||4000||1080/30p||-||-||-||-||Canon T7|
|Canon T100« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon T100|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Olympus E-30« »||Four Thirds||12.2||4032||3024||-||21.3||10.4||530||55||Olympus E-30|
|Olympus E-520« »||Four Thirds||10.0||3648||2736||-||21.4||10.4||548||55||Olympus E-520|
|Olympus E-3« »||Four Thirds||10.0||3648||2736||-||21.6||10.5||571||56||Olympus E-3|
|Olympus E-510« »||Four Thirds||10.0||3648||2736||-||21.2||10.0||442||52||Olympus E-510|
|Olympus E-1« »||Four Thirds||4.9||2560||1920||-||-||-||-||-||Olympus E-1|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the SL3 provides a higher video resolution than the E-5. It can shoot video footage at 4K/25p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The SL3 and the E-5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the E-5 offers a wider field of view (100%) than the one in the SL3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-5 has a higher magnification (0.575x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon SL3 and Olympus E-5 along with similar information for a selection of comparators.
|Canon SL3»||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Olympus E-5«||optical||Y||3.0||920||swivel||n||1/8000s||5.0||Y||Y||Olympus E-5|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon T7« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon T100« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T100|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon T2i|
|Olympus E-30« »||optical||Y||2.7||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-30|
|Olympus E-520« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-3« »||optical||Y||2.5||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-3|
|Olympus E-510« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-1« »||optical||Y||1.8||134||fixed||n||1/4000s||3.0||n||n||Olympus E-1|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL3 has a touchscreen, while the E-5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon SL3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SL3 writes its imaging data to SDXC cards, while the E-5 uses Compact Flash or xD Picture cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SL3 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL3 and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SL3»||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Olympus E-5«||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-5|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon T7« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon T100« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T100|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Olympus E-30« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-30|
|Olympus E-520« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-520|
|Olympus E-3« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-3|
|Olympus E-510« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-510|
|Olympus E-1« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-1|
It is notable that the SL3 has a microphone port, which is missing on the E-5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Olympus E-5 (unlike the SL3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The SL3 is a recent model that features in the current product line-up of Canon. In contrast, the E-5 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the E-5 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what conclusions can be drawn? Is the Canon SL3 better than the Olympus E-5 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS Rebel SL3:
- More detail: Offers more megapixels (24 vs 12.2MP) with a 43% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/25p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x93mm vs 142x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 424g or 49 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (1070 versus 750) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
- More modern: Reflects 8 years and 6 months of technical progress since the E-5 launch.
Arguments in favor of the Olympus E-5:
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.575x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the SL3 is the clear winner of the match-up (18 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL3 and the Olympus E-5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the SL3 or the E-5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SL3»||o||79/100||4/5||-||4/5||Apr 2019||599||Canon SL3|
|Olympus E-5«||-||75/100||4/5||-||4.5/5||Sep 2010||1,699||-||Olympus E-5|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon T7« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon T7|
|Canon T100« »||o||-||3.5/5||-||3.5/5||Feb 2018||399||Canon T100|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon SL2« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T2i« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Olympus E-30« »||-||71/100||4.5/5||-||4/5||Nov 2008||1,299||-||Olympus E-30|
|Olympus E-520« »||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699||-||Olympus E-520|
|Olympus E-3« »||88/100||+ +||o||o||4/5||Oct 2007||1,699||-||Olympus E-3|
|Olympus E-510« »||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799||-||Olympus E-510|
|Olympus E-1« »||-||+||o||o||-||Jun 2003||1,699||-||Olympus E-1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D C vs Canon SL3
- Canon 30D vs Olympus E-5
- Canon G9 X Mark II vs Canon SL3
- Canon SL3 vs Fujifilm X-T3
- Canon SL3 vs Fujifilm X100T
- Canon SL3 vs Leica TL
- Canon SL3 vs Nikon D4S
- Canon SL3 vs Panasonic FZ1000 II
- Canon SL3 vs Panasonic GM1
- Leica D-LUX 6 vs Olympus E-5
- Olympus E-5 vs Panasonic S1H
- Olympus E-5 vs Ricoh GR
Specifications: Canon SL3 vs Olympus E-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL3||Olympus E-5|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||April 2019||September 2010|
|Launch Price||USD 599||USD 1699|
|Sensor Specs||Canon SL3||Olympus E-5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||12.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||4032 x 3024 pixels|
|Pixel Pitch||3.72 μm||4.29 μm|
|Pixel Density||7.22 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/25p Video||720/30p Video|
|ISO Setting||100-25600 ISO||100-6400 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||DIGIC 8||TruePic V+|
|DXO Sensor Quality (score)||..||56|
|DXO Color Depth (bits)||..||21.6|
|DXO Dynamic Range (EV)||..||10.5|
|DXO Low Light (ISO)||..||519|
|Screen Specs||Canon SL3||Olympus E-5|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon SL3||Olympus E-5|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon SL3||Olympus E-5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SL3||Olympus E-5|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||1070 shots per charge||750 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
|Camera Weight||449 g (15.8 oz)||873 g (30.8 oz)|
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