Canon SL3 vs Panasonic S5 II

The Canon EOS Rebel SL3 (called Canon 250D in some regions) and the Panasonic Lumix DC-S5 II are two digital cameras that were officially introduced, respectively, in April 2019 and January 2023. The SL3 is a DSLR, while the S5 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL3) and a full frame (S5 II) sensor. Both cameras offer a resolution of 24 megapixels.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon SL3		Panasonic S5 II
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Leica L mount lenses
24 MP – APS-C sensor		24 MP – Full Frame sensor
4K/25p Video		6K/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-51,200 (50 - 204,800)
Optical viewfinder		Electronic viewfinder (3680k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1840k dots
Swivel touchscreen		Swivel touchscreen
5 shutter flaps per second		9 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
1070 shots per battery charge		370 shots per battery charge
122 x 93 x 70 mm, 449 g		134 x 102 x 90 mm, 740 g

Check SL3 price at
amazon.com
Check S5 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL3 and the Panasonic Lumix DC-S5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon SL3 and the Panasonic S5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The SL3 can be obtained in two different colors (black, white), while the S5 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 II is notably larger (20 percent) than the Canon SL3. Moreover, the S5 II is substantially heavier (65 percent) than the SL3. It is noteworthy in this context that the S5 II is splash and dust-proof, while the SL3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the SL3 gets 1070 shots out of its Canon LP-E17 battery, while the S5 II can take 370 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the S5 II can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon SL3	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	EUR 549	amazon.com
2.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	EUR 2 199	amazon.com
3.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	EUR 899	ebay.com
4.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	EUR 779	ebay.com
5.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	EUR 599	ebay.com
6.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	EUR 499	ebay.com
7.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	EUR 599	ebay.com
8.		Canon T2i	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	EUR 649	ebay.com
9.		Canon T6s	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	EUR 749	ebay.com
10.		Canon T7	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	EUR 499	amazon.com
11.		Canon T7i	131 mm	100 mm	76 mm	532 g	600	n	Feb 2017	EUR 849	ebay.com
12.		Canon T8i	131 mm	103 mm	76 mm	515 g	800	n	Feb 2020	EUR 899	ebay.com
13.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	EUR 1 699	ebay.com
14.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	EUR 1 899	amazon.com
15.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	EUR 1 999	ebay.com
16.		Panasonic GH6	138 mm	100 mm	100 mm	823 g	360	Y	Feb 2022	EUR 2 799	amazon.com
17.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	EUR 1 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SL3 was launched at a markedly lower price (by 70 percent) than the S5 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon SL3 features an APS-C sensor and the Panasonic S5 II a full frame sensor. The sensor area in the S5 II is 155 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Even though the S5 II has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the S5 II has a lower pixel density and larger individual pixels (with a pixel pitch of 5.94μm versus 3.72μm for the SL3), which gives it a potential advantage in terms of light gathering capacity. In addition, the S5 II is much more recent (by 3 years and 8 months) than the SL3, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the S5 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the SL3, the S5 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS Rebel SL3 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-S5 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon SL3	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
2.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
3.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
4.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
5.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
6.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
7.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
8.		Canon T2i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
9.		Canon T6s	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
10.		Canon T7	APS-C	24.0	6000	4000	1080/30p	23.8	13.3	1684	81
11.		Canon T7i	APS-C	24.0	6000	4000	1080/60p	23.7	13.1	1586	80
12.		Canon T8i	APS-C	24.0	6000	4000	4K/24p	24.0	13.5	1873	83
13.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
14.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
15.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
16.		Panasonic GH6	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.4	1555	77
17.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S5 II provides a better video resolution than the SL3. It can shoot movie footage at 6K/30p, while the Canon is limited to 4K/25p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the S5 II has an electronic viewfinder (3680k dots), while the SL3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the S5 II offers a wider field of view (100%) than the one in the SL3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the S5 II has a higher magnification (0.78x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon SL3 and Panasonic S5 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon SL3	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
2.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
3.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
4.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
5.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
6.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
7.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Canon T2i	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
9.		Canon T6s	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon T7	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon T7i	optical	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
12.		Canon T8i	optical	n	3.0 / 1040	swivel	Y	1/4000s	7.5/s	Y	n
13.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
14.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
15.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
16.		Panasonic GH6	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
17.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The SL3 has one, while the S5 II does not. While the built-in flash of the SL3 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon SL3 and the Panasonic S5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the SL3 and the S5 II write their files to SDXC cards. The S5 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the SL3 only has one slot. The S5 II supports UHS-II cards (on both slots), while the SL3 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL3 and Panasonic Lumix DC-S5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon SL3	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
2.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
5.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
6.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
7.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
8.		Canon T2i	Y	stereo / -	Y	-	mini	2.0	-	-	-
9.		Canon T6s	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Canon T7	Y	mono / mono	-	-	mini	2.0	Y	Y	-
11.		Canon T7i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
12.		Canon T8i	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
13.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
14.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic GH6	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

It is notable that the S5 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The SL3 lacks such a headphone port.

Both the SL3 and the S5 II are recent models that are part of the current product line-up. The SL3 replaced the earlier Canon SL2, while the S5 II followed on from the Panasonic S5. Further information on the features and operation of the SL3 and S5 II can be found, respectively, in the Canon SL3 Manual (free pdf) or the online Panasonic S5 II Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon SL3 and the Panasonic S5 II? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS Rebel SL3:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More compact: Is smaller (122x93mm vs 134x102mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 291g or 39 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (1070 versus 370) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in April 2019).

Reasons to prefer the Panasonic Lumix DC-S5 II:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (6K/30p vs 4K/25p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.54x).
• More detailed LCD: Has a higher resolution rear screen (1840k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 3 years and 8 months of technical progress since the SL3 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the S5 II is the clear winner of the contest (24 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon SL3 and the Panasonic S5 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SL3 or the S5 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon SL3	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	EUR 549	amazon.com
2.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	EUR 2 199	amazon.com
3.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	EUR 899	ebay.com
4.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	EUR 779	ebay.com
5.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	EUR 599	ebay.com
6.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	EUR 499	ebay.com
7.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	EUR 599	ebay.com
8.		Canon T2i	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	EUR 649	ebay.com
9.		Canon T6s	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	EUR 749	ebay.com
10.		Canon T7	..	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	EUR 499	amazon.com
11.		Canon T7i	4.5/5	..	3.5/5	80/100	4.5/5	4/5	Feb 2017	EUR 849	ebay.com
12.		Canon T8i	4.5/5	+	3/5	80/100	4/5	3.5/5	Feb 2020	EUR 899	ebay.com
13.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	EUR 1 699	ebay.com
14.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	EUR 1 899	amazon.com
15.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	EUR 1 999	ebay.com
16.		Panasonic GH6	5/5	+ +	5/5	87/100	5/5	5/5	Feb 2022	EUR 2 799	amazon.com
17.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	EUR 1 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check SL3 price at
amazon.com
Check S5 II price at
amazon.com

Other camera comparisons

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