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Canon SL2 vs Fujifilm GFX 50S

The Canon EOS Rebel SL2 (called Canon 200D in some regions) and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in June 2017 and September 2016. The SL2 is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL2) and a medium format (GFX 50S) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.

As their names suggest, both the Canon EOS Rebel SL2 and the Fujifilm GFX 50S belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon SL2 and Fujifilm GFX 50S. Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon SL2   Fujifilm GFX 50S
Canon SL2 Fujifilm GFX 50S
Digital single lens reflex Mirrorless system camera
Canon EF mount lenses Fujifilm G mount lenses
24 MP, APS-C Sensor 51.1 MP, Medium Format Sensor
1080/60p Video 1080/30p Video
ISO 100-25600 (100-51200) ISO 100-12800 (50-102400)
Optical viewfinder Viewfinder optional
3.0" LCD, 1040k dots 3.2" LCD, 2360k dots
Swivel touchscreen Fully flexible touchscreen
5 shutter flaps per second 3 shutter flaps per second
Not weather sealedWeathersealed body
650 shots per battery charge400 shots per battery charge
122 x 93 x 70 mm, 453 g 148 x 94 x 91 mm, 740 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL2 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Canon SL2 vs Fujifilm GFX 50S

An illustration of the physical size and weight of the Canon SL2 and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The SL2 can be obtained in two different colors (black, white), while the GFX 50S is only available in black.

Size Canon SL2 vs Fujifilm GFX 50S
Compare SL2 versus GFX 50S top
Comparison SL2 or GFX 50S rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (23 percent) than the Canon SL2. Moreover, the GFX 50S is substantially heavier (63 percent) than the SL2. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the SL2 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the SL2 gets 650 shots out of its LP-E17 battery, while the GFX 50S can take 400 images on a single charge of its NP-T125 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon SL2» 4.8 in 3.7 in 2.8 in 16.0 oz 650 n Jun 2017 549- i Canon SL2
 
Fujifilm GFX 50S« 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon SL3« » 4.8 in 3.7 in 2.8 in 15.8 oz 1070 n Apr 2019 599 i i Canon SL3
 
Canon T7« » 5.1 in 4.0 in 3.1 in 16.8 oz 500 n Feb 2018 449 i i Canon T7
 
Canon 77D« » 5.2 in 3.9 in 3.0 in 19.0 oz 600 n Feb 2017 899 i i Canon 77D
 
Canon G9 X Mark II« » 3.9 in 2.3 in 1.2 in 7.3 oz 235 n Jan 2017 529 i i Canon G9 X Mark II
 
Canon M6« » 4.4 in 2.7 in 1.8 in 13.8 oz 295 n Feb 2017 779 i i Canon M6
 
Canon M100« » 4.3 in 2.6 in 1.4 in 10.7 oz 295 n Aug 2017 499 i i Canon M100
 
Canon T7i« » 5.2 in 3.9 in 3.0 in 18.8 oz 600 n Feb 2017 749 i i Canon T7i
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon M5« » 4.6 in 3.5 in 2.4 in 15.1 oz 295 n Sep 2016 979 i i Canon M5
 
Canon T6s« » 5.2 in 4.0 in 3.1 in 19.9 oz 440 n Feb 2015 649- i Canon T6s
 
Canon SL1« » 4.6 in 3.6 in 2.7 in 14.4 oz 380 n Mar 2013 549- i Canon SL1
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995 i i Hasselblad X1D
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
 
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SL2 was launched at a markedly lower price (by 92 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Canon SL2 vs Fujifilm GFX 50S

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon SL2 features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the SL2 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

Canon SL2 and Fujifilm GFX 50S sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the SL2 (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.72μm for the SL2) due to its larger sensor. However, the SL2 is a somewhat more recent model (by 9 months) than the GFX 50S, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Canon SL2 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.

The SL2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS Rebel SL2 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

SL2 versus GFX 50S MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Canon SL2» APS-C 24.0 6000 40001080/60p23.613.4104179Canon SL2
 
Fujifilm GFX 50S« Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Canon SL3« » APS-C 24.0 6000 40004K/25p----Canon SL3
 
Canon T7« » APS-C 24.0 6000 40001080/30p----Canon T7
 
Canon 77D« » APS-C 24.0 6000 40001080/60p23.613.397178Canon 77D
 
Canon G9 X Mark II« » 1-inch 20.0 5472 36481080/60p21.912.552265Canon G9 X Mark II
 
Canon M6« » APS-C 24.0 6000 40001080/60p----Canon M6
 
Canon M100« » APS-C 24.0 6000 40001080/60p23.512.9127278Canon M100
 
Canon T7i« » APS-C 24.0 6000 40001080/60p----Canon T7i
 
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon M5« » APS-C 24.0 6000 40001080/60p23.412.4126277Canon M5
 
Canon T6s« » APS-C 24.0 6000 40001080/30p22.612.091570Canon T6s
 
Canon SL1« » APS-C 17.9 5184 34561080/30p21.811.384363Canon SL1
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the SL2 provides a higher frame rate than the GFX 50S. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.

 

Feature comparison: Canon SL2 vs Fujifilm GFX 50S

Beyond body and sensor, cameras can and do differ across a range of features. For example, the SL2 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Canon SL2, the Fujifilm GFX 50S, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Canon SL2»optical n 3.0 1040 swivel Y 1/4000s 5.0 Y n Canon SL2
 
Fujifilm GFX 50S«- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Canon SL3« »optical n 3.0 1040 swivel Y 1/4000s 5.0 Y n Canon SL3
 
Canon T7« »optical n 3.0 920 fixed n 1/4000s 3.0 Y n Canon T7
 
Canon 77D« »optical Y 3.0 1040 swivel Y 1/4000s 6.0 Y n Canon 77D
 
Canon G9 X Mark II« »- n 3.0 1040 fixed Y 1/2000s 8.2 Y Y Canon G9 X Mark II
 
Canon M6« »- n 3.0 1040 tilting Y 1/4000s 9.0 Y n Canon M6
 
Canon M100« »- n 3.0 1040 tilting Y 1/4000s 6.1 Y n Canon M100
 
Canon T7i« »optical n 3.0 1040 swivel Y 1/4000s 6.0 Y n Canon T7i
 
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon M5« »2360 n 3.2 1620 tilting Y 1/4000s 9.0 Y n Canon M5
 
Canon T6s« »optical Y 3.0 1040 swivel Y 1/4000s 5.0 Y n Canon T6s
 
Canon SL1« »optical n 3.0 1040 fixed Y 1/4000s 4.9 Y n Canon SL1
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Hasselblad X1D« »2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica SL« »4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D7500« »optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n Nikon D7500

One difference between the cameras concerns the presence of an on-board flash. The SL2 has one, while the GFX 50S does not. While the built-in flash of the SL2 is not very powerful, it can at times be useful as a fill-in light.

The SL2 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50S does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon SL2 and the Fujifilm GFX 50S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the SL2 and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the SL2 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the SL2 can use UHS-I cards.

 

Connectivity comparison: Canon SL2 vs Fujifilm GFX 50S

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL2 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Canon SL2»YstereomonoY-mini2.0YYYCanon SL2
 
Fujifilm GFX 50S«YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Canon SL3« »YstereomonoY-mini2.0Y-YCanon SL3
 
Canon T7« »Ymonomono--mini2.0YY-Canon T7
 
Canon 77D« »YstereomonoY-mini2.0YYYCanon 77D
 
Canon G9 X Mark II« »-stereomono--micro2.0YYYCanon G9 X Mark II
 
Canon M6« »YstereomonoY-mini2.0YYYCanon M6
 
Canon M100« »-stereomono--mini2.0YYYCanon M100
 
Canon T7i« »YstereomonoY-mini2.0YYYCanon T7i
 
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon M5« »YstereomonoY-mini2.0YYYCanon M5
 
Canon T6s« »YstereomonoY-mini2.0YY-Canon T6s
 
Canon SL1« »YmonomonoY-mini2.0---Canon SL1
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
 
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500

It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The SL2 lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the SL2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the SL2 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SL2 was succeeded by the Canon SL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.


Review summary: Canon SL2 vs Fujifilm GFX 50S

So what conclusions can be drawn? Which of the two cameras – the Canon SL2 or the Fujifilm GFX 50S – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Canon EOS Rebel SL2:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Easier framing: Has an optical viewfinder for image framing and settings control.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (122x93mm vs 148x94mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 287g or 39 percent) and hence easier to carry around.
  • Longer lasting: Can take more shots (650 versus 400) on a single battery charge.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 9 months after the GFX 50S).

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Reasons to prefer the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More heavily discounted: Has been on the market for longer (launched in September 2016).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (18 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

SL2 14:18 GFX 50S

How about other alternatives? Do the specifications of the Canon SL2 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the SL2 and the GFX 50S in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews: Canon SL2 vs Fujifilm GFX 50S

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon SL2»+ +78/1004.5/54.5/54.5/5 Jun 2017 549- i Canon SL2
 
Fujifilm GFX 50S«-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon SL3« »o79/1004/5-4/5 Apr 2019 599 i i Canon SL3
 
Canon T7« »o-3.5/5-3.5/5 Feb 2018 449 i i Canon T7
 
Canon 77D« »-82/1004.5/54.5/54/5 Feb 2017 899 i i Canon 77D
 
Canon G9 X Mark II« »-75/1004.5/54.5/54.5/5 Jan 2017 529 i i Canon G9 X Mark II
 
Canon M6« »-80/1004/54.5/54/5 Feb 2017 779 i i Canon M6
 
Canon M100« »+-4/5-3.5/5 Aug 2017 499 i i Canon M100
 
Canon T7i« »-80/1004.5/54/54/5 Feb 2017 749 i i Canon T7i
 
Canon 5D Mark IV« »+ +87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon M5« »+82/1004/54.5/54/5 Sep 2016 979 i i Canon M5
 
Canon T6s« »+77/1004.5/54.5/54.5/5 Feb 2015 649- i Canon T6s
 
Canon SL1« »+78/1004/54/54/5 Mar 2013 549- i Canon SL1
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D« »o81/100--4/5 Jun 2016 8,995 i i Hasselblad X1D
 
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
 
Nikon D7500« »+ +86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Canon SL2:
Check Ebay offers
Fujifilm GFX 50S:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Canon SL2 vs Fujifilm GFX 50S

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon SL2 Fujifilm GFX 50S
    Camera Type Digital single lens reflex Mirrorless system camera
    Camera Lens Canon EF mount lenses Fujifilm G mount lenses
    Launch Date June 2017 September 2016
    Launch Price USD 549 USD 6499
    Sensor Specs Canon SL2 Fujifilm GFX 50S
    Sensor Technology CMOS CMOS
    Sensor Format APS-C Sensor Medium Format Sensor
    Sensor Size 22.3 x 14.9 mm 44.0 x 33.0 mm
    Sensor Area 332.27 mm2 1452 mm2
    Sensor Diagonal 26.8 mm 55 mm
    Crop Factor 1.6x 0.79x
    Sensor Resolution 24 Megapixels 51.1 Megapixels
    Image Resolution 6000 x 4000 pixels 8256 x 6192 pixels
    Pixel Pitch 3.72 μm 5.33 μm
    Pixel Density 7.22 MP/cm2 3.52 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 1080/60p Video 1080/30p Video
    ISO Setting 100-25600 ISO 100-12800 ISO
    ISO Boost 100-51200 ISO 50-102400 ISO
    Image Processor DIGIC 7 X Processor Pro
    DXO Sensor Quality (score) 79 ..
    DXO Color Depth (bits) 23.6 ..
    DXO Dynamic Range (EV) 13.4 ..
    DXO Low Light (ISO) 1041 ..
    Screen Specs Canon SL2 Fujifilm GFX 50S
    Viewfinder Type Optical viewfinder Viewfinder optional
    Viewfinder Field of View 95%
    Viewfinder Magnification 0.54x
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.2 inch
    LCD Resolution 1040k dots 2360k dots
    LCD Attachment Swivel screen Fully flexible screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Canon SL2 Fujifilm GFX 50S
    Autofocus System Phase-detect AF Contrast-detect AF
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 5 shutter flaps/s 3 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Fill Flash Build-in Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Single card slot Dual card slots
    UHS card support UHS-I Dual UHS-II
    Connectivity Specs Canon SL2 Fujifilm GFX 50S
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication NFC built-in no NFC
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Canon SL2 Fujifilm GFX 50S
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type LP-E17 power pack NP-T125 power pack
    Battery Life (CIPA)650 shots per charge400 shots per charge
    Body Dimensions 122 x 93 x 70 mm
    (4.8 x 3.7 x 2.8 in)
    148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    Camera Weight 453 g (16.0 oz) 740 g (26.1 oz)

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