Canon SL1 vs Sony RX100 III
The Canon EOS Rebel SL1 (called Canon 100D in some regions) and the Sony Cyber-shot DSC-RX100 III are two digital cameras that were officially introduced, respectively, in March 2013 and May 2014. The SL1 is a DSLR, while the RX100 III is a fixed lens compact. The cameras are based on an APS-C (SL1) and an one-inch (RX100 III) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SL1||Sony RX100 III|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-70mm f/1.8-2.8|
|17.9 MP, APS-C Sensor||20 MP, 1" Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-12800 (100-25600)||ISO 100-12800 (80-25600)|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Fixed touchscreen||Tilting screen (not touch-sensitive)|
|4.9 shutter flaps per second||10 shutter flaps per second|
|380 shots per battery charge||320 shots per battery charge|
|117 x 91 x 69 mm, 407 g||102 x 58 x 41 mm, 290 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL1 and the Sony Cyber-shot DSC-RX100 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SL1 and the Sony RX100 III. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The SL1 can be obtained in two different colors (black, white), while the RX100 III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 III is considerably smaller (44 percent) than the Canon SL1. In this context, it is worth noting that neither the SL1 nor the RX100 III are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 III has a lens built in, whereas the SL1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the SL1 and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the SL1 gets 380 shots out of its LP-E12 battery, while the RX100 III can take 320 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SL1»||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||Canon SL1|
|Sony RX100 III«||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||Sony RX100 III|
|Canon T100« »||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||Canon T100|
|Canon SL2« »||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||Canon SL2|
|Canon T6« »||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449||Canon T6|
|Canon G5 X« »||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||Canon G5 X|
|Canon M10« »||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||Canon M10|
|Canon G7 X« »||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||Canon G7 X|
|Canon T5« »||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||Canon T5|
|Canon G16« »||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||Canon G16|
|Canon T5i« »||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||Canon T5i|
|Canon M« »||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599||Canon M|
|Canon T4i« »||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||Canon T4i|
|Canon T3i« »||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||Canon T3i|
|Panasonic FZ1000« »||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||Panasonic FZ1000|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||Sony RX100 IV|
|Sony RX100 II« »||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SL1 features an APS-C sensor and the Sony RX100 III an one-inch sensor. The sensor area in the RX100 III is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the RX100 III offers a higher resolution of 20 megapixels, compared with 17.9 MP of the SL1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the SL1). However, it should be noted that the RX100 III is a somewhat more recent model (by 1 year and 1 month) than the SL1, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The resolution advantage of the Sony RX100 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX100 III for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Canon SL1 are 25.9 x 17.3 inch or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inch or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inch or 43.9 x 29.3 cm for excellent quality prints.
The SL1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL1 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 III are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the RX100 III has a markedly higher DXO score than the SL1 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.6 bits higher color depth, 1 EV in additional dynamic range, and 0.8 stops of reduced low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon SL1||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Canon T100||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon T100|
|Canon SL2||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T6||APS-C||17.9||5184||3456||1080/30p||..||..||..||..||Canon T6|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G5 X|
|Canon M10||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon T5||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon T5i||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon M||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Canon T4i||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon T3i||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon T3i|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX100 III provides a faster frame rate than the SL1. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX100 III has an electronic viewfinder (1440k dots), while the SL1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the RX100 III offers a wider field of view (100%) than the one in the SL1 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the SL1 has a higher magnification (0.54x vs 0.22x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon SL1 and Sony RX100 III along with similar information for a selection of comparators.
|Canon SL1||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Canon T100||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T100|
|Canon SL2||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T6||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T6|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon M10||none||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon T5||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon T5i||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T5i|
|Canon M||none||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Canon T4i||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon T3i||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon T3i|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL1 has a touchscreen, while the RX100 III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The RX100 III has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SL1 does not have a selfie-screen.
The SL1 writes its imaging data to SDXC cards, while the RX100 III uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL1 and Sony Cyber-shot DSC-RX100 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SL1||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Canon T100||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T100|
|Canon SL2||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T6||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T6|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon M10||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon T5||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon T5i||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon M||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Canon T4i||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon T3i||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon T3i|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the SL1 has a hotshoe, while the RX100 III does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the SL1 and the RX100 III have been discontinued, but can regularly be found used on eBay. The SL1 was replaced by the Canon SL2, while the RX100 III was followed by the Sony RX100 IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is the Canon SL1 better than the Sony RX100 III or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS Rebel SL1:
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.54x vs 0.22x).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (380 versus 320) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in March 2013).
Advantages of the Sony Cyber-shot DSC-RX100 III:
- More detail: Has more megapixels (20 vs 17.9MP), which boosts linear resolution by 6%.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 4.9 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the SL1 requires a separate lens.
- More compact: Is smaller (102x58mm vs 117x91mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the SL1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (1 year and 1 month) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the RX100 III is the clear winner of the contest (17 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL1 and the Sony RX100 III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the SL1 and the RX100 III in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Sony RX100 III
- Canon 4000D vs Sony RX100 III
- Canon SL1 vs Canon XC10
- Canon SL1 vs Fujifilm XF10
- Canon SL1 vs Nikon D50
- Canon SL1 vs Panasonic LX100 II
- Fujifilm X100T vs Sony RX100 III
- Leica Q2 vs Sony RX100 III
- Nikon D3 vs Sony RX100 III
- Nikon D3400 vs Sony RX100 III
- Panasonic FZ100 vs Sony RX100 III
- Sony NEX-5N vs Sony RX100 III
Specifications: Canon SL1 vs Sony RX100 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL1||Sony RX100 III|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-70mm f/1.8-2.8|
|Launch Date||March 2013||May 2014|
|Launch Price||USD 549||USD 799|
|Sensor Specs||Canon SL1||Sony RX100 III|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||17.9 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.31 μm||2.41 μm|
|Pixel Density||5.39 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-12800 ISO||100-12800 ISO|
|ISO Boost||100-25600 ISO||80-25600 ISO|
|Image Processor||DIGIC 5||BIONZ X|
|DXO Sensor Quality (score)||63||67|
|DXO Color Depth (bits)||21.8||22.4|
|DXO Dynamic Range (EV)||11.3||12.3|
|DXO Low Light (ISO)||843||495|
|Screen Specs||Canon SL1||Sony RX100 III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon SL1||Sony RX100 III|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||4.9 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon SL1||Sony RX100 III|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon SL1||Sony RX100 III|
|Battery Life (CIPA)||380 shots per charge||320 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 91 x 69 mm
(4.6 x 3.6 x 2.7 in)
102 x 58 x 41 mm
(4.0 x 2.3 x 1.6 in)
|Camera Weight||407 g (14.4 oz)||290 g (10.2 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.