Canon M50 vs Sony RX1
The Canon EOS M50 and the Sony Cyber-shot DSC-RX1 are two digital cameras that were announced, respectively, in February 2018 and September 2012. The M50 is a mirrorless interchangeable lens camera, while the RX1 is a fixed lens compact. The cameras are based on an APS-C (M50) and a full frame (RX1) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M50||Sony RX1|
|Mirrorless system camera||Fixed lens compact camera|
|Canon EF-M mount lenses||35mm f/2.0|
|24 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|4K/24p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 100-25600 (50-102400)|
|Electronic viewfinder (2360k dots)||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||5 shutter flaps per second|
|235 shots per battery charge||270 shots per battery charge|
|116 x 88 x 59 mm, 390 g||113 x 65 x 70 mm, 482 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 and the Sony Cyber-shot DSC-RX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon M50 and the Sony RX1. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The M50 can be obtained in two different colors (black, white), while the RX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1 is notably smaller (28 percent) than the Canon M50. In this context, it is worth noting that neither the M50 nor the RX1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1 has a lens built in, whereas the M50 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the M50 gets 235 shots out of its LP-E12 battery, while the RX1 can take 270 images on a single charge of its NP-BX1 power pack. The power pack in the RX1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon M50»||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Sony RX1«||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||-||Sony RX1|
|Canon SL3« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon M6 Mark II« »||4.7 in||2.8 in||1.9 in||14.4 oz||305||n||Aug 2019||849||Canon M6 Mark II|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779||-||Canon M6|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon M3« »||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679||-||Canon M3|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Sony RX1R II« »||4.4 in||2.6 in||2.8 in||17.9 oz||220||n||Oct 2015||3,299||Sony RX1R II|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||-||Sony RX1R|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon M50 features an APS-C sensor and the Sony RX1 a full frame sensor. The sensor area in the RX1 is 157 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the RX1 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the RX1 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.96μm versus 3.72μm for the M50), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the M50 is much more recent (by 5 years and 5 months) than the RX1, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The M50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon M50»||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Sony RX1«||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
|Canon SL3« »||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon SL3|
|Canon G5 X Mark II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Canon M6 Mark II« »||APS-C||32.3||6960||4640||4K/30p||-||-||-||-||Canon M6 Mark II|
|Canon T7« »||APS-C||24.0||6000||4000||1080/30p||-||-||-||-||Canon T7|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Sony RX1R II« »||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97||Sony RX1R II|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony RX1R« »||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the M50 provides a higher video resolution than the RX1. It can shoot video footage at 4K/24p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the M50 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX1 relies on live view and the rear LCD for framing. That said, the RX1 can be equipped with an optional viewfinder – the FDA-EV1MK. The adjacent table lists some of the other core features of the Canon M50 and Sony RX1 along with similar information for a selection of comparators.
|Canon M50»||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Sony RX1«||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
|Canon SL3« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon G5 X Mark II« »||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon M6 Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n||Canon M6 Mark II|
|Canon T7« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon M6« »||-||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon M3« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Sony RX1R II« »||2360||n||3.0||1229||tilting||n||1/4000s||5.0||n||n||Sony RX1R II|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony RX1R« »||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1R|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M50 has a touchscreen, while the RX1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The M50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX1 does not have a selfie-screen.
The M50 writes its imaging data to SDXC cards, while the RX1 uses SDXC or Memory Stick PRO Duo cards. The M50 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the RX1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 and Sony Cyber-shot DSC-RX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M50»||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Sony RX1«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
|Canon SL3« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon G5 X Mark II« »||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon M6 Mark II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon M6 Mark II|
|Canon T7« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon M3« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Sony RX1R II« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony RX1R II|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony RX1R« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
It is notable that the M50 offers wifi support, while the RX1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The M50 is a recent model that features in the current product line-up of Canon. In contrast, the RX1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX1 was succeeded by the Sony RX1R. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon M50 or the Sony RX1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS M50:
- Better video: Provides higher definition movie capture (4K/24p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 5 months of technical progress since the RX1 launch.
Advantages of the Sony Cyber-shot DSC-RX1:
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Ready to shoot: Has an integrated lens, whereas the M50 necessitates an extra lens.
- More compact: Is smaller (113x65mm vs 116x88mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (270 versus 235) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the M50 is the clear winner of the match-up (13 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 and the Sony RX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the M50 and the RX1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon M50»||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Sony RX1«||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
|Canon SL3« »||o||79/100||4/5||-||4/5||Apr 2019||599||Canon SL3|
|Canon G5 X Mark II« »||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Canon M6 Mark II« »||-||-||-||-||-||Aug 2019||849||Canon M6 Mark II|
|Canon T7« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon T7|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||-||Canon M6|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon SL2« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon M3« »||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-||Canon M3|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Sony RX1R II« »||-||82/100||-||o||4.5/5||Oct 2015||3,299||Sony RX1R II|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony RX1R« »||-||-||4/5||o||4.5/5||Jun 2013||2,799||-||Sony RX1R|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon M50 vs Sony RX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50||Sony RX1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Canon EF-M mount lenses||35mm f/2.0|
|Launch Date||February 2018||September 2012|
|Launch Price||USD 779||USD 2799|
|Sensor Specs||Canon M50||Sony RX1|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.8 x 23.8 mm|
|Sensor Area||332.27 mm2||852.04 mm2|
|Sensor Diagonal||26.8 mm||43 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||5.96 μm|
|Pixel Density||7.22 MP/cm2||2.82 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||50-102400 ISO|
|Image Processor||DIGIC 8||BIONZ X|
|DXO Sensor Quality (score)||..||93|
|DXO Color Depth (bits)||..||25.1|
|DXO Dynamic Range (EV)||..||14.3|
|DXO Low Light (ISO)||..||2534|
|Screen Specs||Canon M50||Sony RX1|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M50||Sony RX1|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon M50||Sony RX1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M50||Sony RX1|
|Battery Life (CIPA)||235 shots per charge||270 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
113 x 65 x 70 mm
(4.4 x 2.6 x 2.8 in)
|Camera Weight||390 g (13.8 oz)||482 g (17.0 oz)|
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