Canon M50 Mark II vs Fujifilm X-A7
The Canon EOS M50 Mark II and the Fujifilm X-A7 are two digital cameras that were revealed to the public, respectively, in October 2020 and September 2019. Both the M50 Mark II and the X-A7 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Fujifilm X-A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M50 Mark II and the Fujifilm X-A7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The M50 Mark II can be obtained in two different colors (black, white), while the X-A7 is available in four color-versions (silver, graphite, brown, green).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A7 is notably smaller (21 percent) than the Canon M50 Mark II. Moreover, the X-A7 is markedly lighter (17 percent) than the M50 Mark II. In this context, it is worth noting that neither the M50 Mark II nor the X-A7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M50 Mark II gets 305 shots out of its LP-E12 battery, while the X-A7 can take 440 images on a single charge of its NP-W126S power pack. The power pack in the X-A7 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|2.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499|
|3.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|4.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|5.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|6.||Canon M6 Mark II||120 mm||70 mm||49 mm||408 g||305||n||Aug 2019||849|
|7.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|8.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|9.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|10.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|11.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|12.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|13.||Fujifilm X-T200||121 mm||84 mm||55 mm||370 g||270||n||Jan 2020||699|
|14.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|15.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|16.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|17.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-A7 was launched at a somewhat lower price (by 17 percent) than the M50 Mark II, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-A7 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M50 Mark II) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-A7 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the X-A7 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.72μm for the M50 Mark II), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the M50 Mark II is a somewhat more recent model (by 1 year and 1 month) than the X-A7, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The M50 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm X-A7 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 200-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
|5.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Canon M6 Mark II||APS-C||32.3||6960||4640||4K/30p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-A7 provides a faster frame rate than the M50 Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the M50 Mark II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A7 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon M50 Mark II and Fujifilm X-A7 in connection with corresponding information for a sample of similar cameras.
|1.||Canon M50 Mark II||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|6.||Canon M6 Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 Mark II and the Fujifilm X-A7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M50 Mark II and the X-A7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Fujifilm X-A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon M50 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|6.||Canon M6 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
Both the M50 Mark II and the X-A7 are recent models that are part of the current product line-up. The X-A7 replaced the earlier Fujifilm X-A5, while the M50 Mark II followed on from the Canon M50. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is the Canon M50 Mark II better than the Fujifilm X-A7 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS M50 Mark II:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- More modern: Is somewhat more recent (announced 1 year and 1 month after the X-A7).
Reasons to prefer the Fujifilm X-A7:
- Better video: Provides higher movie framerates (4K/30p versus 4K/24p).
- Larger screen: Has a bigger rear LCD (3.5" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2760k vs 1040k dots).
- More compact: Is smaller (119x68mm vs 116x88mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 67g or 17 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (440 versus 305) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2019).
If the number of relative strengths (bullet points above) is taken as a guide, the X-A7 is the clear winner of the contest (9 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 Mark II and the Fujifilm X-A7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M50 Mark II or the X-A7. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M50 Mark II||4/5||..||..||4.5/5||3.5/5||Oct 2020||599|
|2.||Fujifilm X-A7||3/5||..||81/100||4/5||3.5/5||Sep 2019||499|
|3.||Canon M200||..||+||79/100||4/5||4/5||Sep 2019||549|
|4.||Canon SL3||..||o||79/100||4/5||4/5||Apr 2019||599|
|5.||Canon G5 X Mark II||4/5||+||82/100||..||4/5||Jul 2019||899|
|6.||Canon M6 Mark II||..||+||85/100||4/5||4/5||Aug 2019||849|
|7.||Canon M50||..||+||79/100||..||3.5/5||Feb 2018||779|
|8.||Canon M6||..||..||80/100||4/5||4/5||Feb 2017||779|
|9.||Canon M100||3/5||+||..||4/5||3.5/5||Aug 2017||499|
|10.||Canon SL2||4/5||+ +||78/100||4.5/5||4.5/5||Jun 2017||549|
|11.||Canon M5||4/5||+||82/100||4/5||4/5||Sep 2016||979|
|12.||Canon M3||4/5||o||75/100||4.5/5||4/5||Feb 2015||679|
|13.||Fujifilm X-T200||3.5/5||..||82/100||4/5||4.5/5||Jan 2020||699|
|14.||Fujifilm X-T30||5/5||+ +||84/100||4.5/5||4.5/5||Feb 2019||899|
|15.||Fujifilm X-A5||..||+||..||4/5||3.5/5||Jan 2018||399|
|16.||Fujifilm X-E3||4.5/5||+||84/100||4.5/5||4.5/5||Sep 2017||899|
|17.||Fujifilm X-A3||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon M50 Mark II vs Fujifilm X-A7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50 Mark II||Fujifilm X-A7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Fujifilm X mount lenses|
|Launch Date||October 2020||September 2019|
|Launch Price||USD 599||USD 499|
|Sensor Specs||Canon M50 Mark II||Fujifilm X-A7|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.7 mm|
|Sensor Area||332.27 mm2||368.95 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.92 μm|
|Pixel Density||7.22 MP/cm2||6.50 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||200 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||200 - 51,200 ISO|
|Screen Specs||Canon M50 Mark II||Fujifilm X-A7|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.5inch|
|LCD Resolution||1040k dots||2760k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon M50 Mark II||Fujifilm X-A7|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||YES||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M50 Mark II||Fujifilm X-A7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M50 Mark II||Fujifilm X-A7|
|Battery Life (CIPA)||305 shots per charge||440 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
119 x 68 x 41 mm
(4.7 x 2.7 x 1.6 in)
|Camera Weight||387 g (13.7 oz)||320 g (11.3 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.