Canon M50 Mark II vs Fujifilm X-A2
The Canon EOS M50 Mark II and the Fujifilm X-A2 are two digital cameras that were officially introduced, respectively, in October 2020 and January 2015. Both the M50 Mark II and the X-A2 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Fujifilm X-A2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M50 Mark II and the Fujifilm X-A2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The M50 Mark II can be obtained in two different colors (black, white), while the X-A2 is available in three color-versions (black, brown, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A2 is notably smaller (23 percent) than the Canon M50 Mark II. Moreover, the X-A2 is markedly lighter (10 percent) than the M50 Mark II. In this context, it is worth noting that neither the M50 Mark II nor the X-A2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|2.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|3.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|4.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|5.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|6.||Canon M6 Mark II||120 mm||70 mm||49 mm||408 g||305||n||Aug 2019||849|
|7.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|8.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|9.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|10.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|11.||Fujifilm X-T200||121 mm||84 mm||55 mm||370 g||270||n||Jan 2020||699|
|12.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499|
|13.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|14.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399|
|15.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|16.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|17.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-A2 was launched at a markedly lower price (by 33 percent) than the M50 Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-A2 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M50 Mark II) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon M50 Mark II offers a higher resolution of 24 megapixels, compared with 16 MP of the Fujifilm X-A2. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 4.80μm for the X-A2). However, it should be noted that the M50 Mark II is much more recent (by 5 years and 9 months) than the X-A2, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon M50 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M50 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X-A2 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The M50 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm X-A2 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
|5.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Canon M6 Mark II||APS-C||32.3||6960||4640||4K/30p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the M50 Mark II provides a higher video resolution than the X-A2. It can shoot video footage at 4K/24p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the M50 Mark II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A2 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon M50 Mark II, the Fujifilm X-A2, and comparable cameras.
|1.||Canon M50 Mark II||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|6.||Canon M6 Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||14.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M50 Mark II has a touchscreen, while the X-A2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the M50 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M50 Mark II and the X-A2 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Fujifilm X-A2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon M50 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|6.||Canon M6 Mark II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
It is notable that the M50 Mark II has a microphone port, which is missing on the X-A2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The M50 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the X-A2 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-A2 was succeeded by the Fujifilm X-A3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is the Canon M50 Mark II better than the Fujifilm X-A2 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS M50 Mark II:
- More detail: Offers more megapixels (24 vs 16MP) with a 23% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/24p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 5.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 5 years and 9 months of technical progress since the X-A2 launch.
Reasons to prefer the Fujifilm X-A2:
- More compact: Is smaller (117x67mm vs 116x88mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (410 versus 305) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the M50 Mark II is the clear winner of the match-up (13 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 Mark II and the Fujifilm X-A2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M50 Mark II or the X-A2. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M50 Mark II||..||..||..||..||..||Oct 2020||599|
|2.||Fujifilm X-A2||4/5||..||..||4.5/5||4.5/5||Jan 2015||399|
|3.||Canon M200||..||+||79/100||4/5||4/5||Sep 2019||549|
|4.||Canon 250D||..||o||79/100||4/5||4/5||Apr 2019||599|
|5.||Canon G5 X Mark II||4/5||+||82/100||..||4/5||Jul 2019||899|
|6.||Canon M6 Mark II||..||+||85/100||4/5||4/5||Aug 2019||849|
|7.||Canon M50||..||+||79/100||..||3.5/5||Feb 2018||779|
|8.||Canon 200D||4/5||+ +||78/100||4.5/5||4.5/5||Jun 2017||549|
|9.||Canon M6||..||..||80/100||4/5||4/5||Feb 2017||779|
|10.||Canon M3||4/5||o||75/100||4.5/5||4/5||Feb 2015||679|
|11.||Fujifilm X-T200||3.5/5||..||82/100||4/5||4.5/5||Jan 2020||699|
|12.||Fujifilm X-A7||3/5||..||81/100||4/5||3.5/5||Sep 2019||499|
|13.||Fujifilm X-A3||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|14.||Fujifilm X-A10||..||..||..||4/5||4/5||Dec 2016||399|
|15.||Fujifilm X-E2S||4.5/5||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|16.||Fujifilm X-T10||4.5/5||+ +||80/100||5/5||5/5||May 2015||799|
|17.||Fujifilm X-A1||..||..||..||4.5/5||4.5/5||Sep 2013||399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon M50 Mark II vs Fujifilm X-A2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50 Mark II||Fujifilm X-A2|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Fujifilm X mount lenses|
|Launch Date||October 2020||January 2015|
|Launch Price||USD 599||USD 399|
|Sensor Specs||Canon M50 Mark II||Fujifilm X-A2|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.6 x 15.6 mm|
|Sensor Area||332.27 mm2||368.16 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||16 Megapixels|
|Image Resolution||6000 x 4000 pixels||4896 x 3264 pixels|
|Pixel Pitch||3.72 μm||4.80 μm|
|Pixel Density||7.22 MP/cm2||4.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||1080/30p Video|
|ISO Setting||100 - 25,600 ISO||200 - 6,400 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 8||EXR Processor II|
|Screen Specs||Canon M50 Mark II||Fujifilm X-A2|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon M50 Mark II||Fujifilm X-A2|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||5.6 shutter flaps/s|
|Electronic Shutter||YES||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M50 Mark II||Fujifilm X-A2|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M50 Mark II||Fujifilm X-A2|
|Battery Life (CIPA)||305 shots per charge||410 shots per charge|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
117 x 67 x 40 mm
(4.6 x 2.6 x 1.6 in)
|Camera Weight||387 g (13.7 oz)||350 g (12.3 oz)|
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