Canon M5 vs Sony RX100 VII
The Canon EOS M5 and the Sony Cyber-shot DSC-RX100 VII are two digital cameras that were revealed to the public, respectively, in September 2016 and July 2019. The M5 is a mirrorless interchangeable lens camera, while the RX100 VII is a fixed lens compact. The cameras are based on an APS-C (M5) and an one-inch (RX100 VII) sensor. The Canon has a resolution of 24 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M5 and the Sony Cyber-shot DSC-RX100 VII? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon M5 and the Sony RX100 VII is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VII is considerably smaller (43 percent) than the Canon M5. In this context, it is worth noting that neither the M5 nor the RX100 VII are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VII has a lens built in, whereas the M5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the M5 gets 295 shots out of its LP-E17 battery, while the RX100 VII can take 260 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 VII can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|2.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|3.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|4.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|5.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|6.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|7.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|8.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|9.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|10.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|11.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|12.||Nikon D5500||124 mm||97 mm||70 mm||420 g||820||n||Jan 2015||899|
|13.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M5 features an APS-C sensor and the Sony RX100 VII an one-inch sensor. The sensor area in the RX100 VII is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the M5 offers a higher resolution than the RX100 VII (20MP), but the M5 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the RX100 VII) due to its larger sensor. However, the RX100 VII is a much more recent model (by 2 years and 10 months) than the M5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon M5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M5 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony RX100 VII are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Canon EOS M5 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VII are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the M5 provides substantially higher image quality than the RX100 VII, with an overall score that is 14 points higher. This advantage is based on 1.6 bits higher color depth, and 1.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|2.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|5.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|13.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the RX100 VII provides a better video resolution than the M5. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the M5 offers a slightly higher resolution than the one in the RX100 VII (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Canon M5, the Sony RX100 VII, and comparable cameras.
|2.||Sony RX100 VII||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y|
|5.||Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
|13.||Sony RX100 VI||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y|
|14.||Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX100 VII is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony RX100 VII has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M5 writes its imaging data to SDXC cards, while the RX100 VII uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M5 and Sony Cyber-shot DSC-RX100 VII and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|2.||Sony RX100 VII||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y|
|5.||Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|13.||Sony RX100 VI||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|14.||Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the M5 has a hotshoe, while the RX100 VII does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the M5 and the RX100 VII are recent models that are part of the current product line-up. The RX100 VII replaced the earlier Sony RX100 VI, while the M5 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is the Canon M5 better than the Sony RX100 VII or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS M5:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Scores substantially higher (14 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.6 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.6 stops ISO advantage).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 921k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (295 versus 260) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in September 2016).
Arguments in favor of the Sony Cyber-shot DSC-RX100 VII:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Faster burst: Shoots at higher frequency (90 vs 9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the M5 necessitates an extra lens.
- More compact: Is smaller (102x58mm vs 116x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the M5).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More modern: Reflects 2 years and 10 months of technical progress since the M5 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the M5 comes out slightly ahead of the RX100 VII (11 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M5 and the Sony RX100 VII place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the M5 or the RX100 VII perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M5||4/5||+||82/100||4/5||4/5||Sep 2016||979|
|2.||Sony RX100 VII||4.5/5||..||..||4/5||5/5||Jul 2019||1,199|
|3.||Canon 77D||4.5/5||..||82/100||4.5/5||4/5||Feb 2017||899|
|4.||Canon 200D||4/5||+ +||78/100||4.5/5||4.5/5||Jun 2017||549|
|5.||Canon G9 X Mark II||4/5||..||75/100||4.5/5||4.5/5||Jan 2017||529|
|6.||Canon M6||..||..||80/100||4/5||4/5||Feb 2017||779|
|7.||Canon M100||3/5||+||..||4/5||3.5/5||Aug 2017||499|
|8.||Canon 760D||5/5||+||77/100||4.5/5||4.5/5||Feb 2015||649|
|9.||Canon M3||4/5||o||75/100||4.5/5||4/5||Feb 2015||679|
|10.||Fujifilm X-T20||5/5||+ +||82/100||5/5||4.5/5||Jan 2017||899|
|11.||Nikon D5600||4/5||..||79/100||4.5/5||4/5||Nov 2016||699|
|12.||Nikon D5500||5/5||+||79/100||4.5/5||4.5/5||Jan 2015||899|
|13.||Sony RX100 VI||4.5/5||+ +||83/100||4/5||4.5/5||Jun 2018||1,199|
|14.||Sony RX100 V||4.5/5||+ +||83/100||4/5||4.5/5||Oct 2016||999|
|15.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX100 III||5/5||+ +||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100 II||5/5||+ +||79/100||4.5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Canon M5 vs Sony RX100 VII
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M5||Sony RX100 VII|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Canon EF-M mount lenses||24-200mm f/2.8-4.5|
|Launch Date||September 2016||July 2019|
|Launch Price||USD 979||USD 1,199|
|Sensor Specs||Canon M5||Sony RX100 VII|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.72 μm||2.41 μm|
|Pixel Density||7.22 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||DIGIC 7||BIONZ X|
|DXO Sensor Quality (score)||77||63|
|DXO Color Depth (bits)||23.4||21.8|
|DXO Dynamic Range (EV)||12.4||12.4|
|DXO Low Light (ISO)||1262||418|
|Screen Specs||Canon M5||Sony RX100 VII|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Magnification||.. x||0.59x|
|Viewfinder Resolution||2360k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||921k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Canon M5||Sony RX100 VII|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||9 shutter flaps/s||90 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M5||Sony RX100 VII|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M5||Sony RX100 VII|
|Battery Life (CIPA)||295 shots per charge||260 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
116 x 89 x 61 mm
(4.6 x 3.5 x 2.4 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||427 g (15.1 oz)||302 g (10.7 oz)|
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