Canon M100 vs Panasonic FZ82
The Canon EOS M100 and the Panasonic Lumix DC-FZ82 (labelled Panasonic FZ80 in some countries) are two digital cameras that were announced, respectively, in August 2017 and January 2017. The M100 is a mirrorless interchangeable lens camera, while the FZ82 is a fixed lens compact. The cameras are based on an APS-C (M100) and a 1/2.3-inch (FZ82) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M100 and the Panasonic Lumix DC-FZ82? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon M100 and the Panasonic FZ82. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The M100 can be obtained in two different colors (black, white), while the FZ82 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ82 is considerably larger (69 percent) than the Canon M100. In this context, it is worth noting that neither the M100 nor the FZ82 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the M100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the M100 gets 295 shots out of its LP-E12 battery, while the FZ82 can take 330 images on a single charge of its DMW-BMB9 power pack. The power pack in the FZ82 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|2.||Panasonic FZ82||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|3.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|4.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|5.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|6.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|8.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|9.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|10.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|11.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|12.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|13.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|14.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|15.||Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|16.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|17.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ82 was launched at a lower price than the M100, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M100 features an APS-C sensor and the Panasonic FZ82 a 1/2.3-inch sensor. The sensor area in the FZ82 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the M100 has a native 3:2 aspect ratio, while the one in the FZ82 offers a 4:3 aspect.
With 24MP, the M100 offers a higher resolution than the FZ82 (18MP), but the M100 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 1.25μm for the FZ82) due to its larger sensor. Moreover, the M100 is a somewhat more recent model (by 7 months) than the FZ82, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ82 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon M100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M100 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ82 are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.
The M100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M100 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-FZ82 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ82 provides a better video resolution than the M100. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ82 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M100 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon M100 and Panasonic FZ82 along with similar information for a selection of comparators.
|1.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|2.||Panasonic FZ82||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|3.||Canon M200||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|4.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|5.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|6.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|8.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|9.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|10.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9||Y||Y|
|11.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|12.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|13.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|14.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3||n||n|
|15.||Panasonic FT7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|16.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|17.||Sony HX350||202||n||3.0 / 922||tilting||n||1/4000s||10.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the M100 and the FZ82 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M100 and Panasonic Lumix DC-FZ82 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|2.||Panasonic FZ82||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon M200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|9.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|11.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|12.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|13.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|14.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Panasonic FT7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Sony HX350||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the FZ82 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The M100 does not feature such an accessory-socket.
The FZ82 is a recent model that features in the current product line-up of Panasonic. In contrast, the M100 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the M100 was succeeded by the Canon M200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon M100 or the Panasonic FZ82 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS M100:
- More detail: Offers more megapixels (24 vs 18MP) with a 18% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (108x67mm vs 130x94mm) and thus needs less room in the bag.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 7 months after the FZ82).
Advantages of the Panasonic Lumix DC-FZ82:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (10 vs 6.1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the M100 necessitates an extra lens.
- Longer lasting: Gets more shots (330 versus 295) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2017).
If the number of relative strengths (bullet points above) is taken as a guide, the M100 emerges as the winner of the contest (15 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M100 and the Panasonic FZ82 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the M100 and the FZ82 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|2.||Panasonic FZ82||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399|
|3.||Canon M200||..||+||3/5||79/100||4/5||4/5||Sep 2019||549|
|4.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|5.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|6.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|7.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|8.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|9.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|10.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|11.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|12.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|13.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|14.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|15.||Panasonic FT7||..||+||..||..||3.5/5||3.5/5||May 2018||449|
|16.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|17.||Sony HX350||..||..||..||..||..||4/5||Dec 2016||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 50D vs Panasonic FZ82
- Canon 5D Mark III vs Panasonic FZ82
- Canon M100 vs Canon T5
- Canon M100 vs Nikon D300
- Canon M100 vs Olympus E-PL3
- Canon M100 vs Olympus TG-6
- Canon M100 vs Ricoh WG-60
- Canon M100 vs Sony RX0 II
- Nikon 1 V3 vs Panasonic FZ82
- Nikon Z5 vs Panasonic FZ82
- Olympus Stylus 1 vs Panasonic FZ82
- Panasonic FZ82 vs Sony RX1
Specifications: Canon M100 vs Panasonic FZ82
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M100||Panasonic FZ82|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Canon EF-M mount lenses||20-1200mm f/2.8-5.9|
|Launch Date||August 2017||January 2017|
|Launch Price||USD 499||USD 399|
|Sensor Specs||Canon M100||Panasonic FZ82|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||18 Megapixels|
|Image Resolution||6000 x 4000 pixels||4896 x 3672 pixels|
|Pixel Pitch||3.72 μm||1.25 μm|
|Pixel Density||7.22 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||80 - 3,200 ISO|
|ISO Boost||no Enhancement||80 - 6,400 ISO|
|Image Processor||DIGIC 7||Venus|
|DXO Sensor Quality (score)||78||..|
|DXO Color Depth (bits)||23.5||..|
|DXO Dynamic Range (EV)||12.9||..|
|DXO Low Light (ISO)||1272||..|
|Screen Specs||Canon M100||Panasonic FZ82|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Canon M100||Panasonic FZ82|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||6.1 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M100||Panasonic FZ82|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M100||Panasonic FZ82|
|Battery Life (CIPA)||295 shots per charge||330 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||302 g (10.7 oz)||616 g (21.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.