Canon G9 X Mark II versus Panasonic LX15
The Canon PowerShot G9 X Mark II and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were announced, respectively, in January 2017 and September 2016. Both the G9X Mark II and the LX15 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel.
An illustration of the physical size and weight of the Canon G9 X Mark II and the Panasonic LX15 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G9X Mark II – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is notably larger (12 percent) than the Canon G9 X Mark II. Moreover, the LX15 is substantially heavier (50 percent) than the G9X Mark II. In this context, it is worth noting that neither the G9X Mark II nor the LX15 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon G9 X Mark II (⇒ rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Panasonic LX15 (⇒ lft)||106 mm||60 mm||42 mm||310 g||260||no||2016||699||latest||check|
|Canon 200D (⇒ lft | rgt)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon M100 (⇒ lft | rgt)||108 mm||67 mm||35 mm||302 g||295||no||2017||499||latest||check|
|Canon 1300D (⇒ lft | rgt)||129 mm||101 mm||78 mm||485 g||500||no||2016||449||discont.||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon M10 (⇒ lft | rgt)||108 mm||67 mm||35 mm||301 g||255||no||2015||499||discont.||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Panasonic TZ200 (⇒ lft | rgt)||111 mm||65 mm||45 mm||340 g||370||no||2018||799||latest||check|
|Panasonic TZ100 (⇒ lft | rgt)||111 mm||65 mm||44 mm||312 g||300||no||2016||699||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G9X Mark II was launched at a somewhat lower price (by 24 percent) than the LX15, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the G9X Mark II and the LX15 have the same pixel density, as well as the same pixel size. It should, however, be noted that the G9X Mark II is a somewhat more recent model (by 3 months) than the LX15, and its sensor might have benefitted from technological advances during this time.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon G9 X Mark II (⇒ rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Panasonic LX15 (⇒ lft)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon 200D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon 1300D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||-||-||-||-|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon M10 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Panasonic TZ200 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic TZ100 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX15 provides a better video resolution than the G9X Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The G9X Mark II and the LX15 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The following table reports on some other key feature differences and similarities of the Canon G9 X Mark II, the Panasonic LX15, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon G9 X Mark II (⇒ rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Panasonic LX15 (⇒ lft)||no||no||3.0||1040||tilting||YES||4000||10.0||12.1||YES|
|Canon 200D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon 1300D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon M10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.6||5||no|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Panasonic TZ200 (⇒ lft | rgt)||2330||no||3.0||1240||fixed||YES||2000||10.0||6.8||YES|
|Panasonic TZ100 (⇒ lft | rgt)||1166||no||3.0||1040||fixed||YES||2000||10.0||YES||YES|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
Both the G9X Mark II and the LX15 have zoom lenses build in. The G9X Mark II has a 28-84mm f/2.0-4.9 optic and the LX15 offers a 24-72mm f/1.4-2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end than the Canon, but less tele-photo reach at the long end. The LX15 offers the faster maximum aperture.
Both the G9X Mark II and the LX15 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The LX15 replaced the earlier Panasonic LX7, while the G9X Mark II followed on from the Canon G9 X.
So how do things add up? Which of the two cameras – the Canon G9 X Mark II or the Panasonic LX15 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot G9 X Mark II:
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (98x58mm vs 106x60mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 104g or 34 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced segment (24 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 3 months after the LX15).
Reasons to prefer the Panasonic Lumix DMC-LX15:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8.2 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.0).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Longer lasting: Gets more shots (260 versus 235) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the LX15 emerges as the winner of the match-up (8 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G9X Mark II or the LX15 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon G9 X Mark II (⇒ rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Panasonic LX15 (⇒ lft)||HiRec||81/100 Silver||4/5||4.5/5||4.5/5||2016||699||latest||check|
|Canon 200D (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon 1300D (⇒ lft | rgt)||reviewed||73/100||4/5||3.5/5||4/5||2016||449||discont.||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon M10 (⇒ lft | rgt)||-||-||-||reviewed||4/5||2015||499||discont.||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Panasonic TZ200 (⇒ lft | rgt)||HiRec||..||4.5/5||..||4.5/5||2018||799||latest||check|
|Panasonic TZ100 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4/5||4.5/5||2016||699||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to add information on that model to the database.
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