Canon M200 vs Panasonic LX15
The Canon EOS M200 and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were announced, respectively, in September 2019 and September 2016. The M200 is a mirrorless interchangeable lens camera, while the LX15 is a fixed lens compact. The cameras are based on an APS-C (M200) and an one-inch (LX15) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M200 and the Panasonic Lumix DMC-LX15? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon M200 and the Panasonic LX15. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The M200 can be obtained in two different colors (black, white), while the LX15 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is notably smaller (12 percent) than the Canon M200. In this context, it is worth noting that neither the M200 nor the LX15 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the M200 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the M200 gets 315 shots out of its Canon LP-E12 battery, while the LX15 can take 260 images on a single charge of its Panasonic DMW-BLH7 power pack. The power pack in the LX15 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M200 | 108 mm | 67 mm | 35 mm | 299 g | 315 | n | Sep 2019 | 549 | ebay.com | |
2. | Panasonic LX15 | 106 mm | 60 mm | 42 mm | 310 g | 260 | n | Sep 2016 | 699 | amazon.com | |
3. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | 799 | ebay.com | |
4. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | 699 | ebay.com | |
5. | Canon M | 109 mm | 66 mm | 32 mm | 298 g | 230 | n | Jul 2012 | 599 | ebay.com | |
6. | Canon M10 | 108 mm | 67 mm | 35 mm | 301 g | 255 | n | Oct 2015 | 499 | ebay.com | |
7. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | 779 | ebay.com | |
8. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | 599 | ebay.com | |
9. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
10. | Canon R100 | 116 mm | 86 mm | 69 mm | 356 g | 400 | n | May 2023 | 479 | amazon.com | |
11. | Canon SL3 | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | 599 | amazon.com | |
12. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
13. | Canon T7 | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | 449 | amazon.com | |
14. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | 499 | ebay.com | |
15. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
16. | Panasonic TZ100 | 111 mm | 65 mm | 44 mm | 312 g | 300 | n | Jan 2016 | 699 | ebay.com | |
17. | Panasonic TZ200 | 111 mm | 65 mm | 45 mm | 340 g | 370 | n | Feb 2018 | 799 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M200 features an APS-C sensor and the Panasonic LX15 an one-inch sensor. The sensor area in the LX15 is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the M200 offers a higher resolution than the LX15 (20MP), but the M200 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the LX15) due to its larger sensor. Moreover, the M200 is a much more recent model (by 3 years) than the LX15, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon M200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M200 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX15 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The M200 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M200 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX15 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the M200 is build around a CMOS sensor, while the LX15 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M200 | APS-C | 24.0 | 6000 | 4000 | 4k/25p | 24.0 | 13.5 | 1836 | 82 | |
2. | Panasonic LX15 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.9 | 12.0 | 315 | 62 | |
3. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
4. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
5. | Canon M | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.2 | 827 | 65 | |
6. | Canon M10 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.4 | 753 | 65 | |
7. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
8. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
9. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
10. | Canon R100 | APS-C | 24.0 | 6000 | 4000 | 4k/24p | 24.1 | 13.9 | 2197 | 84 | |
11. | Canon SL3 | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
12. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
13. | Canon T7 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 23.8 | 13.3 | 1684 | 81 | |
14. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
15. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
16. | Panasonic TZ100 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.5 | 559 | 70 | |
17. | Panasonic TZ200 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.0 | 12.2 | 449 | 64 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX15 provides a faster frame rate than the M200. It can shoot movie footage at 4K/30p, while the Canon is limited to 4k/25p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The M200 and the LX15 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Canon M200 and Panasonic LX15 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M200 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
2. | Panasonic LX15 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 10.0/s | Y | Y | |
3. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
4. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
5. | Canon M | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.3/s | n | n | |
6. | Canon M10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.6/s | Y | n | |
7. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
8. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
9. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
10. | Canon R100 | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 6.5/s | Y | n | |
11. | Canon SL3 | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
12. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
13. | Canon T7 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
14. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
15. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
16. | Panasonic TZ100 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Panasonic TZ200 | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX15 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX15 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M200 and the LX15 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M200 and Panasonic Lumix DMC-LX15 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Panasonic LX15 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
5. | Canon M | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
6. | Canon M10 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
7. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
9. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
10. | Canon R100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
11. | Canon SL3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
12. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
13. | Canon T7 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
14. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
15. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Panasonic TZ100 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Panasonic TZ200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y |
The LX15 is a recent model that features in the current product line-up of Panasonic. In contrast, the M200 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the M200 from Canon. Further information on the features and operation of the M200 and LX15 can be found, respectively, in the Canon M200 Manual (free pdf) or the online Panasonic LX15 Manual.
Review summary
So how do things add up? Is there a clear favorite between the Canon M200 and the Panasonic LX15? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS M200:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (315 versus 260) on a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 3 years of technical progress since the LX15 launch.
Advantages of the Panasonic Lumix DMC-LX15:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher movie framerates (4K/30p versus 4k/25p).
- Faster burst: Shoots at higher frequency (10 vs 6.1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the M200 necessitates an extra lens.
- More compact: Is smaller (106x60mm vs 108x67mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been around for much longer (launched in September 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (10 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M200 and the Panasonic LX15 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M200 or the LX15 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon M200 | .. | + | 3/5 | 79/100 | 4/5 | 4/5 | Sep 2019 | 549 | ebay.com | |
2. | Panasonic LX15 | .. | + + | 4/5 | 81/100 | 4/5 | 4.5/5 | Sep 2016 | 699 | amazon.com | |
3. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | 799 | ebay.com | |
4. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | 699 | ebay.com | |
5. | Canon M | 3/5 | + | .. | .. | 4/5 | 4/5 | Jul 2012 | 599 | ebay.com | |
6. | Canon M10 | .. | .. | .. | .. | .. | 4/5 | Oct 2015 | 499 | ebay.com | |
7. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | 779 | ebay.com | |
8. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | 599 | ebay.com | |
9. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
10. | Canon R100 | 3/5 | o | 4.5/5 | 79/100 | .. | 3.5/5 | May 2023 | 479 | amazon.com | |
11. | Canon SL3 | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | 599 | amazon.com | |
12. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
13. | Canon T7 | .. | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 449 | amazon.com | |
14. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | 499 | ebay.com | |
15. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
16. | Panasonic TZ100 | 4.5/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jan 2016 | 699 | ebay.com | |
17. | Panasonic TZ200 | .. | + + | 4.5/5 | 81/100 | 4.5/5 | 4.5/5 | Feb 2018 | 799 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark III vs Canon M200
- Canon M200 vs Canon T100
- Canon M200 vs Nikon B500
- Canon M200 vs Olympus E-M10 IV
- Canon M200 vs Panasonic ZS70
- Canon M200 vs Sony RX10 III
- Canon R8 vs Panasonic LX15
- Fujifilm GFX 100 vs Panasonic LX15
- Fujifilm X-T30 vs Panasonic LX15
- Nikon Df vs Panasonic LX15
- Panasonic LX15 vs Sony NEX-3N
- Panasonic LX15 vs Sony NEX-6
Specifications: Canon M200 vs Panasonic LX15
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon M200 | Panasonic LX15 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Canon EF-M mount lenses | 24-72mm f/1.4-2.8 |
Launch Date | September 2019 | September 2016 |
Launch Price | USD 549 | USD 699 |
Sensor Specs | Canon M200 | Panasonic LX15 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | APS-C Sensor | 1" Sensor |
Sensor Size | 22.3 x 14.9 mm | 13.2 x 8.8 mm |
Sensor Area | 332.27 mm2 | 116.16 mm2 |
Sensor Diagonal | 26.8 mm | 15.9 mm |
Crop Factor | 1.6x | 2.7x |
Sensor Resolution | 24 Megapixels | 20 Megapixels |
Image Resolution | 6000 x 4000 pixels | 5472 x 3648 pixels |
Pixel Pitch | 3.72 μm | 2.41 μm |
Pixel Density | 7.22 MP/cm2 | 17.18 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4k/25p Video | 4K/30p Video |
ISO Setting | 100 - 25,600 ISO | 125 - 12,800 ISO |
ISO Boost | no Enhancement | 80 - 25,600 ISO |
Image Processor | DIGIC 8 | Venus |
Screen Specs | Canon M200 | Panasonic LX15 |
Viewfinder Type | no viewfinder | no viewfinder |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Tilting screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon M200 | Panasonic LX15 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 6.1 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Canon M200 | Panasonic LX15 |
External Flash | no Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Canon M200 | Panasonic LX15 |
Battery Type | Canon LP-E12 | Panasonic DMW-BLH7 |
Battery Life (CIPA) | 315 shots per charge | 260 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
108 x 67 x 35 mm (4.3 x 2.6 x 1.4 in) |
106 x 60 x 42 mm (4.2 x 2.4 x 1.7 in) |
Camera Weight | 299 g (10.5 oz) | 310 g (10.9 oz) |
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