Canon G7 X Mark II vs Fujifilm X-A2
The Canon PowerShot G7 X Mark II and the Fujifilm X-A2 are two digital cameras that were revealed to the public, respectively, in February 2016 and January 2015. The G7X Mark II is a fixed lens compact, while the X-A2 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G7X Mark II) and an APS-C (X-A2) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G7 X Mark II||Fujifilm X-A2|
|Fixed lens compact camera||Mirrorless system camera|
|24-100mm f/1.8-2.8||Fujifilm X mount lenses|
|20 MP, 1" Sensor||16 MP, APS-C Sensor|
|1080/60p Video||1080/30p Video|
|ISO 125-12,800 (125 - 25,600)||ISO 200-6,400 (100 - 25,600)|
|No viewfinder, LCD framing||No viewfinder, LCD framing|
|3.0 LCD, 1040k dots||3.0 LCD, 920k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|8 shutter flaps per second||5.6 shutter flaps per second|
|265 shots per battery charge||410 shots per battery charge|
|106 x 61 x 42 mm, 319 g||117 x 67 x 40 mm, 350 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G7 X Mark II and the Fujifilm X-A2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G7 X Mark II and the Fujifilm X-A2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-A2 can be obtained in three different colors (black, brown, white), while the G7X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A2 is notably larger (21 percent) than the Canon G7 X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the X-A2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark II has a lens built in, whereas the X-A2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-A2 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the G7X Mark II gets 265 shots out of its NB-13L battery, while the X-A2 can take 410 images on a single charge of its NP-W126 power pack. The power pack in the G7X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon G7 X Mark II||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Fujifilm X-A2||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399|
|Canon G7 X Mark III||4.1 in||2.4 in||1.6 in||10.7 oz||235||n||Jul 2019||749|
|Canon G5 X||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799|
|Canon G9 X||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529|
|Canon M3||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679|
|Canon G7 X||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699|
|Fujifilm X-A3||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399|
|Fujifilm X-A10||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399|
|Fujifilm X-E2S||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699|
|Fujifilm X-T10||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799|
|Fujifilm X-A1||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399|
|Panasonic LX10||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699|
|Sony RX100 V||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
|Sony RX100 III||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799|
|Sony RX100 II||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Fujifilm X-A2 an APS-C sensor. The sensor area in the X-A2 is 217 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon G7 X Mark II offers a higher resolution of 20 megapixels, compared with 16 MP of the Fujifilm X-A2. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.80μm for the X-A2). However, it should be noted that the G7X Mark II is a somewhat more recent model (by 1 year and 1 month) than the X-A2, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The resolution advantage of the Canon G7 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7X Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Fujifilm X-A2 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Canon PowerShot G7 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Fujifilm X-A2 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7X Mark II provides a higher frame rate than the X-A2. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The G7X Mark II and the X-A2 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Canon G7 X Mark II and Fujifilm X-A2 in connection with corresponding information for a sample of similar cameras.
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7X Mark II has a touchscreen, while the X-A2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon G7 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G7X Mark II and the X-A2 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G7 X Mark II and Fujifilm X-A2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the X-A2 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The G7X Mark II does not feature such an accessory-socket.
Both the G7X Mark II and the X-A2 have been discontinued, but can regularly be found used on eBay. The X-A2 was replaced by the Fujifilm X-A3, while the G7X Mark II was followed by the Canon G7 X Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is there a clear favorite between the Canon G7 X Mark II and the Fujifilm X-A2? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot G7 X Mark II:
- More detail: Offers more megapixels (20 vs 16MP) with a 12% higher linear resolution.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (8 vs 5.6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the X-A2 requires a separate lens.
- More compact: Is smaller (106x61mm vs 117x67mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-A2).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Is somewhat more recent (announced 1 year and 1 month after the X-A2).
Reasons to prefer the Fujifilm X-A2:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (410 versus 265) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in January 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the G7X Mark II emerges as the winner of the contest (12 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G7 X Mark II and the Fujifilm X-A2 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the G7X Mark II and the X-A2 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G7 X Mark II||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Fujifilm X-A2||..||..||4.5/5||4/5||4.5/5||Jan 2015||399|
|Canon G7 X Mark III||+ +||81/100||4/5||..||..||Jul 2019||749|
|Canon G5 X||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Canon G9 X||+ +||..||4.5/5||4/5||4.5/5||Oct 2015||529|
|Canon M3||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679|
|Canon G7 X||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699|
|Fujifilm X-A3||..||74/100||4.5/5||..||4/5||Aug 2016||399|
|Fujifilm X-A10||..||..||4/5||..||4/5||Dec 2016||399|
|Fujifilm X-E2S||..||77/100||4.5/5||..||4.5/5||Jan 2016||699|
|Fujifilm X-T10||+ +||80/100||5/5||4/5||5/5||May 2015||799|
|Fujifilm X-A1||..||..||4.5/5||..||4.5/5||Sep 2013||399|
|Panasonic LX10||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699|
|Sony RX100 V||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Sony RX100 III||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799|
|Sony RX100 II||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Canon G7 X Mark II
- Canon 550D vs Fujifilm X-A2
- Canon G15 vs Fujifilm X-A2
- Canon G7 X Mark II vs Canon SX420
- Canon G7 X Mark II vs Leica V-LUX Typ 114
- Canon G7 X Mark II vs Nikon 1 V1
- Canon G7 X Mark II vs Olympus E-PL1
- Canon G7 X Mark II vs Panasonic G1
- Canon G7 X Mark II vs Sony A77 II
- Fujifilm X-A2 vs Fujifilm X10
- Fujifilm X-A2 vs Nikon Coolpix A
- Fujifilm X-A2 vs Nikon D3300
Specifications: Canon G7 X Mark II vs Fujifilm X-A2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G7 X Mark II||Fujifilm X-A2|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-100mm f/1.8-2.8||Fujifilm X mount lenses|
|Launch Date||February 2016||January 2015|
|Launch Price||USD 699||USD 399|
|Sensor Specs||Canon G7 X Mark II||Fujifilm X-A2|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.6 x 15.6 mm|
|Sensor Area||116.16 mm2||368.16 mm2|
|Sensor Diagonal||15.9 mm||28.3 mm|
|Sensor Resolution||20 Megapixels||16 Megapixels|
|Image Resolution||5472 x 3648 pixels||4896 x 3264 pixels|
|Pixel Pitch||2.41 μm||4.80 μm|
|Pixel Density||17.18 MP/cm2||4.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||125 - 12,800 ISO||200 - 6,400 ISO|
|ISO Boost||125 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 7||EXR Processor II|
|Screen Specs||Canon G7 X Mark II||Fujifilm X-A2|
|Viewfinder Type||no viewfinder||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G7 X Mark II||Fujifilm X-A2|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||5.6 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G7 X Mark II||Fujifilm X-A2|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G7 X Mark II||Fujifilm X-A2|
|Battery Life (CIPA)||265 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
106 x 61 x 42 mm
(4.2 x 2.4 x 1.7 in)
117 x 67 x 40 mm
(4.6 x 2.6 x 1.6 in)
|Camera Weight||319 g (11.3 oz)||350 g (12.3 oz)|
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