Canon G7 X Mark II versus Canon G1 X Mark II
The Canon PowerShot G7 X Mark II and the Canon PowerShot G1 X Mark II are two digital cameras that were announced, respectively, in February 2016 and February 2014. Both the G7X Mark II and the G1X Mark II are fixed lens compact cameras that are based on an one-inch (G7X Mark II) and an 1.5-inch (G1X Mark II) sensor. The G7X Mark II has a resolution of 20 megapixel, whereas the G1X Mark II provides 13 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon G7 X Mark II vs Canon G1 X Mark II
The physical size and weight of the Canon G7 X Mark II and the Canon G1 X Mark II are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the G7X Mark II – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark II is notably larger (33 percent) than the Canon G7 X Mark II. Moreover, the G1X Mark II is substantially heavier (73 percent) than the G7X Mark II. In this context, it is worth noting that neither the G7X Mark II nor the G1X Mark II are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Canon G7 X Mark II (⇒ rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon G1 X Mark II (⇒ lft)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon SX730 (⇒ lft | rgt)||110 mm||64 mm||40 mm||300 g||250||no||2017||399||latest||check|
|Canon M6 (⇒ lft | rgt)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon 750D (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon 760D (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Canon G1 X (⇒ lft | rgt)||117 mm||81 mm||65 mm||534 g||250||no||2012||799||discont.||check|
|Canon 500D (⇒ lft | rgt)||129 mm||98 mm||62 mm||520 g||400||no||2009||799||discont.||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Panasonic LX100 (⇒ lft | rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7X Mark II was launched at a somewhat lower price (by 13 percent) than the G1X Mark II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon G7 X Mark II vs Canon G1 X Mark II
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G7 X Mark II features an one-inch sensor and the Canon G1 X Mark II an 1.5-inch sensor. The sensor area in the G1X Mark II is 126 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.85. The sensor in the G7X Mark II has a native 3:2 aspect ratio, while the one in the G1X Mark II offers a 4:3 aspect.
Despite having a smaller sensor, the Canon G7 X Mark II offers a higher resolution of 20 megapixel, compared with 13 MP of the Canon G1 X Mark II. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.49μm for the G1X Mark II). However, it should be noted that the G7X Mark II is much more recent (by 2 years) than the G1X Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon G7 X Mark II (⇒ rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G1 X Mark II (⇒ lft)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon SX730 (⇒ lft | rgt)||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon 750D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon 760D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Canon G1 X (⇒ lft | rgt)||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Canon 500D (⇒ lft | rgt)||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Panasonic LX100 (⇒ lft | rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G7X Mark II provides a higher frame rate than the G1X Mark II. It can shoot video footage at 1080/60p, while the G1X Mark II is limited to 1080/30p.
Feature comparison: Canon G7 X Mark II vs Canon G1 X Mark II
Apart from body and sensor, cameras can and do differ across a variety of features. The G7X Mark II and the G1X Mark II are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The adjacent table lists some of the other core features of the Canon G7 X Mark II and Canon G1 X Mark II along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon G7 X Mark II (⇒ rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon G1 X Mark II (⇒ lft)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||YES|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon SX730 (⇒ lft | rgt)||no||no||3.0||922||tilting||no||3200||5.9||4||YES|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon 750D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon 760D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Canon G1 X (⇒ lft | rgt)||optical||no||3.0||922||Swivel||no||4000||1.9||7||YES|
|Canon 500D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.4||YES||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Panasonic LX100 (⇒ lft | rgt)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
Both the G7X Mark II and the G1X Mark II have zoom lenses build in. The G7X Mark II has a 24-100mm f/1.8-2.8 optic and the G1X Mark II offers a 24-120mm f/2.0-3.9 (focal lengths in full frame equivalent terms). Hence, the G7X Mark II and G1X Mark II provide the same view at the wide-angle end, but the G1X Mark II has more tele-photo reach at the long end. The G7X Mark II offers the faster maximum aperture.
Both the G7X Mark II and the G1X Mark II are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G1X Mark II replaced the earlier Canon G1 X, while the G7X Mark II followed on from the Canon G7 X.
Review summary: Canon G7 X Mark II vs Canon G1 X Mark II
So what is the bottom line? Which of the two cameras – the Canon G7 X Mark II or the Canon G1 X Mark II – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot G7 X Mark II:
- More detail: Offers more megapixels (20 vs 13MP) with a 26% higher linear resolution.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Faster burst: Shoots at higher frequency (8 vs 5.2 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.8 vs f/2.0).
- More compact: Is smaller (106x61mm vs 116x74mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 234g or 42 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (265 versus 240) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (13 percent cheaper at launch).
- More modern: Reflects 2 years of technical progress since the G1X Mark II launch.
Advantages of the Canon PowerShot G1 X Mark II:
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the G7X Mark II is the clear winner of the match-up (9 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G7X Mark II or the G1X Mark II handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon G7 X Mark II (⇒ rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon G1 X Mark II (⇒ lft)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon SX730 (⇒ lft | rgt)||Rec||-||4/5||-||4/5||2017||399||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon 750D (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon 760D (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Canon G1 X (⇒ lft | rgt)||79/100 Rec||76/100 Silver||4/5||4/5||4.5/5||2012||799||discont.||check|
|Canon 500D (⇒ lft | rgt)||88/100 HiRec||74/100 HiRec||4.5/5||5/5||4.5/5||2009||799||discont.||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Panasonic LX100 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, kindly get in touch, and I will try to add information on that model to the database.
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