Canon G1 X Mark II vs Panasonic FZ200
The Canon PowerShot G1 X Mark II and the Panasonic Lumix DMC-FZ200 are two digital cameras that were revealed to the public, respectively, in February 2014 and July 2012. Both the G1X Mark II and the FZ200 are fixed lens compact cameras that are based on an 1.5-inch (G1X Mark II) and a 1/2.3-inch (FZ200) sensor. The Canon has a resolution of 13 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark II and the Panasonic Lumix DMC-FZ200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon G1 X Mark II and the Panasonic FZ200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ200 is notably larger (27 percent) than the Canon G1 X Mark II. Moreover, the FZ200 is markedly heavier (6 percent) than the G1X Mark II. In this context, it is worth noting that neither the G1X Mark II nor the FZ200 are weather-sealed.
Concerning battery life, the G1X Mark II gets 240 shots out of its Canon NB-12L battery, while the FZ200 can take 540 images on a single charge of its Panasonic DMW-BLC12 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
2. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
3. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
4. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | 799 | ebay.com | |
5. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
6. | Canon S120 | 100 mm | 59 mm | 29 mm | 217 g | 230 | n | Aug 2013 | 449 | ebay.com | |
7. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
8. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
9. | Canon T1i | 129 mm | 98 mm | 62 mm | 520 g | 400 | n | Mar 2009 | 799 | ebay.com | |
10. | Canon T6s | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | 649 | ebay.com | |
11. | Canon XSi | 129 mm | 98 mm | 62 mm | 524 g | 500 | n | Jan 2008 | 799 | ebay.com | |
12. | Olympus Stylus 1 | 116 mm | 87 mm | 57 mm | 402 g | 410 | n | Oct 2013 | 699 | ebay.com | |
13. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | 499 | ebay.com | |
14. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
15. | Panasonic FZ300 | 132 mm | 92 mm | 117 mm | 691 g | 380 | Y | Jul 2015 | 599 | amazon.com | |
16. | Panasonic LX100 | 115 mm | 66 mm | 55 mm | 393 g | 300 | n | Sep 2014 | 899 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ200 was launched at a somewhat lower price (by 25 percent) than the G1X Mark II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Panasonic FZ200 a 1/2.3-inch sensor. The sensor area in the FZ200 is 89 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 13MP, the G1X Mark II offers a slightly higher resolution than the FZ200 (12MP), but the G1X Mark II nevertheless has larger individual pixels (pixel pitch of 4.49μm versus 1.53μm for the FZ200) due to its larger sensor. Moreover, the G1X Mark II is a somewhat more recent model (by 1 year and 6 months) than the FZ200, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon PowerShot G1 X Mark II has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ200 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
In terms of underlying technology, the G1X Mark II is build around a CMOS sensor, while the FZ200 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the G1X Mark II provides substantially higher image quality than the FZ200, with an overall score that is 21 points higher. This advantage is based on 2.4 bits higher color depth, and 2.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
2. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
3. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
4. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
5. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
6. | Canon S120 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.3 | 11.9 | 246 | 56 | |
7. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
8. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
9. | Canon T1i | APS-C | 15.1 | 4752 | 3168 | 1080/20p | 21.7 | 11.5 | 663 | 63 | |
10. | Canon T6s | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
11. | Canon XSi | APS-C | 12.2 | 4272 | 2848 | none | 21.9 | 10.8 | 692 | 61 | |
12. | Olympus Stylus 1 | 1/1.7 | 11.8 | 3968 | 2976 | 1080/30p | 20.7 | 11.6 | 179 | 51 | |
13. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
14. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
15. | Panasonic FZ300 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 19.3 | 11.0 | 97 | 38 | |
16. | Panasonic LX100 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.3 | 12.5 | 553 | 67 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ200 provides a faster frame rate than the G1X Mark II. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ200 has an electronic viewfinder (1312k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G1X Mark II relies on live view and the rear LCD for framing. That said, the G1X Mark II can be equipped with an optional viewfinder – the EVF-DC1. The adjacent table lists some of the other core features of the Canon G1 X Mark II and Panasonic FZ200 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
2. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
3. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
4. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
5. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
6. | Canon S120 | none | n | 3.0 / 922 | fixed | Y | 1/2000s | 12.1/s | Y | Y | |
7. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
8. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
9. | Canon T1i | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.4/s | Y | n | |
10. | Canon T6s | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
11. | Canon XSi | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.5/s | Y | n | |
12. | Olympus Stylus 1 | 1440 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 7.0/s | Y | Y | |
13. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
14. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
15. | Panasonic FZ300 | 1440 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
16. | Panasonic LX100 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G1X Mark II has a touchscreen, while the FZ200 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The Canon G1 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G1X Mark II and the FZ200 have zoom lenses built in. The G1X Mark II has a 24-120mm f/2.0-3.9 optic and the FZ200 offers a 25-600mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The G1X Mark II offers the faster maximum aperture.
Concerning the storage of imaging data, both the G1X Mark II and the FZ200 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark II and Panasonic Lumix DMC-FZ200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
2. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
3. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
4. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
5. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
6. | Canon S120 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
7. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
9. | Canon T1i | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
10. | Canon T6s | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
11. | Canon XSi | Y | - / - | - | - | mini | 2.0 | - | - | - | |
12. | Olympus Stylus 1 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
13. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic FZ300 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
16. | Panasonic LX100 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the G1X Mark II offers wifi support, while the FZ200 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the G1X Mark II and the FZ200 have been discontinued, but can regularly be found used on ebay. The FZ200 was replaced by the Panasonic FZ300, while the G1X Mark II was followed by the Canon G1 X Mark III. Further information on the features and operation of the G1X Mark II and FZ200 can be found, respectively, in the Canon G1 X Mark II Manual (free pdf) or the online Panasonic FZ200 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Canon G1 X Mark II and the Panasonic FZ200? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G1 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (21 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.4 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (2.3 stops ISO advantage).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (116x74mm vs 125x87mm) and thus needs less room in the bag.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Is somewhat more recent (announced 1 year and 6 months after the FZ200).
Advantages of the Panasonic Lumix DMC-FZ200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (12 vs 5.2 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (540 versus 240) out of a single battery charge.
- More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the G1X Mark II emerges as the winner of the contest (13 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark II and the Panasonic FZ200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G1X Mark II and the FZ200 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
2. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
3. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
4. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | 799 | ebay.com | |
5. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
6. | Canon S120 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 449 | ebay.com | |
7. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
8. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
9. | Canon T1i | .. | + + | .. | 74/100 | 4.5/5 | 4.5/5 | Mar 2009 | 799 | ebay.com | |
10. | Canon T6s | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | 649 | ebay.com | |
11. | Canon XSi | .. | + + | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 799 | ebay.com | |
12. | Olympus Stylus 1 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2013 | 699 | ebay.com | |
13. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
14. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
15. | Panasonic FZ300 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2015 | 599 | amazon.com | |
16. | Panasonic LX100 | 5/5 | + + | .. | 85/100 | 5/5 | 5/5 | Sep 2014 | 899 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Panasonic FZ200
- Canon 6D vs Panasonic FZ200
- Canon G1 X Mark II vs Nikon D5500
- Canon G1 X Mark II vs Olympus E-500
- Canon G1 X Mark II vs Panasonic TZ90
- Canon G1 X Mark II vs Pentax Q
- Canon G1 X Mark II vs Sony A7C
- Canon G1 X Mark II vs Sony NEX-5T
- Canon G7 X Mark III vs Panasonic FZ200
- Canon T5 vs Panasonic FZ200
- Leica M9 vs Panasonic FZ200
- Panasonic FZ200 vs Sony NEX-6
Specifications: Canon G1 X Mark II vs Panasonic FZ200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon G1 X Mark II | Panasonic FZ200 |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 24-120mm f/2.0-3.9 | 25-600mm f/2.8 |
Launch Date | February 2014 | July 2012 |
Launch Price | USD 799 | USD 599 |
Sensor Specs | Canon G1 X Mark II | Panasonic FZ200 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | 1.5" Sensor | 1/2.3" Sensor |
Sensor Size | 18.7 x 14.0 mm | 6.17 x 4.55 mm |
Sensor Area | 261.8 mm2 | 28.0735 mm2 |
Sensor Diagonal | 23.4 mm | 7.7 mm |
Crop Factor | 1.85x | 5.6x |
Sensor Resolution | 13 Megapixels | 12 Megapixels |
Image Resolution | 4160 x 3120 pixels | 4000 x 3000 pixels |
Pixel Pitch | 4.49 μm | 1.53 μm |
Pixel Density | 4.96 MP/cm2 | 42.74 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/30p Video | 1080/60p Video |
ISO Setting | 100 - 12,800 ISO | 100 - 3,200 ISO |
ISO Boost | no Enhancement | 100 - 6,400 ISO |
Image Processor | DIGIC 6 | Venus VII FHD |
DXO Sensor Quality (score) | 58 | 37 |
DXO Color Depth (bits) | 21.5 | 19.1 |
DXO Dynamic Range (EV) | 10.8 | 10.8 |
DXO Low Light (ISO) | 581 | 114 |
Screen Specs | Canon G1 X Mark II | Panasonic FZ200 |
Viewfinder Type | Viewfinder optional | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.46x | |
Viewfinder Resolution | 1312k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 460k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon G1 X Mark II | Panasonic FZ200 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 5.2 shutter flaps/s | 12 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Canon G1 X Mark II | Panasonic FZ200 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Canon G1 X Mark II | Panasonic FZ200 |
Battery Type | Canon NB-12L | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 240 shots per charge | 540 shots per charge |
Body Dimensions |
116 x 74 x 66 mm (4.6 x 2.9 x 2.6 in) |
125 x 87 x 110 mm (4.9 x 3.4 x 4.3 in) |
Camera Weight | 553 g (19.5 oz) | 588 g (20.7 oz) |
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