Canon G16 vs Panasonic G7
The Canon PowerShot G16 and the Panasonic Lumix DMC-G7 are two digital cameras that were officially introduced, respectively, in August 2013 and May 2015. The G16 is a fixed lens compact, while the G7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (G16) and a Four Thirds (G7) sensor. The Canon has a resolution of 12 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G16 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon G16 and the Panasonic G7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The G7 can be obtained in two different colors (black, silver), while the G16 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is notably larger (30 percent) than the Canon G16. In this context, it is worth noting that neither the G16 nor the G7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G16 has a lens built in, whereas the G7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G7 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G16 gets 360 shots out of its Canon NB-10L battery, while the G7 can take 350 images on a single charge of its Panasonic DMW-BLC12 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
2. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
3. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
4. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
5. | Canon G12 | 112 mm | 76 mm | 48 mm | 401 g | 370 | n | Sep 2010 | 499 | ebay.com | |
6. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
7. | Canon M | 109 mm | 66 mm | 32 mm | 298 g | 230 | n | Jul 2012 | 599 | ebay.com | |
8. | Canon SL1 | 117 mm | 91 mm | 69 mm | 407 g | 380 | n | Mar 2013 | 549 | ebay.com | |
9. | Fujifilm X20 | 117 mm | 70 mm | 57 mm | 353 g | 270 | n | Jan 2013 | 599 | ebay.com | |
10. | Fujifilm X30 | 119 mm | 72 mm | 60 mm | 423 g | 470 | n | Aug 2014 | 599 | ebay.com | |
11. | Nikon P7800 | 119 mm | 78 mm | 50 mm | 399 g | 350 | n | Sep 2013 | 549 | ebay.com | |
12. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
13. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
14. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
15. | Panasonic GM1 | 99 mm | 55 mm | 30 mm | 204 g | 230 | n | Oct 2013 | 749 | ebay.com | |
16. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
17. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G16 was launched at a lower price than the G7, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G16 features a 1/1.7-inch sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 436 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.8MP, the G7 offers a higher resolution than the G16 (12MP), but the G7 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 1.87μm for the G16) due to its larger sensor. Moreover, the G7 is a somewhat more recent model (by 1 year and 8 months) than the G16, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic G7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Canon G16 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot G16 has a native sensitivity range from ISO 80 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).
In terms of underlying technology, the G16 is build around a BSI-CMOS sensor, while the G7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
2. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
3. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
4. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
5. | Canon G12 | 1/1.7 | 10.0 | 3648 | 2736 | 720/24p | 20.4 | 11.2 | 161 | 47 | |
6. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
7. | Canon M | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.2 | 827 | 65 | |
8. | Canon SL1 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.8 | 11.3 | 843 | 63 | |
9. | Fujifilm X20 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.1 | 10.9 | -462 | 46 | |
10. | Fujifilm X30 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.4 | 11.2 | -312 | 49 | |
11. | Nikon P7800 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 21.2 | 11.7 | 200 | 54 | |
12. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
13. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
14. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
15. | Panasonic GM1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 22.3 | 11.7 | 660 | 66 | |
16. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
17. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G7 provides a better video resolution than the G16. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G7 has an electronic viewfinder (2360k dots), while the G16 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon G16 and Panasonic G7 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
2. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
3. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
4. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
5. | Canon G12 | optical | n | 2.8 / 461 | swivel | n | 1/4000s | 1.1/s | Y | Y | |
6. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
7. | Canon M | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.3/s | n | n | |
8. | Canon SL1 | optical | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.9/s | Y | n | |
9. | Fujifilm X20 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
10. | Fujifilm X30 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 12.0/s | Y | Y | |
11. | Nikon P7800 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 8.0/s | Y | Y | |
12. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
13. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
14. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
15. | Panasonic GM1 | none | n | 3.0 / 1036 | fixed | Y | 1/500s | 5.0/s | Y | n | |
16. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
17. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the G16 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The G7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the G16 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G16 and the Panasonic G7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G16 and the G7 write their files to SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G16 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G16 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
2. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
3. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
4. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
5. | Canon G12 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Canon M | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Canon SL1 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Fujifilm X20 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
10. | Fujifilm X30 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Nikon P7800 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
12. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
14. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
15. | Panasonic GM1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the G7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G16 does not feature such a mic input.
Both the G16 and the G7 have been discontinued, but can regularly be found used on ebay. The G7 was replaced by the Panasonic G85, while the G16 does not have a direct successor. Further information on the features and operation of the G16 and G7 can be found, respectively, in the Canon G16 Manual (free pdf) or the online Panasonic G7 Manual.
Review summary
So how do things add up? Is there a clear favorite between the Canon G16 and the Panasonic G7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot G16:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Ready to shoot: Has a lens built-in, whereas the G7 requires a separate lens.
- More compact: Is smaller (109x76mm vs 125x86mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the G7).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in August 2013).
Reasons to prefer the Panasonic Lumix DMC-G7:
- More detail: Has more megapixels (15.8 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 2.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the G7 is the clear winner of the contest (17 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G16 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G16 and the G7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
2. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
3. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
4. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
5. | Canon G12 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Sep 2010 | 499 | ebay.com | |
6. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
7. | Canon M | 3/5 | + | .. | .. | 4/5 | 4/5 | Jul 2012 | 599 | ebay.com | |
8. | Canon SL1 | 4/5 | + | .. | 78/100 | 4/5 | 4/5 | Mar 2013 | 549 | ebay.com | |
9. | Fujifilm X20 | 4/5 | + + | .. | 77/100 | 4.5/5 | 5/5 | Jan 2013 | 599 | ebay.com | |
10. | Fujifilm X30 | 4/5 | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Aug 2014 | 599 | ebay.com | |
11. | Nikon P7800 | 3/5 | .. | .. | .. | 4/5 | 4.5/5 | Sep 2013 | 549 | ebay.com | |
12. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
13. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
14. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
15. | Panasonic GM1 | 3/5 | + | .. | 78/100 | 5/5 | 4.5/5 | Oct 2013 | 749 | ebay.com | |
16. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
17. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 550D vs Canon G16
- Canon G16 vs Kodak AZ901
- Canon G16 vs Leica M10-P
- Canon G16 vs Nikon 1 V1
- Canon G16 vs Nikon D60
- Canon G16 vs Panasonic FZ330
- Canon SX40 vs Panasonic G7
- Nikon D1X vs Panasonic G7
- Nikon D500 vs Panasonic G7
- Nikon Z30 vs Panasonic G7
- Nikon Z6 II vs Panasonic G7
- Panasonic G2 vs Panasonic G7
Specifications: Canon G16 vs Panasonic G7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon G16 | Panasonic G7 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-140mm f/1.8-2.8 | Micro Four Thirds lenses |
Launch Date | August 2013 | May 2015 |
Launch Price | USD 549 | USD 649 |
Sensor Specs | Canon G16 | Panasonic G7 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/1.7" Sensor | Four Thirds Sensor |
Sensor Size | 7.44 x 5.58 mm | 17.3 x 13.0 mm |
Sensor Area | 41.5152 mm2 | 224.9 mm2 |
Sensor Diagonal | 9.3 mm | 21.6 mm |
Crop Factor | 4.65x | 2.0x |
Sensor Resolution | 12 Megapixels | 15.8 Megapixels |
Image Resolution | 4000 x 3000 pixels | 4592 x 3448 pixels |
Pixel Pitch | 1.87 μm | 3.77 μm |
Pixel Density | 28.91 MP/cm2 | 7.04 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 4K/30p Video |
ISO Setting | 80 - 12,800 ISO | 160 - 25,600 ISO |
Image Processor | DIGIC 6 | Venus |
DXO Sensor Quality (score) | 54 | .. |
DXO Color Depth (bits) | 21.0 | .. |
DXO Dynamic Range (EV) | 11.7 | .. |
DXO Low Light (ISO) | 230 | .. |
Screen Specs | Canon G16 | Panasonic G7 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 80% | 100% |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 1040k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Canon G16 | Panasonic G7 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 2.2 shutter flaps/s | 7 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-II |
Connectivity Specs | Canon G16 | Panasonic G7 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | Wifi built-in | Wifi built-in |
Body Specs | Canon G16 | Panasonic G7 |
Battery Type | Canon NB-10L | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 360 shots per charge | 350 shots per charge |
Body Dimensions |
109 x 76 x 40 mm (4.3 x 3.0 x 1.6 in) |
125 x 86 x 77 mm (4.9 x 3.4 x 3.0 in) |
Camera Weight | 356 g (12.6 oz) | 410 g (14.5 oz) |
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