Canon G1 X Mark II vs Sony NEX-C3
The Canon PowerShot G1 X Mark II and the Sony Alpha NEX-C3 are two digital cameras that were revealed to the public, respectively, in February 2014 and June 2011. The G1X Mark II is a fixed lens compact, while the NEX-C3 is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X Mark II) and an APS-C (NEX-C3) sensor. The Canon has a resolution of 13 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark II and the Sony Alpha NEX-C3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G1 X Mark II and the Sony NEX-C3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The NEX-C3 can be obtained in three different colors (black, silver, pink), while the G1X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-C3 is notably smaller (23 percent) than the Canon G1 X Mark II. In this context, it is worth noting that neither the G1X Mark II nor the NEX-C3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark II has a lens built in, whereas the NEX-C3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-C3 and their specifications in the Sony E-Mount Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|2.||Sony NEX-C3||110 mm||60 mm||33 mm||225 g||400||n||Jun 2011||599|
|3.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|4.||Canon XC10||125 mm||102 mm||122 mm||1040 g||370||n||Apr 2015||2,499|
|5.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|6.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|7.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|8.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|9.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon 450D||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699|
|12.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|13.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|14.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|15.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Sony NEX-C3 an APS-C sensor. The sensor area in the NEX-C3 is 39 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.5. The sensor in the G1X Mark II has a native 4:3 aspect ratio, while the one in the NEX-C3 offers a 3:2 aspect.
With 16MP, the NEX-C3 offers a higher resolution than the G1X Mark II (13MP), but the NEX-C3 nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 4.49μm for the G1X Mark II) due to its larger sensor. However, the G1X Mark II is a much more recent model (by 2 years and 8 months) than the NEX-C3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-C3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-C3 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Canon G1 X Mark II are 20.8 x 15.6 inches or 52.8 x 39.6 cm for good quality, 16.6 x 12.5 inches or 42.3 x 31.7 cm for very good quality, and 13.9 x 10.4 inches or 35.2 x 26.4 cm for excellent quality prints.
The Canon PowerShot G1 X Mark II has a native sensitivity range from ISO 100 to ISO 12800. The Sony Alpha NEX-C3 offers exactly the same ISO settings.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-C3 offers substantially better image quality than the G1X Mark II (overall score 15 points higher). The advantage is based on 1.2 bits higher color depth, 1.4 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|8.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|11.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
|12.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G1X Mark II provides a higher video resolution than the NEX-C3. It can shoot video footage at 1080/30p, while the Sony is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The G1X Mark II and the NEX-C3 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-DC1 for the G1X Mark II and the FDA-SV1 for the NEX-C3 – are available as accessories. The following table reports on some other key feature differences and similarities of the Canon G1 X Mark II, the Sony NEX-C3, and comparable cameras.
|1.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2/s||Y||Y|
|2.||Sony NEX-C3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5/s||n||n|
|3.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon XC10||none||n||3.0 / 1030||tilting||Y||1/2000s||3.8/s||n||Y|
|5.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|6.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|7.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1/s||Y||Y|
|8.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|9.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|10.||Canon 450D||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|11.||Olympus Stylus 1||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0/s||Y||Y|
|12.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|13.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|14.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5/s||Y||n|
|15.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G1X Mark II has one, while the NEX-C3 does not. While the built-in flash of the G1X Mark II is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon G1 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G1X Mark II writes its imaging data to SDXC cards, while the NEX-C3 uses SDXC or Memory Stick PRO Duo cards. The G1X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-C3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark II and Sony Alpha NEX-C3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Sony NEX-C3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon XC10||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|7.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|8.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Canon 450D||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Olympus Stylus 1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|14.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the G1X Mark II offers wifi support, while the NEX-C3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the G1X Mark II and the NEX-C3 have been discontinued, but can regularly be found used on eBay. The G1X Mark II was replaced by the Canon G1 X Mark III, while the NEX-C3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon G1 X Mark II or the Sony NEX-C3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot G1 X Mark II:
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the NEX-C3 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 8 months of technical progress since the NEX-C3 launch.
Reasons to prefer the Sony Alpha NEX-C3:
- More detail: Has more megapixels (16 vs 13MP), which boosts linear resolution by 13%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (110x60mm vs 116x74mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (400 versus 240) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in June 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the G1X Mark II emerges as the winner of the contest (11 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark II and the Sony NEX-C3 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1X Mark II or the NEX-C3. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|2.||Sony NEX-C3||3/5||+ +||..||74/100||4.5/5||4/5||Jun 2011||599|
|3.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|4.||Canon XC10||..||..||..||80/100||..||..||Apr 2015||2,499|
|5.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|6.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|7.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|8.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|9.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon 450D||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Olympus Stylus 1||..||+ +||..||..||4.5/5||4.5/5||Oct 2013||699|
|12.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|13.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|14.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599|
|15.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G1 X Mark II vs Canon SX730
- Canon G1 X Mark II vs Nikon P900
- Canon G1 X Mark II vs Panasonic G95
- Canon G1 X Mark II vs Panasonic LF1
- Canon G1 X Mark II vs Sony A7R IV
- Canon G1 X Mark II vs Sony RX10 II
- Canon G12 vs Sony NEX-C3
- Canon SX50 vs Sony NEX-C3
- Olympus E-M10 vs Sony NEX-C3
- Panasonic GM5 vs Sony NEX-C3
- Panasonic LX7 vs Sony NEX-C3
- Sony NEX-5R vs Sony NEX-C3
Specifications: Canon G1 X Mark II vs Sony NEX-C3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark II||Sony NEX-C3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-120mm f/2.0-3.9||Sony E mount lenses|
|Launch Date||February 2014||June 2011|
|Launch Price||USD 799||USD 599|
|Sensor Specs||Canon G1 X Mark II||Sony NEX-C3|
|Sensor Format||1.5" Sensor||APS-C Sensor|
|Sensor Size||18.7 x 14.0 mm||23.4 x 15.6 mm|
|Sensor Area||261.8 mm2||365.04 mm2|
|Sensor Diagonal||23.4 mm||28.1 mm|
|Sensor Resolution||13 Megapixels||16 Megapixels|
|Image Resolution||4160 x 3120 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.49 μm||4.78 μm|
|Pixel Density||4.96 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 12,800 ISO|
|Image Processor||DIGIC 6||BIONZ|
|DXO Sensor Quality (score)||58||73|
|DXO Color Depth (bits)||21.5||22.7|
|DXO Dynamic Range (EV)||10.8||12.2|
|DXO Low Light (ISO)||581||1083|
|Screen Specs||Canon G1 X Mark II||Sony NEX-C3|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G1 X Mark II||Sony NEX-C3|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5.2 shutter flaps/s||5.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G1 X Mark II||Sony NEX-C3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G1 X Mark II||Sony NEX-C3|
|Battery Life (CIPA)||240 shots per charge||400 shots per charge|
116 x 74 x 66 mm
(4.6 x 2.9 x 2.6 in)
110 x 60 x 33 mm
(4.3 x 2.4 x 1.3 in)
|Camera Weight||553 g (19.5 oz)||225 g (7.9 oz)|
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