Canon G1 X Mark II vs Panasonic G6
The Canon PowerShot G1 X Mark II and the Panasonic Lumix DMC-G6 are two digital cameras that were officially introduced, respectively, in February 2014 and April 2013. The G1X Mark II is a fixed lens compact, while the G6 is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X Mark II) and a Four Thirds (G6) sensor. The Canon has a resolution of 13 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark II and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G1 X Mark II and the Panasonic G6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the G1X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is notably larger (21 percent) than the Canon G1 X Mark II. In this context, it is worth noting that neither the G1X Mark II nor the G6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark II has a lens built in, whereas the G6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G6 and their specifications in the Micro Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|2.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|3.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|4.||Canon XC10||125 mm||102 mm||122 mm||1040 g||370||n||Apr 2015||2,499|
|5.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|6.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|7.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|8.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|9.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699|
|12.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|13.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|14.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|15.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|16.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|17.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Panasonic G6 a Four Thirds sensor. The sensor area in the G6 is 14 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the G6 offers a higher resolution of 15.9 megapixels, compared with 13 MP of the G1X Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.49μm for the G1X Mark II). Moreover, it should be noted that the G1X Mark II is a somewhat more recent model (by 9 months) than the G6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Panasonic G6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G6 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Canon G1 X Mark II are 20.8 x 15.6 inches or 52.8 x 39.6 cm for good quality, 16.6 x 12.5 inches or 42.3 x 31.7 cm for very good quality, and 13.9 x 10.4 inches or 35.2 x 26.4 cm for excellent quality prints.
The Canon PowerShot G1 X Mark II has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|2.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|8.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|11.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
|12.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|13.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|14.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|15.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|17.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G6 provides a faster frame rate than the G1X Mark II. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G6 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G1X Mark II relies on live view and the rear LCD for framing. That said, the G1X Mark II can be equipped with an optional viewfinder – the EVF-DC1. The table below summarizes some of the other core capabilities of the Canon G1 X Mark II and Panasonic G6 in connection with corresponding information for a sample of similar cameras.
|1.||Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y|
|8.||Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
|11.||Olympus Stylus 1||1440||n||3.0||1040||tilting||Y||1/2000s||7.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G1 X Mark II and the Panasonic G6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G1X Mark II and the G6 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark II and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|8.||Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|11.||Olympus Stylus 1||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
It is notable that the G6 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G1X Mark II does not feature such a mic input.
Both the G1X Mark II and the G6 have been discontinued, but can regularly be found used on eBay. The G6 was replaced by the Panasonic G7, while the G1X Mark II was followed by the Canon G1 X Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon G1 X Mark II and the Panasonic G6? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot G1 X Mark II:
- Ready to shoot: Has a lens built-in, whereas the G6 requires a separate lens.
- More compact: Is smaller (116x74mm vs 122x85mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More modern: Is somewhat more recent (announced 9 months after the G6).
Reasons to prefer the Panasonic Lumix DMC-G6:
- More detail: Has more megapixels (15.9 vs 13MP), which boosts linear resolution by 11%.
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (7 vs 5.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (340 versus 240) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in April 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the G6 is the clear winner of the contest (11 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark II and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G1X Mark II or the G6 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X Mark II||3/5||+||77/100||4/5||4.5/5||Feb 2014||799|
|2.||Panasonic G6||4/5||+ +||..||5/5||4.5/5||Apr 2013||599|
|3.||Canon T6s||5/5||+||77/100||4.5/5||4.5/5||Feb 2015||649|
|4.||Canon XC10||..||..||80/100||..||..||Apr 2015||2,499|
|5.||Canon SX60||3/5||+ +||75/100||4/5||4.5/5||Sep 2014||549|
|6.||Canon G16||4/5||+||..||4.5/5||4.5/5||Aug 2013||549|
|7.||Canon S120||..||+ +||..||4.5/5||4.5/5||Aug 2013||449|
|8.||Canon G1 X||5/5||+||76/100||4/5||4.5/5||Jan 2012||799|
|9.||Canon T1i||..||+ +||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon XSi||..||+ +||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Olympus Stylus 1||..||+ +||..||4.5/5||4.5/5||Oct 2013||699|
|12.||Panasonic G7||4/5||+ +||80/100||5/5||4.5/5||May 2015||649|
|13.||Panasonic LX100||5/5||+ +||85/100||5/5||5/5||Sep 2014||899|
|14.||Panasonic GF6||..||+ +||..||4.5/5||4.5/5||Apr 2013||499|
|15.||Panasonic GX7||4/5||+||79/100||5/5||5/5||Aug 2013||999|
|16.||Panasonic G5||3/5||+ +||..||4.5/5||4.5/5||Jul 2012||599|
|17.||Panasonic G3||3/5||+ +||75/100||4.5/5||5/5||May 2011||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon G1 X Mark II vs Panasonic G6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark II||Panasonic G6|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-120mm f/2.0-3.9||Micro Four Thirds lenses|
|Launch Date||February 2014||April 2013|
|Launch Price||USD 799||USD 599|
|Sensor Specs||Canon G1 X Mark II||Panasonic G6|
|Sensor Format||1.5" Sensor||Four Thirds Sensor|
|Sensor Size||18.7 x 14.0 mm||17.3 x 13.0 mm|
|Sensor Area||261.8 mm2||224.9 mm2|
|Sensor Diagonal||23.4 mm||21.6 mm|
|Sensor Resolution||13 Megapixels||15.9 Megapixels|
|Image Resolution||4160 x 3120 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.49 μm||3.76 μm|
|Pixel Density||4.96 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||160 - 12,800 ISO|
|ISO Boost||no Enhancement||160 - 25,600 ISO|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||58||61|
|DXO Color Depth (bits)||21.5||21.3|
|DXO Dynamic Range (EV)||10.8||11.5|
|DXO Low Light (ISO)||581||639|
|Screen Specs||Canon G1 X Mark II||Panasonic G6|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1036k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Canon G1 X Mark II||Panasonic G6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5.2 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/4000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G1 X Mark II||Panasonic G6|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon G1 X Mark II||Panasonic G6|
|Battery Life (CIPA)||240 shots per charge||340 shots per charge|
116 x 74 x 66 mm
(4.6 x 2.9 x 2.6 in)
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
|Camera Weight||553 g (19.5 oz)||390 g (13.8 oz)|
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