Canon G1 X Mark II versus Olympus E-M10 III
The Canon PowerShot G1 X Mark II and the Olympus OM-D E-M10 Mark III are two digital cameras that were officially introduced, respectively, in February 2014 and August 2017. The G1X Mark II is a fixed lens compact, while the E-M10 III is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X Mark II) and a Four Thirds sensor. The Canon has a resolution of 13 megapixel, whereas the Olympus provides 15.9 MP.
The side-by-side display below illustrates the physical size and weight of the Canon G1 X Mark II and the Olympus E-M10 III. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G1X Mark II – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M10 III is notably larger (19 percent) than the Canon G1 X Mark II. In this context, it is worth noting that neither the G1X Mark II nor the E-M10 III are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark II has a lens build in, whereas the E-M10 III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the E-M10 III and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon G1 X Mark II (⇒ rgt)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Olympus E-M10 III (⇒ lft)||122 mm||84 mm||50 mm||410 g||330||no||2017||649||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon XC10 (⇒ lft | rgt)||125 mm||102 mm||122 mm||1040 g||..||no||2015||2,499||latest||check|
|Canon T6s (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Canon G1 X (⇒ lft | rgt)||117 mm||81 mm||65 mm||534 g||250||no||2012||799||discont.||check|
|Olympus PEN-F (⇒ lft | rgt)||125 mm||72 mm||37 mm||427 g||330||no||2016||1,199||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-M10 (⇒ lft | rgt)||119 mm||82 mm||46 mm||396 g||320||no||2014||699||discont.||check|
|Olympus E-P5 (⇒ lft | rgt)||122 mm||69 mm||37 mm||420 g||330||no||2013||999||discont.||check|
|Panasonic GX850 (⇒ lft | rgt)||107 mm||65 mm||33 mm||269 g||210||no||2017||549||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||137 mm||99 mm||131 mm||831 g||360||no||2014||899||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||99 mm||60 mm||36 mm||211 g||220||no||2014||749||discont.||check|
|Panasonic LX100 (⇒ lft | rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Olympus E-M10 III a Four Thirds sensor. The sensor area in the E-M10 III is 14 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the E-M10 III offers a higher resolution of 15.9 megapixel, compared with 13 MP of the G1X Mark II. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.49μm for the G1X Mark II). However, it should be noted that the E-M10 III is much more recent (by 3 years and 6 months) than the G1X Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the E-M10 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G1 X Mark II (⇒ rgt)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Olympus E-M10 III (⇒ lft)||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon XC10 (⇒ lft | rgt)||1-inch||12.0||4000||3000||4K/30p||-||-||-||-|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Canon G1 X (⇒ lft | rgt)||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Olympus PEN-F (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-P5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Panasonic GX850 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic FZ1000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic LX100 (⇒ lft | rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-M10 III provides a better video resolution than the G1X Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M10 III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G1X Mark II relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon G1 X Mark II and Olympus E-M10 III along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon G1 X Mark II (⇒ rgt)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||no|
|Olympus E-M10 III (⇒ lft)||2360||no||3.0||1040||tilting||YES||4000||8.6||5.8||YES|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||no|
|Canon XC10 (⇒ lft | rgt)||no||no||3.0||1030||tilting||YES||2000||3.8||no||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||no|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||no|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||no|
|Canon G1 X (⇒ lft | rgt)||optical||no||3.0||922||Swivel||no||4000||1.9||7||no|
|Olympus PEN-F (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-P5 (⇒ lft | rgt)||no||no||3.0||1037||tilting||YES||8000||9.0||7||YES|
|Panasonic GX850 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||500||10.0||4||no|
|Panasonic FZ1000 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||no|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic LX100 (⇒ lft | rgt)||2764||no||3.0||921||fixed||no||4000||11.0||7||no|
Both the G1X Mark II and the E-M10 III are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G1X Mark II replaced the earlier Canon G1 X, while the E-M10 III followed on from the Olympus E-M10 II.
So how do things add up? Is the Canon G1 X Mark II better than the Olympus E-M10 III or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon PowerShot G1 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has a lens build-in, whereas the E-M10 III requires a separate lens.
- More compact: Is smaller (116x74mm vs 122x84mm) and thus needs less room in the bag.
- More heavily discounted: Has been available for much longer (launched in February 2014).
Arguments in favor of the Olympus OM-D E-M10 Mark III:
- More detail: Has more megapixels (15.9 vs 13MP), which boosts linear resolution by 11%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (8.6 vs 5.2 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (330 versus 240) out of a single battery charge.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Reflects 3 years and 6 months of technical progress since the G1X Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M10 III is the clear winner of the contest (9 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G1X Mark II or the E-M10 III. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon G1 X Mark II (⇒ rgt)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Olympus E-M10 III (⇒ lft)||Rec||80/100||4.5/5||..||4.5/5||2017||649||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon XC10 (⇒ lft | rgt)||-||80/100||-||-||-||2015||2,499||latest||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Canon G1 X (⇒ lft | rgt)||79/100 Rec||76/100 Silver||4/5||4/5||4.5/5||2012||799||discont.||check|
|Olympus PEN-F (⇒ lft | rgt)||-||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Olympus E-P5 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4.5/5||5/5||2013||999||discont.||check|
|Panasonic GX850 (⇒ lft | rgt)||Rec||76/100||4.5/5||-||4.5/5||2017||549||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic LX100 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please send me an email, and I will try to update the database with the necessary infos.
- Canon 760D vs Fujifilm X-T1
- Canon G7 X Mark II vs Canon T6s
- Canon T7i vs Canon G5 X
- Leica M10 vs Leica CL
- Leica M10 vs Leica TL2
- Nikon D5 vs Nikon D7200
- Nikon D810 vs Sony A7R III
- Olympus E-M10 vs Panasonic GX7
- Panasonic GH5 vs Olympus PEN-F
- Panasonic GH5 vs Sony A7 II
- Panasonic GX8 vs Olympus PEN-F
- Sony A7R II vs Nikon D7200