Canon 80D versus Canon 1D Mark III
The Canon EOS 80D and the Canon EOS-1D Mark III are two digital cameras that were revealed to the public, respectively, in February 2016 and February 2007. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (80D) and an APS-H sensor. The 80D has a resolution of 24 megapixel, whereas the 1D Mark III provides 10.1 MP.
An illustration of the physical size and weight of the Canon 80D and the Canon 1D Mark III is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 80D – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D Mark III is considerably larger (67 percent) than the Canon 80D. Moreover, the 1D Mark III is substantially heavier (58 percent) than the 80D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor (as in the 1D Mark III) will tend to go along with bigger and heavier lenses, while more compact options are available for the smaller-sensor camera (80D). You can find a comprehensive overview of suitable optics in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 80D (⇒ rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon 1D Mark III (⇒ lft)||156 mm||156.6 mm||80 mm||1155 g||2200||YES||2007||4,499||discont.||check|
|Canon 6D Mark II (⇒ lft | rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Canon T6i (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Canon 7D II (⇒ lft | rgt)||149 mm||112 mm||78 mm||910 g||670||YES||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||139 mm||104 mm||79 mm||755 g||920||YES||2013||1,199||discont.||check|
|Canon 60D (⇒ lft | rgt)||145 mm||106 mm||79 mm||755 g||1100||YES||2010||1,399||discont.||check|
|Canon 1D Mark IV (⇒ lft | rgt)||156 mm||157 mm||80 mm||1230 g||1500||YES||2009||4,999||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||150 mm||160 mm||80 mm||1385 g||1800||YES||2007||7,999||discont.||check|
|Canon 1D Mark II (⇒ lft | rgt)||156 mm||158 mm||80 mm||1535 g||1200||YES||2004||4,499||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||156 mm||157.6 mm||80 mm||1265 g||600||YES||2002||8,999||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Nikon D7200 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||1110||YES||2015||1,199||discont.||check|
|Nikon D3 (⇒ lft | rgt)||160 mm||157 mm||88 mm||1300 g||4300||YES||2007||4,999||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||400||YES||2015||1,299||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 80D was launched at a markedly lower price (by 73 percent) than the 1D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 80D features an APS-C sensor and the Canon 1D Mark III an APS-H sensor. The sensor area in the 1D Mark III is 55 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.3. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon 80D offers a higher resolution of 24 megapixel, compared with 10.1 MP of the Canon 1D Mark III. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.75μm versus 7.21μm for the 1D Mark III). However, it should be noted that the 80D is much more recent (by 8 years and 11 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 80D has a notably higher overall DXO score than the 1D Mark III (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.9 bits higher color depth, 1.5 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 80D (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 1D Mark III (⇒ lft)||APS-H||10.1||3888||2592||no||22.7||11.7||1078||71|
|Canon 6D Mark II (⇒ lft | rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 7D II (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon 70D (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon 60D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Canon 1D Mark IV (⇒ lft | rgt)||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 1Ds Mark III (⇒ lft | rgt)||Full Frame||21.0||5616||3744||no||24.0||12.0||1663||80|
|Canon 1D Mark II (⇒ lft | rgt)||APS-H||8.2||3504||2336||no||22.3||11.1||1003||66|
|Canon 1Ds (⇒ lft | rgt)||Full Frame||11.0||4064||2704||no||21.8||11.0||954||63|
|Nikon D7500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86|
|Nikon D7200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Nikon D3 (⇒ lft | rgt)||Full Frame||12.1||4256||2832||no||23.5||12.2||2290||81|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras cannot only take still pictures, but also record videos. The 80D indeed provides movie recording capabilities, while the 1D Mark III does not. The highest resolution format that the 80D can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The 80D and the 1D Mark III are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Canon 80D, the Canon 1D Mark III, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon 80D (⇒ rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 1D Mark III (⇒ lft)||optical||YES||3.0||230||fixed||no||8000||10.0||no||no|
|Canon 6D Mark II (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Canon 7D II (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||8000||10.0||11||no|
|Canon 70D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 60D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Canon 1D Mark IV (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||10.0||no||no|
|Canon 1Ds Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||5.0||no||no|
|Canon 1D Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||8.3||no||no|
|Canon 1Ds (⇒ lft | rgt)||optical||YES||2.0||120||fixed||no||8000||3.0||no||no|
|Nikon D7500 (⇒ lft | rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Nikon D7200 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D3 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||11.0||no||no|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||YES|
The 80D is a current model that online retailers, such as amazon, will have in stock. In contrast, the 1D Mark III has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the 1D Mark III was succeeded by the Canon 1D Mark IV.
So how do things add up? Is the Canon 80D better than the Canon 1D Mark III or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 80D:
- More detail: Offers more megapixels (24 vs 10.1MP) with a 54% higher linear resolution.
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.5 EV of extra DR).
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More compact: Is smaller (139x105mm vs 156x156.6mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 425g or 37 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
- More modern: Reflects 8 years and 11 months of technical progress since the 1D Mark III launch.
Arguments in favor of the Canon EOS-1D Mark III:
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (2200 versus 960) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in February 2007).
If the count of relative strengths (bullet points above) is taken as a measure, the 80D is the clear winner of the match-up (12 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 80D or the 1D Mark III handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 80D (⇒ rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon 1D Mark III (⇒ lft)||-||-||-||reviewed||-||2007||4,499||discont.||check|
|Canon 6D Mark II (⇒ lft | rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon 7D II (⇒ lft | rgt)||Rec||84/100 Silver||4/5||5/5||4.5/5||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||HiRec||83/100 Gold||4.5/5||4.5/5||5/5||2013||1,199||discont.||check|
|Canon 60D (⇒ lft | rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Canon 1D Mark IV (⇒ lft | rgt)||-||89/100 Gold||-||5/5||-||2009||4,999||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||-||HiRec||4.5/5||-||-||2007||7,999||discont.||check|
|Canon 1D Mark II (⇒ lft | rgt)||-||HiRec||-||reviewed||-||2004||4,499||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||-||HiRec||-||-||-||2002||8,999||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Nikon D7200 (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4/5||4.5/5||2015||1,199||discont.||check|
|Nikon D3 (⇒ lft | rgt)||-||HiRec||5/5||reviewed||4.5/5||2007||4,999||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please contact me, and I will try to locate and add the respective data to the application.
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