Canon 750D vs Sony A77 II
The Canon EOS 750D (called Canon T6i in some regions) and the Sony Alpha SLT-A77 II are two digital cameras that were announced, respectively, in February 2015 and May 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 750D||Sony A77 II|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|24 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-12,800 (100 - 25,600)||ISO 100-25,600 (50 - 51,200)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0 LCD, 1040k dots||3.0 LCD, 1229k dots|
|Swivel touchscreen||Fully flexible screen (no touchscreen)|
|5 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|not weather sealed||Weathersealed body|
|440 shots per battery charge||480 shots per battery charge|
|132 x 101 x 78 mm, 555 g||143 x 104 x 81 mm, 647 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 750D and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 750D and the Sony A77 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is notably larger (12 percent) than the Canon 750D. Moreover, the A77 II is markedly heavier (17 percent) than the 750D. It is noteworthy in this context that the A77 II is splash and dust-proof, while the 750D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|Sony A68||143 mm||104 mm||81 mm||610 g||540||n||Nov 2015||699|
|Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 750D was launched at a markedly lower price (by 38 percent) than the A77 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A77 II is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (750D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Even though the A77 II has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A77 II has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the 750D), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the 750D is a somewhat more recent model (by 9 months) than the A77 II, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The 750D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 750D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A77 II provides a faster frame rate than the 750D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A77 II has an electronic viewfinder (2359k dots), while the 750D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A77 II offers a wider field of view (100%) than the one in the 750D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A77 II has a higher magnification (0.73x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 750D and Sony A77 II in connection with corresponding information for a sample of similar cameras.
|Sony A77 II||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 750D has a touchscreen, while the A77 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The 750D writes its imaging data to SDXC cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 750D and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony A77 II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Sony A77 II (unlike the 750D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A77 II is a recent model that features in the current product line-up of Sony. In contrast, the 750D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 750D was succeeded by the Canon 800D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is there a clear favorite between the Canon 750D and the Sony A77 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 750D:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less heavy: Is lighter (by 92g or 14 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 9 months after the A77 II).
Reasons to prefer the Sony Alpha SLT-A77 II:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.51x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in May 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the A77 II is the clear winner of the contest (12 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 750D and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 750D or the A77 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 750D||..||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749|
|Sony A77 II||..||80/100||4.5/5||4/5||5/5||May 2014||1,199|
|Canon 2000D||o||..||3.5/5||..||3.5/5||Feb 2018||449|
|Canon 77D||..||82/100||4.5/5||4.5/5||4/5||Feb 2017||899|
|Canon 800D||..||80/100||4.5/5||4/5||4/5||Feb 2017||749|
|Canon 760D||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649|
|Canon G3 X||+||..||4.5/5||3.5/5||4/5||Jun 2015||999|
|Canon M3||o||75/100||4.5/5||4.5/5||4/5||Feb 2015||679|
|Canon 1200D||+||..||4/5||4/5||4.5/5||Feb 2014||449|
|Canon G7 X||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699|
|Canon 700D||..||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649|
|Canon 650D||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849|
|Nikon D5600||..||79/100||4.5/5||4.5/5||4/5||Nov 2016||699|
|Nikon D7200||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199|
|Sony A68||..||..||4/5||..||4/5||Nov 2015||699|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Sony A77||91/100||81/100||..||4.5/5||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Canon 750D
- Canon 750D vs Canon SL3
- Canon 750D vs Fujifilm GFX 50S
- Canon 750D vs Fujifilm X-T3
- Canon 750D vs Fujifilm XP120
- Canon 750D vs Leica Digilux 3
- Canon 750D vs Olympus E-M1
- Canon 750D vs Panasonic GX1
- Canon G15 vs Sony A77 II
- Nikon Z7 vs Sony A77 II
- Panasonic GF3 vs Sony A77 II
- Sony A77 II vs Sony NEX-5N
Specifications: Canon 750D vs Sony A77 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 750D||Sony A77 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||February 2015||May 2014|
|Launch Price||USD 749||USD 1,199|
|Sensor Specs||Canon 750D||Sony A77 II|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.91 μm|
|Pixel Density||7.22 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 51,200 ISO|
|Image Processor||DIGIC 6||BIONZ X|
|DXO Sensor Quality (score)||71||..|
|DXO Color Depth (bits)||22.7||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||919||..|
|Screen Specs||Canon 750D||Sony A77 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 750D||Sony A77 II|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 750D||Sony A77 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon 750D||Sony A77 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||480 shots per charge|
132 x 101 x 78 mm
(5.2 x 4.0 x 3.1 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||555 g (19.6 oz)||647 g (22.8 oz)|
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