Canon 6D vs Fujifilm X-Pro2
The Canon EOS 6D and the Fujifilm X-Pro2 are two enthusiast cameras that were officially introduced, respectively, in September 2012 and January 2016. The 6D is a DSLR, while the X-Pro2 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D) and an APS-C (X-Pro2) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 6D and the Fujifilm X-Pro2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the 6D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is notably smaller (27 percent) than the Canon 6D. Moreover, the X-Pro2 is substantially lighter (36 percent) than the 6D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the X-Pro2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|Canon 6D||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099|
|Fujifilm X-Pro2||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699|
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Canon 1D X Mark II||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 5DS||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 7D II||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799|
|Canon 70D||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199|
|Canon 5D Mark III||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499|
|Canon 1D X||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Fujifilm X100V||5.0 in||3.0 in||2.1 in||16.9 oz||420||Y||Feb 2020||1,399|
|Fujifilm X-Pro3||5.6 in||3.3 in||1.8 in||17.5 oz||440||Y||Oct 2019||1,799|
|Fujifilm X-T3||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499|
|Fujifilm X-T2||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599|
|Fujifilm X-Pro1||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699|
|Nikon D610||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
|Nikon D600||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-Pro2 was launched at a somewhat lower price (by 19 percent) than the 6D, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 6D features a full frame sensor and the Fujifilm X-Pro2 an APS-C sensor. The sensor area in the X-Pro2 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the X-Pro2 offers a higher resolution of 24 megapixels, compared with 20 MP of the 6D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 6.57μm for the 6D). However, it should be noted that the X-Pro2 is much more recent (by 3 years and 3 months) than the 6D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 6D are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 6D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-Pro2 provides a faster frame rate than the 6D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the 6D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-Pro2 offers a wider field of view (100%) than the one in the 6D (97%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 6D has a higher magnification (0.71x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 6D, the Fujifilm X-Pro2, and comparable cameras.
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
One feature that is present on the 6D, but is missing on the X-Pro2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D and the X-Pro2 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D only has one slot. The X-Pro2 supports UHS-II cards (on its first slot), while the 6D can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 1D X||Y||mono||-||Y||-||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the 6D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 6D has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The X-Pro2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the 6D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 6D was succeeded by the Canon 6D Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 6D and the Fujifilm X-Pro2? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 6D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.39x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (1090 versus 350) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Arguments in favor of the Fujifilm X-Pro2:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 97%).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 4.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (141x83mm vs 145x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 275g or 36 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was released into a lower priced segment (19 percent cheaper at launch).
- More modern: Reflects 3 years and 3 months of technical progress since the 6D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the contest (19 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D and the Fujifilm X-Pro2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 6D or the X-Pro2 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Fujifilm X-Pro2||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 1D X Mark II||..||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 7D II||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799|
|Canon 70D||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 1D X||..||..||4.5/5||4.5/5||4.5/5||Oct 2011||6,799|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Fujifilm X100V||+ +||86/100||5/5||..||4.5/5||Feb 2020||1,399|
|Fujifilm X-Pro3||+||85/100||4/5||..||..||Oct 2019||1,799|
|Fujifilm X-T3||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499|
|Fujifilm X-T2||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599|
|Fujifilm X-Pro1||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699|
|Nikon D610||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Nikon D600||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon 6D vs Fujifilm X-Pro2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D||Fujifilm X-Pro2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm X mount lenses|
|Launch Date||September 2012||January 2016|
|Launch Price||USD 2,099||USD 1,699|
|Sensor Specs||Canon 6D||Fujifilm X-Pro2|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.6 x 15.6 mm|
|Sensor Area||864 mm2||368.16 mm2|
|Sensor Diagonal||43.3 mm||28.3 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.57 μm||3.92 μm|
|Pixel Density||2.31 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||200 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 51,200 ISO|
|Image Processor||DIGIC 5+||X Processor Pro|
|DXO Sensor Quality (score)||82||..|
|DXO Color Depth (bits)||23.8||..|
|DXO Dynamic Range (EV)||12.1||..|
|DXO Low Light (ISO)||2340||..|
|Screen Specs||Canon 6D||Fujifilm X-Pro2|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||97%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 6D||Fujifilm X-Pro2|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||4.5 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Canon 6D||Fujifilm X-Pro2|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D||Fujifilm X-Pro2|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1090 shots per charge||350 shots per charge|
145 x 111 x 71 mm
(5.7 x 4.4 x 2.8 in)
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
|Camera Weight||770 g (27.2 oz)||495 g (17.5 oz)|
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