Canon 5D Mark IV vs Leica M Typ 240
The Canon EOS 5D Mark IV and the Leica M (Typ 240) are two digital cameras that were announced, respectively, in August 2016 and September 2012. The 5D Mark IV is a DSLR, while the M Typ 240 is a rangefinder-focusing mirrorless camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 30.1 megapixels, whereas the Leica provides 23.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Leica M (Typ 240)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D Mark IV and the Leica M Typ 240 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The M Typ 240 can be obtained in two different colors (black, silver), while the 5D Mark IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M Typ 240 is considerably smaller (37 percent) than the Canon 5D Mark IV. Moreover, the M Typ 240 is markedly lighter (24 percent) than the 5D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark IV) and the Leica M Lens Catalog (M Typ 240).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|2.||Leica M Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|6.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|7.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|8.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|9.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|10.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|11.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|12.||Leica M Typ 262||139 mm||80 mm||42 mm||680 g||..||Y||Nov 2015||5,195|
|13.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|14.||Leica M9||139 mm||80 mm||37 mm||585 g||..||n||Sep 2009||7,999|
|15.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|16.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|17.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 5D Mark IV was launched at a markedly lower price (by 50 percent) than the M Typ 240, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the M Typ 240 is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 30.1MP, the 5D Mark IV offers a higher resolution than the M Typ 240 (23.7MP), but the 5D Mark IV has smaller individual pixels (pixel pitch of 5.36μm versus 6.01μm for the M Typ 240). However, the 5D Mark IV is a much more recent model (by 3 years and 11 months) than the M Typ 240, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Leica M Typ 240 are 29.8 x 19.9 inches or 75.6 x 50.5 cm for good quality, 23.8 x 15.9 inches or 60.5 x 40.4 cm for very good quality, and 19.8 x 13.3 inches or 50.4 x 33.7 cm for excellent quality prints.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica M (Typ 240) are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 5D Mark IV has a notably higher overall DXO score than the M Typ 240 (overall score 7 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.8 bits higher color depth, 0.3 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|2.||Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|6.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|7.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|8.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|9.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|10.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|11.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|12.||Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..|
|13.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|14.||Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69|
|15.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|16.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 5D Mark IV provides a higher video resolution than the M Typ 240. It can shoot video footage at 4K/30p, while the Leica is limited to 1080/25p.
Apart from body and sensor, cameras can and do differ across a range of features. The 5D Mark IV and the M Typ 240 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark IV has a higher magnification than the one of the M Typ 240 (0.71x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 5D Mark IV and Leica M Typ 240 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|2.||Leica M Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||n||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|6.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|7.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|8.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|9.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|10.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|11.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|12.||Leica M Typ 262||optical||n||3.0 / 921||fixed||n||1/4000s||3.0||n||n|
|13.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0||n||n|
|14.||Leica M9||optical||n||2.5 / 230||fixed||n||1/4000s||2.0||n||n|
|15.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0||n||n|
|16.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0||Y||n|
|17.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
One feature that is present on the 5D Mark IV, but is missing on the M Typ 240 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon 5D Mark IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the M Typ 240 uses SDXC cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the M Typ 240 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Leica M (Typ 240) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|2.||Leica M Typ 240||Y||stereo / mono||-||-||-||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|7.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|8.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|10.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|12.||Leica M Typ 262||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|14.||Leica M9||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|16.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|17.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
It is notable that the 5D Mark IV has a microphone port, which is missing on the M Typ 240. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the M Typ 240) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 5D Mark IV is a recent model that features in the current product line-up of Canon. In contrast, the M Typ 240 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the M Typ 240 was succeeded by the Leica M Typ 262. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 5D Mark IV or the Leica M Typ 240 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 23.7MP) with a 13% higher linear resolution.
- Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.68x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Reflects 3 years and 11 months of technical progress since the M Typ 240 launch.
Advantages of the Leica M (Typ 240):
- More compact: Is smaller (139x80mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 210g or 24 percent) and is thus easier to take along.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark IV is the clear winner of the match-up (23 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark IV or the M Typ 240. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|2.||Leica M Typ 240||4/5||..||..||..||4/5||..||Sep 2012||6,950|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|6.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|7.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|8.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|9.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|10.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|11.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|12.||Leica M Typ 262||..||..||..||..||..||..||Nov 2015||5,195|
|13.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|14.||Leica M9||..||..||..||..||4.5/5||..||Sep 2009||7,999|
|15.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299|
|16.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|17.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark IV vs Canon 5DS
- Canon 5D Mark IV vs Fujifilm X-T30
- Canon 5D Mark IV vs Nikon D3200
- Canon 5D Mark IV vs Nikon D4S
- Canon 5D Mark IV vs Olympus E-PL5
- Canon 5D Mark IV vs Panasonic G7
- Canon 600D vs Leica M Typ 240
- Leica M Typ 240 vs Nikon D4S
- Leica M Typ 240 vs Panasonic GX850
- Leica M Typ 240 vs Sony A7 II
- Leica M Typ 240 vs Sony RX100
- Leica M Typ 240 vs Sony RX100 IV
Specifications: Canon 5D Mark IV vs Leica M Typ 240
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Leica M Typ 240|
|Camera Type||Digital single lens reflex||Rangefinder camera|
|Camera Lens||Canon EF mount lenses||Leica M mount lenses|
|Launch Date||August 2016||September 2012|
|Launch Price||USD 3,499||USD 6,950|
|Sensor Specs||Canon 5D Mark IV||Leica M Typ 240|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.8 x 23.9 mm|
|Sensor Area||864 mm2||855.62 mm2|
|Sensor Diagonal||43.3 mm||43 mm|
|Sensor Resolution||30.1 Megapixels||23.7 Megapixels|
|Image Resolution||6720 x 4480 pixels||5952 x 3976 pixels|
|Pixel Pitch||5.36 μm||6.01 μm|
|Pixel Density||3.48 MP/cm2||2.77 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/25p Video|
|ISO Setting||100 - 32,000 ISO||200 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 6,400 ISO|
|DXO Sensor Quality (score)||91||84|
|DXO Color Depth (bits)||24.8||24.0|
|DXO Dynamic Range (EV)||13.6||13.3|
|DXO Low Light (ISO)||2995||1860|
|Screen Specs||Canon 5D Mark IV||Leica M Typ 240|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 5D Mark IV||Leica M Typ 240|
|Focus System||Phase-detect AF||Manual Focus|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||3 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 5D Mark IV||Leica M Typ 240|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 5D Mark IV||Leica M Typ 240|
|Environmental Sealing||Weathersealed body||Weathersealed body|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
|Camera Weight||890 g (31.4 oz)||680 g (24.0 oz)|
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