Canon 5D Mark III vs Fujifilm XP130
The Canon EOS 5D Mark III and the Fujifilm FinePix XP130 are two digital cameras that were officially introduced, respectively, in March 2012 and January 2018. The 5D Mark III is a DSLR, while the XP130 is a fixed lens compact. The cameras are based on a full frame (5D Mark III) and a 1/2.3-inch (XP130) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Fujifilm provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Fujifilm FinePix XP130? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark III and the Fujifilm XP130. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The XP130 can be obtained in five different colors (black, blue, yellow, green, white), while the 5D Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm XP130 is considerably smaller (56 percent) than the Canon 5D Mark III. More than that, the XP130 is water-proof up to 20m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP130 has a lens built in, whereas the 5D Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 5D Mark III gets 950 shots out of its LP-E6 battery, while the XP130 can take 240 images on a single charge of its NP-45S power pack. The power pack in the XP130 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|2.||Fujifilm XP130||110 mm||71 mm||28 mm||207 g||240||n||Jan 2018||229|
|3.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|4.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|7.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|8.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|9.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229|
|10.||Fujifilm XP120||110 mm||71 mm||28 mm||203 g||210||Y||Jan 2017||229|
|11.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|12.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|13.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|14.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|15.||Ricoh WG-60||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279|
|16.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|17.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XP130 was launched at a lower price than the 5D Mark III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Fujifilm XP130 a 1/2.3-inch sensor. The sensor area in the XP130 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 5D Mark III has a native 3:2 aspect ratio, while the one in the XP130 offers a 4:3 aspect.
With 22.1MP, the 5D Mark III offers a higher resolution than the XP130 (15.9MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 1.33μm for the XP130) due to its larger sensor. However, the XP130 is a much more recent model (by 5 years and 10 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the XP130 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Fujifilm XP130 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm FinePix XP130 are ISO 100 to ISO 3200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|3.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|4.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|5.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|6.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|7.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|8.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|11.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|12.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|13.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|14.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the XP130 provides a faster frame rate than the 5D Mark III. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 5D Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the XP130 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon 5D Mark III and Fujifilm XP130 along with similar information for a selection of comparators.
|1.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|2.||Fujifilm XP130||none||n||3.0 / 920||fixed||n||1/2000s||10.0||Y||Y|
|3.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|4.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|5.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|6.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|7.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|8.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0||n||n|
|9.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0||Y||Y|
|10.||Fujifilm XP120||none||n||3.0 / 920||fixed||n||1/2000s||10.0||Y||Y|
|11.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
|12.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5||Y||n|
|13.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|14.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|15.||Ricoh WG-60||none||n||2.7 / 230||fixed||n||1/4000s||8.0||Y||n|
|16.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
|17.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0||Y||Y|
One feature that is present on the 5D Mark III, but is missing on the XP130 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Fujifilm XP130 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the XP130 uses SDXC cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the XP130 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Fujifilm FinePix XP130 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|2.||Fujifilm XP130||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|4.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|7.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|10.||Fujifilm XP120||-||mono / mono||-||-||micro||2.0||Y||-||-|
|11.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|12.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|13.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|14.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|15.||Ricoh WG-60||-||mono / mono||-||-||micro||2.0||-||-||-|
|16.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|17.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the 5D Mark III has a hotshoe, while the XP130 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 5D Mark III (unlike the XP130) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark III and the XP130 have been discontinued, but can regularly be found used on eBay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the XP130 was followed by the Fujifilm XP140. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 5D Mark III and the Fujifilm XP130? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 15.9MP) with a 20% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (950 versus 240) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in March 2012).
Arguments in favor of the Fujifilm FinePix XP130:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 5D Mark III requires a separate lens.
- More compact: Is smaller (110x71mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 10 months of technical progress since the 5D Mark III launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark III is the clear winner of the match-up (19 : 15 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Fujifilm XP130 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark III or the XP130. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|2.||Fujifilm XP130||..||o||..||..||3.5/5||4/5||Jan 2018||229|
|3.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|4.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|5.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|6.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|7.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|8.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299|
|9.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229|
|10.||Fujifilm XP120||..||o||..||..||3.5/5||4/5||Jan 2017||229|
|11.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|12.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|13.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|14.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|15.||Ricoh WG-60||..||..||..||..||..||..||Oct 2018||279|
|16.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|17.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Fujifilm XP130
- Canon 1100D vs Fujifilm XP130
- Canon 5D Mark III vs Canon M200
- Canon 5D Mark III vs Canon T4i
- Canon 5D Mark III vs Leica X Typ 113
- Canon 5D Mark III vs Nikon D5
- Canon 5D Mark III vs Olympus E-M1
- Canon 5D vs Canon 5D Mark III
- Fujifilm X100V vs Fujifilm XP130
- Fujifilm XP130 vs Olympus E-M5 III
- Fujifilm XP130 vs Sony NEX-F3
- Fujifilm XP130 vs Sony ZV-1
Specifications: Canon 5D Mark III vs Fujifilm XP130
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Fujifilm XP130|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28-140mm f/3.9-4.9|
|Launch Date||March 2012||January 2018|
|Launch Price||USD 3,499||USD 229|
|Sensor Specs||Canon 5D Mark III||Fujifilm XP130|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||22.1 Megapixels||15.9 Megapixels|
|Image Resolution||5760 x 3840 pixels||4608 x 3456 pixels|
|Pixel Pitch||6.25 μm||1.33 μm|
|Pixel Density||2.56 MP/cm2||56.73 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 3,200 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|DXO Sensor Quality (score)||81||..|
|DXO Color Depth (bits)||24.0||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||2293||..|
|Screen Specs||Canon 5D Mark III||Fujifilm XP130|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 5D Mark III||Fujifilm XP130|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||6 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 5D Mark III||Fujifilm XP130|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 5D Mark III||Fujifilm XP130|
|Environmental Sealing||Weathersealed body||Waterproof body (20m)|
|Battery Life (CIPA)||950 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
|Camera Weight||950 g (33.5 oz)||207 g (7.3 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.