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Canon 5D Mark II vs Panasonic LX7

The Canon EOS 5D Mark II and the Panasonic Lumix DMC-LX7 are two digital cameras that were officially introduced, respectively, in September 2008 and July 2012. The 5D Mark II is a DSLR, while the LX7 is a fixed lens compact. The cameras are based on a full frame (5D Mark II) and a 1/1.7-inch (LX7) sensor. The Canon has a resolution of 21 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon 5D Mark II   Panasonic LX7
Canon 5D Mark II Panasonic LX7
Digital single lens reflex Fixed lens compact camera
Canon EF mount lenses 24-90mm f/1.4-2.3
21 MP, Full Frame Sensor 10 MP, 1/1.7" Sensor
1080/30p Video 1080/60p Video
ISO 100-6400 (50-25600) ISO 80-6400 (80-12800)
Optical viewfinder Viewfinder optional
3.0" LCD, 920k dots 3.0" LCD, 920k dots
Fixed screen (not touch-sensitive) Fixed screen (not touch-sensitive)
3.9 shutter flaps per second 11 shutter flaps per second
Weathersealed bodyNot weather sealed
850 shots per battery charge330 shots per battery charge
152 x 114 x 75 mm, 850 g 111 x 68 x 46 mm, 298 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark II and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark II and the Panasonic LX7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the 5D Mark II is only available in black.

Size Canon 5D Mark II vs Panasonic LX7
Compare 5D Mark II versus LX7 top
Comparison 5D Mark II or LX7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is considerably smaller (56 percent) than the Canon 5D Mark II. It is worth mentioning in this context that the 5D Mark II is splash and dust resistant, while the LX7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the 5D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark II and their specifications in the Canon EF Lens Catalog.

Concerning battery life, the 5D Mark II gets 850 shots out of its LP-E6 battery, while the LX7 can take 330 images on a single charge of its DMW-BCJ13 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon 5D Mark II» 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
 
Panasonic LX7« 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Jul 2012 499- i Panasonic LX7
 
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 5DS« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS
 
Canon 5DS R« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS R
 
Canon G16« » 4.3 in 3.0 in 1.6 in 12.6 oz 360 n Aug 2013 549 i i Canon G16
 
Canon 5D Mark III« » 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
 
Canon 6D« » 5.7 in 4.4 in 2.8 in 27.2 oz 1090 Y Sep 2012 2,099- i Canon 6D
 
Canon 1D X« » 6.2 in 6.6 in 3.3 in 54.7 oz 1120 Y Oct 2011 6,799- i Canon 1D X
 
Canon 7D« » 5.8 in 4.4 in 2.9 in 30.3 oz 800 Y Sep 2009 1,699- i Canon 7D
 
Canon 1Ds Mark III« » 5.9 in 6.3 in 3.1 in 48.9 oz 1800 Y Aug 2007 7,999- i Canon 1Ds Mark III
 
Canon 5D« » 6.0 in 4.4 in 3.0 in 31.6 oz 400 Y Aug 2005 3,299- i Canon 5D
 
Fujifilm X10« » 4.6 in 2.8 in 2.2 in 12.3 oz 270 n Sep 2011 599- i Fujifilm X10
 
Panasonic GF5« » 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499- i Panasonic GF5
 
Panasonic GF3« » 4.3 in 2.6 in 1.3 in 9.3 oz 300 n Jun 2011 549- i Panasonic GF3
 
Panasonic LX5« » 4.3 in 2.6 in 1.7 in 9.6 oz 400 n Jul 2010 499- i Panasonic LX5
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX7 was launched at a lower price than the 5D Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 5D Mark II features a full frame sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.65. The sensor in the 5D Mark II has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

In terms of underlying technology, both cameras are build around CMOS sensors.

Canon 5D Mark II and Panasonic LX7 sensor measures

With 21MP, the 5D Mark II offers a higher resolution than the LX7 (10MP), but the 5D Mark II nevertheless has larger individual pixels (pixel pitch of 6.41μm versus 2.05μm for the LX7) due to its larger sensor. However, the LX7 is a much more recent model (by 3 years and 10 months) than the 5D Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon 5D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark II for good quality output (200 dots per inch) amounts to 28.1 x 18.7 inch or 71.3 x 47.5 cm, for very good quality (250 dpi) 22.5 x 15 inch or 57.1 x 38 cm, and for excellent quality (300 dpi) 18.7 x 12.5 inch or 47.5 x 31.7 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.

The Canon EOS 5D Mark II has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 50-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.

5D Mark II versus LX7 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 5D Mark II provides substantially higher image quality than the LX7, with an overall score that is 29 points higher. This advantage is based on 3 bits higher color depth, 0.2 EV in additional dynamic range, and 3.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Canon 5D Mark II» Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
 
Panasonic LX7« 1/1.7 10.0 3648 27361080/60p20.711.714750Panasonic LX7
 
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
 
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon 5DS« » Full Frame 50.3 8688 57921080/30p24.712.4238187Canon 5DS
 
Canon 5DS R« » Full Frame 50.3 8688 57921080/30p24.612.4230886Canon 5DS R
 
Canon G16« » 1/1.7 12.0 4000 30001080/60p21.011.723054Canon G16
 
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
 
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
 
Canon 1D X« » Full Frame 17.9 5184 34561080/30p23.811.8278682Canon 1D X
 
Canon 7D« » APS-C 17.9 5184 34561080/30p22.011.785466Canon 7D
 
Canon 1Ds Mark III« » Full Frame 21.0 5616 3744-24.012.0166380Canon 1Ds Mark III
 
Canon 5D« » Full Frame 12.7 4368 2912-22.911.1136871Canon 5D
 
Fujifilm X10« » 2/3 12.0 4000 30001080/30p20.511.324550Fujifilm X10
 
Panasonic GF5« » Four Thirds 12.0 4000 30001080/60i21.411.661861Panasonic GF5
 
Panasonic GF3« » Four Thirds 12.0 4000 30001080/60i20.610.045849Panasonic GF3
 
Panasonic LX5« » 1/1.7 10.0 3648 2736720/60p19.610.813241Panasonic LX5

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX7 provides a faster frame rate than the 5D Mark II. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 5D Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Canon 5D Mark II and Panasonic LX7 along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Canon 5D Mark II»optical Y 3.0 920 fixed n 1/8000s 3.9 n n Canon 5D Mark II
 
Panasonic LX7«- n 3.0 920 fixed n 1/4000s 11.0 Y Y Panasonic LX7
 
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 1/8000s 16.0 n n Canon 1D X Mark II
 
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon 5DS« »optical Y 3.2 1040 fixed n 1/8000s 5.0 n n Canon 5DS
 
Canon 5DS R« »optical Y 3.2 1040 fixed n 1/8000s 5.0 n n Canon 5DS R
 
Canon G16« »optical n 3.0 922 fixed n 1/4000s 2.2 Y Y Canon G16
 
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 1/8000s 6.0 n n Canon 5D Mark III
 
Canon 6D« »optical Y 3.0 1040 fixed n 1/4000s 4.5 n n Canon 6D
 
Canon 1D X« »optical Y 3.2 1040 fixed n 1/8000s 14.0 n n Canon 1D X
 
Canon 7D« »optical Y 3.0 920 fixed n 1/8000s 8.0 Y n Canon 7D
 
Canon 1Ds Mark III« »optical Y 3.0 230 fixed n 1/8000s 5.0 n n Canon 1Ds Mark III
 
Canon 5D« »optical Y 2.5 230 fixed n 1/8000s 3.0 n n Canon 5D
 
Fujifilm X10« »optical n 2.8 460 fixed n 1/4000s 10.0 Y Y Fujifilm X10
 
Panasonic GF5« »- n 3.0 920 fixed Y 1/4000s 4.0 Y n Panasonic GF5
 
Panasonic GF3« »- n 3.0 460 fixed Y 1/4000s 3.2 Y n Panasonic GF3
 
Panasonic LX5« »- n 3.0 460 fixed n 1/4000s 2.5 Y Y Panasonic LX5

One feature that is present on the 5D Mark II, but is missing on the LX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 5D Mark II writes its imaging data to Compact Flash cards, while the LX7 uses SDXC cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark II and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Canon 5D Mark II»YmonomonoY-mini2.0---Canon 5D Mark II
 
Panasonic LX7«Ystereomono--mini2.0---Panasonic LX7
 
Canon 1D X Mark II« »YmonomonoYYmini3.0---Canon 1D X Mark II
 
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon 5DS« »YmonomonoY-mini3.0---Canon 5DS
 
Canon 5DS R« »YmonomonoY-mini3.0---Canon 5DS R
 
Canon G16« »Ystereomono--mini2.0Y--Canon G16
 
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
 
Canon 6D« »YmonomonoY-mini2.0Y--Canon 6D
 
Canon 1D X« »Ymono-Y-mini2.0---Canon 1D X
 
Canon 7D« »Ymono-Y-mini2.0---Canon 7D
 
Canon 1Ds Mark III« »Y-----2.0---Canon 1Ds Mark III
 
Canon 5D« »Y-----2.0---Canon 5D
 
Fujifilm X10« »Ystereomono--mini2.0---Fujifilm X10
 
Panasonic GF5« »-stereomono--mini2.0---Panasonic GF5
 
Panasonic GF3« »-stereomono--mini2.0---Panasonic GF3
 
Panasonic LX5« »Ymonomono--mini2.0---Panasonic LX5

It is notable that the 5D Mark II has a microphone port, which is missing on the LX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Canon 5D Mark II (unlike the LX7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 5D Mark II and the LX7 have been discontinued, but can regularly be found used on eBay. The 5D Mark II was replaced by the Canon 5D Mark III, while the LX7 was followed by the Panasonic LX10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.


Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon 5D Mark II and the Panasonic LX7? Which camera is better? The listing below highlights the relative strengths of the two models.

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Advantages of the Canon EOS 5D Mark II:

  • More detail: Offers more megapixels (21 vs 10MP) with a 48% higher linear resolution.
  • Better image quality: Scores substantially higher (29 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (3 bits more color depth).
  • Better low-light sensitivity: Requires less light for good images (3.6 stops ISO advantage).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Easier framing: Has an optical viewfinder for image composition and settings control.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • More flexible: Can take a variety of interchangeable lenses, including specialty optics.
  • Longer lasting: Can take more shots (850 versus 330) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • More heavily discounted: Has been available for much longer (launched in September 2008).

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Arguments in favor of the Panasonic Lumix DMC-LX7:

  • Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
  • Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
  • Faster burst: Shoots at higher frequency (11 vs 3.9 flaps/sec) to capture the decisive moment.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Ready to shoot: Comes with an integrated lens, while the 5D Mark II requires a separate lens.
  • More compact: Is smaller (111x68mm vs 152x114mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark II).
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More modern: Reflects 3 years and 10 months of technical progress since the 5D Mark II launch.

If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark II emerges as the winner of the contest (13 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

5D Mark II 13:11 LX7

How about other alternatives? Do the specifications of the Canon 5D Mark II and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark II or the LX7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon 5D Mark II»91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
 
Panasonic LX7«+ +75/1004/55/54.5/5 Jul 2012 499- i Panasonic LX7
 
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
 
Canon 5D Mark IV« »+ +87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 5DS« »+83/1004.5/55/54.5/5 Feb 2015 3,699 i i Canon 5DS
 
Canon 5DS R« »+83/1005/55/54.5/5 Feb 2015 3,699 i i Canon 5DS R
 
Canon G16« »+-4.5/54.5/54.5/5 Aug 2013 549 i i Canon G16
 
Canon 5D Mark III« »+ +82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
 
Canon 6D« »+ +83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
 
Canon 1D X« »--4.5/54.5/54.5/5 Oct 2011 6,799- i Canon 1D X
 
Canon 7D« »+ +84/1004.5/55/54.5/5 Sep 2009 1,699- i Canon 7D
 
Canon 1Ds Mark III« »-+ +4.5/5-- Aug 2007 7,999- i Canon 1Ds Mark III
 
Canon 5D« »88/100+ +oo- Aug 2005 3,299- i Canon 5D
 
Fujifilm X10« »-76/1004/53.5/54.5/5 Sep 2011 599- i Fujifilm X10
 
Panasonic GF5« »--4.5/54/54.5/5 Apr 2012 499- i Panasonic GF5
 
Panasonic GF3« »82/10071/1004.5/54.5/54/5 Jun 2011 549- i Panasonic GF3
 
Panasonic LX5« »+73/1004.5/55/54.5/5 Jul 2010 499- i Panasonic LX5
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Canon 5D Mark II:
Check Ebay offers
Panasonic LX7:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Canon 5D Mark II vs Panasonic LX7

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon 5D Mark II Panasonic LX7
    Camera Type Digital single lens reflex Fixed lens compact camera
    Camera Lens Canon EF mount lenses 24-90mm f/1.4-2.3
    Launch Date September 2008 July 2012
    Launch Price USD 3499 USD 499
    Sensor Specs Canon 5D Mark II Panasonic LX7
    Sensor Technology CMOS CMOS
    Sensor Format Full Frame Sensor 1/1.7" Sensor
    Sensor Size 36.0 x 24.0 mm 7.44 x 5.58 mm
    Sensor Area 864 mm2 41.5152 mm2
    Sensor Diagonal 43.3 mm 9.3 mm
    Crop Factor 1.0x 4.65x
    Sensor Resolution 21 Megapixels 10 Megapixels
    Image Resolution 5616 x 3744 pixels 3648 x 2736 pixels
    Pixel Pitch 6.41 μm 2.05 μm
    Pixel Density 2.43 MP/cm2 24.04 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 1080/30p Video 1080/60p Video
    ISO Setting 100-6400 ISO 80-6400 ISO
    ISO Boost 50-25600 ISO 80-12800 ISO
    Image Processor DIGIC 4 Venus
    DXO Sensor Quality (score) 79 50
    DXO Color Depth (bits) 23.7 20.7
    DXO Dynamic Range (EV) 11.9 11.7
    DXO Low Light (ISO) 1815 147
    Screen Specs Canon 5D Mark II Panasonic LX7
    Viewfinder Type Optical viewfinder Viewfinder optional
    Viewfinder Field of View 98%
    Viewfinder Magnification 0.71x
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 920k dots 920k dots
    LCD Attachment Fixed screen Fixed screen
    Shooting Specs Canon 5D Mark II Panasonic LX7
    Autofocus System Phase-detect AF Contrast-detect AF
    Continuous Shooting 3.9 shutter flaps/s 11 shutter flaps/s
    Time-Lapse Photographyno IntervalometerIntervalometer built-in
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium CF cards SDXC cards
    Second Storage Option Single card slot Single card slot
    Connectivity Specs Canon 5D Mark II Panasonic LX7
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI mini HDMI
    Microphone Port External MIC port no MIC socket
    Wifi Support no Wifi no Wifi
    Body Specs Canon 5D Mark II Panasonic LX7
    Environmental SealingWeathersealed bodyNot weather sealed
    Battery Type LP-E6 DMW-BCJ13
    Battery Life (CIPA)850 shots per charge330 shots per charge
    Body Dimensions 152 x 114 x 75 mm
    (6.0 x 4.5 x 3.0 in)
    111 x 68 x 46 mm
    (4.4 x 2.7 x 1.8 in)
    Camera Weight 850 g (30.0 oz) 298 g (10.5 oz)

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