Canon 50D vs SX620
The Canon EOS 50D and the Canon PowerShot SX620 HS are two digital cameras that were revealed to the public, respectively, in August 2008 and May 2016. The 50D is a DSLR, while the SX620 is a fixed lens compact. The cameras are based on an APS-C (50D) and a 1/2.3-inch (SX620) sensor. The 50D has a resolution of 15.1 megapixels, whereas the SX620 provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 50D and the Canon PowerShot SX620 HS? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 50D and the Canon SX620. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SX620 can be obtained in three different colors (black, silver, red), while the 50D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SX620 is considerably smaller (65 percent) than the Canon 50D. It is worth mentioning in this context that the 50D is splash and dust resistant, while the SX620 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX620 has a lens built in, whereas the 50D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 50D and their specifications in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|2.||Canon SX620||97 mm||57 mm||28 mm||182 g||295||n||May 2016||279|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|5.||Canon SX420||104 mm||69 mm||85 mm||325 g||195||n||Jan 2016||299|
|6.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|7.||Canon SX410||104 mm||69 mm||85 mm||325 g||185||n||Feb 2015||279|
|8.||Canon SX610||105 mm||61 mm||27 mm||191 g||270||n||Jan 2015||249|
|9.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|10.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|11.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|12.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|13.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|14.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|15.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299|
|16.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|17.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX620 was launched at a lower price than the 50D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 50D features an APS-C sensor and the Canon SX620 a 1/2.3-inch sensor. The sensor area in the SX620 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 50D has a native 3:2 aspect ratio, while the one in the SX620 offers a 4:3 aspect.
Technology-wise, the SX620 uses a more advanced image processing engine (DIGIC 4+) than the 50D (DIGIC 4), with benefits for noise reduction, color accuracy, and processing speed.
Despite having a smaller sensor, the SX620 offers a higher resolution of 20.2 megapixels, compared with 15.1 MP of the 50D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.69μm for the 50D). However, it should be noted that the SX620 is much more recent (by 7 years and 8 months) than the 50D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the SX620 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon SX620 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX620 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon 50D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.
The Canon EOS 50D has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Canon PowerShot SX620 HS are ISO 80 to ISO 3200 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|6.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|9.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|12.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|17.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The SX620 indeed provides for movie recording, while the 50D does not. The highest resolution format that the SX620 can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 50D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the SX620 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon 50D, the Canon SX620, and comparable cameras.
|1.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|2.||Canon SX620||none||n||3.0 / 922||fixed||n||1/2000s||2.5/s||Y||Y|
|3.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon SX420||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|6.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0/s||Y||Y|
|7.||Canon SX410||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|8.||Canon SX610||none||n||3.0 / 922||fixed||n||1/2000s||2.5/s||Y||Y|
|9.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|10.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|11.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|12.||Canon 1D Mark IV||optical||Y||3.0 / 920||fixed||n||1/8000s||10.0/s||n||n|
|13.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|14.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|15.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5/s||Y||n|
|16.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|17.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 50D, but is missing on the SX620 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 50D writes its imaging data to Compact Flash cards, while the SX620 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 50D and Canon PowerShot SX620 HS and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|2.||Canon SX620||-||mono / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon SX420||-||mono / mono||-||-||-||2.0||Y||Y||-|
|6.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon SX410||-||stereo / mono||-||-||-||2.0||-||-||-|
|8.||Canon SX610||-||- / -||-||-||micro||2.0||Y||Y||-|
|9.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|10.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon 1D Mark IV||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|14.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|15.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the 50D has a hotshoe, while the SX620 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 50D (unlike the SX620) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The SX620 is a recent model that features in the current product line-up of Canon. In contrast, the 50D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 50D was succeeded by the Canon 60D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Is there a clear favorite between the Canon 50D and the Canon SX620? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 50D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (6.3 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (800 versus 295) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2008).
Reasons to prefer the Canon PowerShot SX620 HS:
- More detail: Has more megapixels (20.2 vs 15.1MP), which boosts linear resolution by 13%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better jpgs: Has a more modern image processing engine (DIGIC 4+ vs DIGIC 4).
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- Ready to shoot: Comes with an integrated lens, while the 50D requires a separate lens.
- More compact: Is smaller (97x57mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 50D).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 7 years and 8 months of technical progress since the 50D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 50D emerges as the winner of the contest (15 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 50D and the Canon SX620 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 50D or the SX620. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|2.||Canon SX620||..||..||..||..||..||4/5||May 2016||279|
|3.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|5.||Canon SX420||..||..||..||..||..||3/5||Jan 2016||299|
|6.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|7.||Canon SX410||..||o||..||..||..||..||Feb 2015||279|
|8.||Canon SX610||..||..||..||..||4/5||4/5||Jan 2015||249|
|9.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|10.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|11.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|12.||Canon 1D Mark IV||5/5||..||..||89/100||..||..||Oct 2009||4,999|
|13.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|14.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|15.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299|
|16.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|17.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X Mark II vs Canon SX620
- Canon 50D vs Canon 6D Mark II
- Canon 50D vs Canon M10
- Canon 50D vs Canon SX420
- Canon 50D vs Olympus E-5
- Canon 50D vs Sony A68
- Canon 50D vs Sony A7S II
- Canon M3 vs Canon SX620
- Canon M6 Mark II vs Canon SX620
- Canon SX620 vs Leica M9
- Canon SX620 vs Nikon D7000
- Canon SX620 vs Sony A6100
Specifications: Canon 50D vs Canon SX620
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 50D||Canon SX620|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-625mm f/3.2-6.6|
|Launch Date||August 2008||May 2016|
|Launch Price||USD 1,299||USD 279|
|Sensor Specs||Canon 50D||Canon SX620|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||15.1 Megapixels||20.2 Megapixels|
|Image Resolution||4752 x 3168 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.69 μm||1.18 μm|
|Pixel Density||4.53 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/30p Video|
|ISO Setting||100 - 3,200 ISO||80 - 3,200 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||DIGIC 4||DIGIC 4+|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.8||..|
|DXO Dynamic Range (EV)||11.4||..|
|DXO Low Light (ISO)||696||..|
|Screen Specs||Canon 50D||Canon SX620|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||922k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 50D||Canon SX620|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||6.3 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 50D||Canon SX620|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 50D||Canon SX620|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||295 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
97 x 57 x 28 mm
(3.8 x 2.2 x 1.1 in)
|Camera Weight||822 g (29.0 oz)||182 g (6.4 oz)|
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