Canon SX620 vs Olympus E-5
The Canon PowerShot SX620 HS and the Olympus E-5 are two digital cameras that were officially introduced, respectively, in May 2016 and September 2010. The SX620 is a fixed lens compact, while the E-5 is a DSLR. The cameras are based on a 1/2.3-inch (SX620) and a Four Thirds (E-5) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX620 HS and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX620 and the Olympus E-5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The SX620 can be obtained in three different colors (black, silver, red), while the E-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is considerably larger (200 percent) than the Canon SX620. It is noteworthy in this context that the E-5 is splash and dust-proof, while the SX620 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX620 has a lens built in, whereas the E-5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-5 and their specifications in the Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SX620||97 mm||57 mm||28 mm||182 g||295||n||May 2016||279|
|2.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699|
|3.||Canon SX430||104 mm||69 mm||85 mm||323 g||195||n||Jan 2017||299|
|4.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|5.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|6.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|7.||Canon SX420||104 mm||69 mm||85 mm||325 g||195||n||Jan 2016||299|
|8.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|9.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|10.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|11.||Canon SX410||104 mm||69 mm||85 mm||325 g||185||n||Feb 2015||279|
|12.||Canon SX610||105 mm||61 mm||27 mm||191 g||270||n||Jan 2015||249|
|13.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|14.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449|
|15.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|16.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX620 was launched at a lower price than the E-5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX620 features a 1/2.3-inch sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Canon SX620 offers a higher resolution of 20.2 megapixels, compared with 12.2 MP of the Olympus E-5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.29μm for the E-5). However, it should be noted that the SX620 is much more recent (by 5 years and 7 months) than the E-5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the SX620 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon SX620 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX620 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Canon PowerShot SX620 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|4.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|6.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|9.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|10.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|13.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|14.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|15.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|16.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SX620 provides a higher video resolution than the E-5. It can shoot video footage at 1080/30p, while the Olympus is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the SX620 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon SX620 and Olympus E-5 along with similar information for a selection of comparators.
|1.||Canon SX620||none||n||3.0 / 922||fixed||n||1/2000s||2.5/s||Y||Y|
|2.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0/s||Y||Y|
|3.||Canon SX430||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|4.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|5.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|6.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|7.||Canon SX420||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|8.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9/s||Y||Y|
|9.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|10.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0/s||Y||Y|
|11.||Canon SX410||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|12.||Canon SX610||none||n||3.0 / 922||fixed||n||1/2000s||2.5/s||Y||Y|
|13.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|14.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|15.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|16.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the E-5, but is missing on the SX620 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SX620 does not have a selfie-screen.
The SX620 writes its imaging data to SDXC cards, while the E-5 uses Compact Flash or xD Picture cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX620 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX620 HS and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX620||-||mono / mono||-||-||micro||2.0||Y||Y||-|
|2.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|3.||Canon SX430||-||mono / mono||-||-||-||2.0||Y||Y||-|
|4.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|6.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon SX420||-||mono / mono||-||-||-||2.0||Y||Y||-|
|8.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|10.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Canon SX410||-||stereo / mono||-||-||-||2.0||-||-||-|
|12.||Canon SX610||-||- / -||-||-||micro||2.0||Y||Y||-|
|13.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the SX620 offers wifi support, while the E-5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Olympus E-5 (unlike the SX620) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The SX620 is a recent model that features in the current product line-up of Canon. In contrast, the E-5 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the E-5 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is the Canon SX620 better than the Olympus E-5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX620 HS:
- More detail: Offers more megapixels (20.2 vs 12.2MP) with a 29% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Ready to shoot: Comes with a built-in lens, while the E-5 requires a separate lens.
- More compact: Is smaller (97x57mm vs 142x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-5).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 7 months of technical progress since the E-5 launch.
Advantages of the Olympus E-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 295) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the E-5 is the clear winner of the contest (18 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX620 and the Olympus E-5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SX620 or the E-5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX620||..||..||..||..||..||4/5||May 2016||279|
|2.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699|
|3.||Canon SX430||..||..||..||..||3.5/5||3.5/5||Jan 2017||299|
|4.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|5.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|6.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|7.||Canon SX420||..||..||..||..||..||3/5||Jan 2016||299|
|8.||Canon SX540||..||..||..||..||..||..||Jan 2016||399|
|9.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|10.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|11.||Canon SX410||..||o||..||..||..||..||Feb 2015||279|
|12.||Canon SX610||..||..||..||..||4/5||4/5||Jan 2015||249|
|13.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499|
|14.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449|
|15.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|16.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon M6 Mark II vs Canon SX620
- Canon R6 vs Canon SX620
- Canon SX620 vs Leica V-LUX 3
- Canon SX620 vs Nikon D3400
- Canon SX620 vs Nikon D800
- Canon SX620 vs Panasonic LX15
- Nikon D600 vs Olympus E-5
- Olympus E-5 vs Olympus E-PM1
- Olympus E-5 vs Panasonic G80
- Olympus E-5 vs Pentax K-70
- Olympus E-5 vs Sony A3000
Specifications: Canon SX620 vs Olympus E-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX620||Olympus E-5|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||25-625mm f/3.2-6.6||Four Thirds lenses|
|Launch Date||May 2016||September 2010|
|Launch Price||USD 279||USD 1,699|
|Sensor Specs||Canon SX620||Olympus E-5|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||20.2 Megapixels||12.2 Megapixels|
|Image Resolution||5184 x 3888 pixels||4032 x 3024 pixels|
|Pixel Pitch||1.18 μm||4.29 μm|
|Pixel Density||71.80 MP/cm2||5.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||80 - 3,200 ISO||100 - 6,400 ISO|
|Image Processor||DIGIC 4+||TruePic V+|
|DXO Sensor Quality (score)||..||56|
|DXO Color Depth (bits)||..||21.6|
|DXO Dynamic Range (EV)||..||10.5|
|DXO Low Light (ISO)||..||519|
|Screen Specs||Canon SX620||Olympus E-5|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||920k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon SX620||Olympus E-5|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon SX620||Olympus E-5|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX620||Olympus E-5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||295 shots per charge||750 shots per charge|
97 x 57 x 28 mm
(3.8 x 2.2 x 1.1 in)
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
|Camera Weight||182 g (6.4 oz)||873 g (30.8 oz)|
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