Canon 500D vs Nikon Z6 II
The Canon EOS 500D (called Canon T1i in some regions) and the Nikon Z6 II are two digital cameras that were officially introduced, respectively, in March 2009 and October 2020. The 500D is a DSLR, while the Z6 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (500D) and a full frame (Z6 II) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Nikon provides 24.3 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 500D and the Nikon Z6 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 500D and the Nikon Z6 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z6 II is notably larger (7 percent) than the Canon 500D. Moreover, the Z6 II is substantially heavier (36 percent) than the 500D. It is noteworthy in this context that the Z6 II is splash and dust-proof, while the 500D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 500D gets 400 shots out of its LP-E5 battery, while the Z6 II can take 410 images on a single charge of its EN-EL15c power pack. The power pack in the Z6 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799||ebay.com|
|2.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999||amazon.com|
|3.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||ebay.com|
|4.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|5.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|6.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||ebay.com|
|7.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||ebay.com|
|8.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||ebay.com|
|9.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||ebay.com|
|10.||Canon 600D||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||ebay.com|
|11.||Canon 550D||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699||ebay.com|
|12.||Canon 450D||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||ebay.com|
|13.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399||amazon.com|
|14.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||ebay.com|
|15.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||ebay.com|
|16.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299||ebay.com|
|17.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 500D was launched at a markedly lower price (by 60 percent) than the Z6 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 500D features an APS-C sensor and the Nikon Z6 II a full frame sensor. The sensor area in the Z6 II is 158 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.3MP, the Z6 II offers a higher resolution than the 500D (15.1MP), but the Z6 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.69μm for the 500D) due to its larger sensor. Moreover, the Z6 II is a much more recent model (by 11 years and 6 months) than the 500D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon Z6 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z6 II for good quality output (200 dots per inch) amounts to 30.2 x 20.1 inches or 76.8 x 51.1 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 40.9 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Canon 500D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.
The Z6 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 500D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Nikon Z6 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the 500D is build around a CMOS sensor, while the Z6 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the Z6 II offers substantially better image quality than the 500D (overall score 31 points higher). The advantage is based on 3.3 bits higher color depth, 2.9 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||25.0||14.4||3303||94|
|6.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|9.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|13.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||25.3||14.3||2929||95|
|14.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|15.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|16.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|17.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Z6 II provides a better video resolution than the 500D. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/20p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the Z6 II has an electronic viewfinder (3690k dots), while the 500D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the Z6 II offers a wider field of view (100%) than the one in the 500D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the Z6 II has a higher magnification (0.80x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 500D and Nikon Z6 II along with similar information for a selection of comparators.
|1.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|2.||Nikon Z6 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||14.0/s||n||Y|
|3.||Canon 750D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2/s||Y||Y|
|7.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|9.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|10.||Canon 600D||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|11.||Canon 550D||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|12.||Canon 450D||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|13.||Nikon Z5||3690||n||3.2 / 1040||tilting||Y||1/8000s||4.5/s||n||Y|
|14.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0/s||n||Y|
|15.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|16.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|17.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The 500D has one, while the Z6 II does not. While the built-in flash of the 500D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z6 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z6 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 500D writes its imaging data to SDHC cards, while the Z6 II uses CFexpress (type B) or SDXC cards. The Z6 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 500D only has one slot. The Z6 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 500D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 500D and Nikon Z6 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Nikon Z6 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon 750D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Canon 600D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 550D||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon 450D||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Nikon Z5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|14.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|15.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|16.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|17.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Z6 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 500D does not provide wifi capability.
The Z6 II is a recent model that features in the current product line-up of Nikon. In contrast, the 500D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 500D was succeeded by the Canon 550D. Further information on the features and operation of the 500D and Z6 II can be found, respectively, in the Canon 500D Manual (free pdf) or the online Nikon Z6 II Manual.
So how do things add up? Which of the two cameras – the Canon 500D or the Nikon Z6 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 500D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 185g or 26 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2009).
Arguments in favor of the Nikon Z6 II:
- More detail: Has more megapixels (24.3 vs 15.1MP), which boosts linear resolution by 27%.
- Better image quality: Scores substantially higher (31 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/20p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Reflects 11 years and 6 months of technical progress since the 500D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the Z6 II is the clear winner of the contest (31 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 500D and the Nikon Z6 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 500D or the Z6 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799||ebay.com|
|2.||Nikon Z6 II||4.5/5||..||4/5||89/100||4.5/5||4.5/5||Oct 2020||1,999||amazon.com|
|3.||Canon 750D||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749||ebay.com|
|4.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|5.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|6.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799||ebay.com|
|7.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649||ebay.com|
|8.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849||ebay.com|
|9.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799||ebay.com|
|10.||Canon 600D||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599||ebay.com|
|11.||Canon 550D||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699||ebay.com|
|12.||Canon 450D||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799||ebay.com|
|13.||Nikon Z5||4/5||..||4/5||89/100||4.5/5||4/5||Jul 2020||1,399||amazon.com|
|14.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999||ebay.com|
|15.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399||ebay.com|
|16.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299||ebay.com|
|17.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark III vs Nikon Z6 II
- Canon 500D vs Canon D60
- Canon 500D vs Leica X2
- Canon 500D vs Nikon D5500
- Canon 500D vs Olympus E-PL1
- Canon 500D vs Panasonic TZ100
- Canon 500D vs Pentax Q
- Fujifilm X30 vs Nikon Z6 II
- Nikon Z6 II vs Olympus E-PM1
- Nikon Z6 II vs Pentax K-30
- Nikon Z6 II vs Pentax K-500
- Nikon Z6 II vs Sony RX0 II
Specifications: Canon 500D vs Nikon Z6 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 500D||Nikon Z6 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Nikon Z mount lenses|
|Launch Date||March 2009||October 2020|
|Launch Price||USD 799||USD 1,999|
|Sensor Specs||Canon 500D||Nikon Z6 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.9 x 23.9 mm|
|Sensor Area||332.27 mm2||858.01 mm2|
|Sensor Diagonal||26.8 mm||43.1 mm|
|Sensor Resolution||15.1 Megapixels||24.3 Megapixels|
|Image Resolution||4752 x 3168 pixels||6048 x 4024 pixels|
|Pixel Pitch||4.69 μm||5.94 μm|
|Pixel Density||4.53 MP/cm2||2.84 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/20p Video||4K/60p Video|
|ISO Setting||100 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 12,800 ISO||50 - 204,800 ISO|
|Image Processor||DIGIC 4||DUAL EXPEED 6|
|DXO Sensor Quality (score)||63||94|
|DXO Color Depth (bits)||21.7||25|
|DXO Dynamic Range (EV)||11.5||14.4|
|DXO Low Light (ISO)||663||3303|
|Screen Specs||Canon 500D||Nikon Z6 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||920k dots||2100k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 500D||Nikon Z6 II|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3.4 shutter flaps/s||14 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||CFexB or SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon 500D||Nikon Z6 II|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 500D||Nikon Z6 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||410 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
134 x 101 x 70 mm
(5.3 x 4.0 x 2.8 in)
|Camera Weight||520 g (18.3 oz)||705 g (24.9 oz)|
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