Canon 450D vs Sony A7R III
The Canon EOS 450D (called Canon XSi in some regions) and the Sony Alpha A7R III are two digital cameras that were officially introduced, respectively, in January 2008 and October 2017. The 450D is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (450D) and a full frame (A7R III) sensor. The Canon has a resolution of 12.2 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 450D||Sony A7R III|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|12.2 MP, APS-C Sensor||42.2 MP, Full Frame Sensor|
|no Video||4K/30p Video|
|ISO 100-1600||ISO 100-32000 (50-102400)|
|Optical viewfinder||Electronic viewfinder (3686k dots)|
|3.0" LCD, 230k dots||3.0" LCD, 1440k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3.5 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||650 shots per battery charge|
|129 x 98 x 62 mm, 524 g||127 x 96 x 74 mm, 650 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 450D and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Canon 450D vs Sony A7R III
An illustration of the physical size and weight of the Canon 450D and the Sony A7R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is somewhat smaller (4 percent) than the Canon 450D. However, the A7R III is markedly heavier (24 percent) than the 450D. It is noteworthy in this context that the A7R III is splash and dust-proof, while the 450D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (450D) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the A7R III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 450D gets 500 shots out of its LP-E5 battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 450D»||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||-||Canon 450D|
|Sony A7R III«||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Canon 750D« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon 760D|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon 650D|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||-||Canon G1 X|
|Canon 1100D« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||-||Canon 1100D|
|Canon 500D« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon 500D|
|Canon 1000D« »||5.0 in||3.9 in||2.6 in||17.7 oz||500||n||Jun 2008||449||-||Canon 1000D|
|Canon 400D« »||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799||-||Canon 400D|
|Nikon Z7« »||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Nikon D5000« »||5.0 in||4.1 in||3.1 in||20.8 oz||510||n||Apr 2009||749||-||Nikon D5000|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 450D was launched at a markedly lower price (by 75 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 450D vs Sony A7R III
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 450D features an APS-C sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 162 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the 450D (12.2MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 5.19μm for the 450D). Yet, the A7R III is a much more recent model (by 9 years and 9 months) than the 450D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Canon 450D are 21.4 x 14.2 inch or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inch or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inch or 36.2 x 24.1 cm for excellent quality prints.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the 450D, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 450D has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7R III offers substantially better image quality than the 450D (overall score 39 points higher). The advantage is based on 4.1 bits higher color depth, 3.9 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 450D»||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon 450D|
|Sony A7R III«||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Canon 750D« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon 750D|
|Canon 760D« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon 650D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon G1 X« »||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon 1100D« »||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Canon 500D« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon 500D|
|Canon 1000D« »||APS-C||10.1||3888||2592||-||-||-||-||-||Canon 1000D|
|Canon 400D« »||APS-C||10.1||3888||2592||-||22.1||11.0||664||62||Canon 400D|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Nikon D5000« »||APS-C||12.2||4288||2848||720/24p||22.7||12.5||868||72||Nikon D5000|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
Many modern cameras cannot only take still pictures, but also record videos. The A7R III indeed provides for movie recording, while the 450D does not. The highest resolution format that the A7R III can use is 4K/30p.
Feature comparison: Canon 450D vs Sony A7R III
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the 450D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7R III offers a wider field of view (100%) than the one in the 450D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7R III has a higher magnification (0.78x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 450D, the Sony A7R III, and comparable cameras.
|Canon 450D»||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon 450D|
|Sony A7R III«||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Canon 750D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 750D|
|Canon 760D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon 650D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 650D|
|Canon G1 X« »||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon 1100D« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 1100D|
|Canon 500D« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon 500D|
|Canon 1000D« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon 1000D|
|Canon 400D« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon 400D|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Nikon D5000« »||optical||n||2.7||230||full-flex||n||1/4000s||4.0||Y||n||Nikon D5000|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
One difference between the cameras concerns the presence of an on-board flash. The 450D has one, while the A7R III does not. While the built-in flash of the 450D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 450D writes its imaging data to SDHC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the 450D only has one slot. The A7R III supports UHS-II cards on its first slot and UHS-I on its second one, while the 450D cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Canon 450D vs Sony A7R III
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 450D and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 450D»||Y||-||-||-||-||mini||2.0||-||-||-||Canon 450D|
|Sony A7R III«||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Canon 750D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 750D|
|Canon 760D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon 650D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon G1 X« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon 1100D« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Canon 500D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 500D|
|Canon 1000D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1000D|
|Canon 400D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 400D|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Nikon D5000« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D5000|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 450D does not offer wifi capability.
Studio photographers will appreciate that the Sony A7R III (unlike the 450D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7R III is a recent model that features in the current product line-up of Sony. In contrast, the 450D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 450D was succeeded by the Canon 500D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
Review summary: Canon 450D vs Sony A7R III
So what is the bottom line? Is there a clear favorite between the Canon 450D and the Sony A7R III? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 450D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 126g or 19 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2008).
Arguments in favor of the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 12.2MP), which boosts linear resolution by 86%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (39 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.54x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (650 versus 500) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 9 years and 9 months of technical progress since the 450D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7R III is the clear winner of the contest (31 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 450D and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 450D or the A7R III perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 450D vs Sony A7R III
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 450D»||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon 450D|
|Sony A7R III«||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Canon 750D« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon 760D|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon 650D« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon 650D|
|Canon G1 X« »||+||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Canon 1100D« »||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449||-||Canon 1100D|
|Canon 500D« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon 500D|
|Canon 1000D« »||82/100||+ +||3.5/5||4/5||4.5/5||Jun 2008||449||-||Canon 1000D|
|Canon 400D« »||+ +||+ +||o||4.5/5||4/5||Aug 2006||799||-||Canon 400D|
|Nikon Z7« »||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Nikon D5000« »||+ +||75/100||4/5||5/5||4.5/5||Apr 2009||749||-||Nikon D5000|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon 450D vs Sony A7R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 450D||Sony A7R III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||January 2008||October 2017|
|Launch Price||USD 799||USD 3199|
|Sensor Specs||Canon 450D||Sony A7R III|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.2 x 14.8 mm||35.9 x 24.0 mm|
|Sensor Area||328.56 mm2||861.6 mm2|
|Sensor Diagonal||26.7 mm||43.2 mm|
|Sensor Resolution||12.2 Megapixels||42.2 Megapixels|
|Image Resolution||4272 x 2848 pixels||7952 x 5304 pixels|
|Pixel Pitch||5.19 μm||4.52 μm|
|Pixel Density||3.70 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1600 ISO||100-32000 ISO|
|ISO Boost||no Enhancement||50-102400 ISO|
|Image Processor||DIGIC 3||BIONZ X|
|DXO Sensor Quality (score)||61||100|
|DXO Color Depth (bits)||21.9||26.0|
|DXO Dynamic Range (EV)||10.8||14.7|
|DXO Low Light (ISO)||692||3523|
|Screen Specs||Canon 450D||Sony A7R III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 450D||Sony A7R III|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3.5 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||500 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Canon 450D||Sony A7R III|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 450D||Sony A7R III|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||LP-E5 power pack||NP-FZ100 power pack|
|Battery Life (CIPA)||500 shots per charge||650 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||524 g (18.5 oz)||650 g (22.9 oz)|
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