Canon 450D vs Sony A7 II
The Canon EOS 450D (called Canon XSi in some regions) and the Sony Alpha A7 II are two digital cameras that were announced, respectively, in January 2008 and November 2014. The 450D is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (450D) and a full frame (A7 II) sensor. The Canon has a resolution of 12.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 450D||Sony A7 II|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|12.2 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|no Video||1080/60p Video|
|ISO 100-1600||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.0" LCD, 230k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3.5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||350 shots per battery charge|
|129 x 98 x 62 mm, 524 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 450D and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 450D and the Sony A7 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is somewhat smaller (4 percent) than the Canon 450D. However, the A7 II is markedly heavier (14 percent) than the 450D. It is noteworthy in this context that the A7 II is splash and dust-proof, while the 450D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (450D) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 450D gets 500 shots out of its LP-E5 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 450D»||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||Canon 450D|
|Sony A7 II«||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Canon 750D« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||Canon 750D|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||Canon 760D|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||Canon 650D|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||Canon G1 X|
|Canon 1100D« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||Canon 1100D|
|Canon 500D« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||Canon 500D|
|Canon 1000D« »||5.0 in||3.9 in||2.6 in||17.7 oz||500||n||Jun 2008||449||Canon 1000D|
|Canon 400D« »||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799||Canon 400D|
|Nikon D5000« »||5.0 in||4.1 in||3.1 in||20.8 oz||510||n||Apr 2009||749||Nikon D5000|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 450D was launched at a markedly lower price (by 60 percent) than the A7 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 450D features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 160 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 II offers a higher resolution than the 450D (12.2MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 5.19μm for the 450D) due to its larger sensor. Moreover, the A7 II is a much more recent model (by 6 years and 9 months) than the 450D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon 450D are 21.4 x 14.2 inch or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inch or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inch or 36.2 x 24.1 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 450D has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 II offers substantially better image quality than the 450D (overall score 29 points higher). The advantage is based on 3 bits higher color depth, 2.8 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 450D||APS-C||12.2||4272||2848||none||21.9||10.8||692||61||Canon 450D|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Canon 750D||APS-C||24.0||6000||4000||1080/30p||22.7||12.0||919||71||Canon 750D|
|Canon 760D||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon 650D||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon 1100D||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Canon 500D||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon 500D|
|Canon 1000D||APS-C||10.1||3888||2592||none||..||..||..||..||Canon 1000D|
|Canon 400D||APS-C||10.1||3888||2592||none||22.1||11.0||664||62||Canon 400D|
|Nikon D5000||APS-C||12.2||4288||2848||720/24p||22.7||12.5||868||72||Nikon D5000|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but can also record movies. The A7 II indeed provides for movie recording, while the 450D does not. The highest resolution format that the A7 II can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the 450D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 II offers a wider field of view (100%) than the one in the 450D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 II has a higher magnification (0.71x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 450D and Sony A7 II along with similar information for a selection of comparators.
|Canon 450D||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon 450D|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Canon 750D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 750D|
|Canon 760D||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon 650D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 650D|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon 1100D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 1100D|
|Canon 500D||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon 500D|
|Canon 1000D||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon 1000D|
|Canon 400D||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon 400D|
|Nikon D5000||optical||n||2.7||230||full-flex||n||1/4000s||4.0||Y||n||Nikon D5000|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One difference between the cameras concerns the presence of an on-board flash. The 450D has one, while the A7 II does not. While the built-in flash of the 450D is not very powerful, it can at times be useful as a fill-in light.
The 450D writes its imaging data to SDHC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The A7 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 450D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 450D and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 450D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 450D|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Canon 750D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 750D|
|Canon 760D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon 650D||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon 1100D||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Canon 500D||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 500D|
|Canon 1000D||Y||none||none||-||-||none||2.0||-||-||-||Canon 1000D|
|Canon 400D||Y||none||none||-||-||none||2.0||-||-||-||Canon 400D|
|Nikon D5000||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D5000|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 450D does not offer wifi capability.
Both the 450D and the A7 II have been discontinued, but can regularly be found used on eBay. The 450D was replaced by the Canon 500D, while the A7 II was followed by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is the Canon 450D better than the Sony A7 II or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 450D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 75g or 13 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2008).
Arguments in favor of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 12.2MP), which boosts linear resolution by 40%.
- Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.8 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.54x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3.5 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 9 months of technical progress since the 450D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (21 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 450D and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 450D or the A7 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 450D vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 450D||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||January 2008||November 2014|
|Launch Price||USD 799||USD 1999|
|Sensor Specs||Canon 450D||Sony A7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.2 x 14.8 mm||35.8 x 23.9 mm|
|Sensor Area||328.56 mm2||855.62 mm2|
|Sensor Diagonal||26.7 mm||43 mm|
|Sensor Resolution||12.2 Megapixels||24 Megapixels|
|Image Resolution||4272 x 2848 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.19 μm||5.97 μm|
|Pixel Density||3.70 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100-1600 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-51200 ISO|
|Image Processor||DIGIC 3||BIONZ X|
|DXO Sensor Quality (score)||61||90|
|DXO Color Depth (bits)||21.9||24.9|
|DXO Dynamic Range (EV)||10.8||13.6|
|DXO Low Light (ISO)||692||2449|
|Screen Specs||Canon 450D||Sony A7 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 450D||Sony A7 II|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3.5 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 450D||Sony A7 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 450D||Sony A7 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||524 g (18.5 oz)||599 g (21.1 oz)|
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