Canon 40D vs Panasonic GH5
The Canon EOS 40D and the Panasonic Lumix DC-GH5 are two enthusiast cameras that were revealed to the public, respectively, in August 2007 and January 2017. The 40D is a DSLR, while the GH5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (40D) and a Four Thirds (GH5) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 40D||Panasonic GH5|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|10.1 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|no Video||4K/60p Video|
|ISO 100-1,600 (100 - 3,200)||ISO 200-25,600|
|Optical viewfinder||Electronic viewfinder (3680k dots)|
|3.0 LCD, 230k dots||3.2 LCD, 1620k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|6.5 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|not weather sealed||Weathersealed body|
|750 shots per battery charge||410 shots per battery charge|
|146 x 108 x 74 mm, 822 g||139 x 98 x 87 mm, 725 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 40D and the Panasonic Lumix DC-GH5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 40D and the Panasonic GH5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5 is notably smaller (14 percent) than the Canon 40D. Moreover, the GH5 is markedly lighter (12 percent) than the 40D. It is noteworthy in this context that the GH5 is splash and dust-proof, while the 40D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (40D) and the Micro Four Thirds Lens Catalog (GH5). Mirrorless cameras, such as the GH5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 40D||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299|
|Panasonic GH5||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Canon T3||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449|
|Canon 60D||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399|
|Canon 50D||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299|
|Canon XS||5.0 in||3.9 in||2.6 in||17.7 oz||500||n||Jun 2008||449|
|Canon XSi||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799|
|Canon 30D||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399|
|Canon XTi||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799|
|Canon 20D||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499|
|Canon 10D||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999|
|Nikon D500||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999|
|Nikon D90||5.2 in||4.1 in||3.0 in||24.8 oz||850||n||Aug 2008||1,299|
|Olympus E-M1 II||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999|
|Panasonic G9||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699|
|Panasonic G85||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
|Panasonic GH4||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 40D was launched at a markedly lower price (by 35 percent) than the GH5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 40D features an APS-C sensor and the Panasonic GH5 a Four Thirds sensor. The sensor area in the GH5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 40D has a native 3:2 aspect ratio, while the one in the GH5 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the GH5 offers a higher resolution of 20.2 megapixels, compared with 10.1 MP of the 40D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 5.73μm for the 40D). However, it should be noted that the GH5 is much more recent (by 9 years and 4 months) than the 40D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the GH5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic GH5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH5 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon 40D are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS 40D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DC-GH5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the GH5 offers substantially better image quality than the 40D (overall score 13 points higher). The advantage is based on 1.8 bits higher color depth, 1.7 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
Many modern cameras are not only capable of taking still images, but can also record movies. The GH5 indeed provides for movie recording, while the 40D does not. The highest resolution format that the GH5 can use is 4K/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH5 has an electronic viewfinder (3680k dots), while the 40D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GH5 offers a wider field of view (100%) than the one in the 40D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GH5 has a higher magnification (0.76x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 40D and Panasonic GH5 along with similar information for a selection of comparators.
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The 40D has one, while the GH5 does not. While the built-in flash of the 40D is not very powerful, it can at times be useful as a fill-in light.The GH5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 40D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 40D writes its imaging data to Compact Flash cards, while the GH5 uses SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 40D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 40D and Panasonic Lumix DC-GH5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
It is notable that the GH5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 40D does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The GH5 is a recent model that features in the current product line-up of Panasonic. In contrast, the 40D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 40D was succeeded by the Canon 50D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon 40D or the Panasonic GH5 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 40D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (750 versus 410) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2007).
Arguments in favor of the Panasonic Lumix DC-GH5:
- More detail: Has more megapixels (20.2 vs 10.1MP), which boosts linear resolution by 39%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 4K/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.59x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 6.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (139x98mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 97g or 12 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 9 years and 4 months of technical progress since the 40D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GH5 is the clear winner of the contest (27 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 40D and the Panasonic GH5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 40D or the GH5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 40D||+ +||+ +||4.5/5||o||4.5/5||Aug 2007||1,299|
|Panasonic GH5||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Canon T3||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449|
|Canon 60D||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399|
|Canon 50D||+ +||+ +||4.5/5||5/5||4.5/5||Aug 2008||1,299|
|Canon XS||82/100||+ +||3.5/5||4/5||4.5/5||Jun 2008||449|
|Canon XSi||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799|
|Canon 30D||+ +||+ +||o||o||..||Feb 2006||1,399|
|Canon XTi||+ +||+ +||o||4.5/5||4/5||Aug 2006||799|
|Canon 20D||..||+ +||..||o||..||Aug 2004||1,499|
|Canon 10D||..||+ +||..||o||..||Feb 2003||1,999|
|Nikon D500||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999|
|Nikon D90||+ +||+ +||4/5||5/5||4.5/5||Aug 2008||1,299|
|Olympus E-M1 II||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Panasonic G9||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699|
|Panasonic G85||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic GH4||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Panasonic GH5
- Canon 40D vs Canon G9 X Mark II
- Canon 40D vs Canon M3
- Canon 40D vs Fujifilm X-T20
- Canon 40D vs Panasonic G6
- Canon 40D vs Panasonic LX10
- Canon 40D vs Pentax K-3 II
- Canon G1 X Mark II vs Panasonic GH5
- Canon SX740 vs Panasonic GH5
- Canon T7 vs Panasonic GH5
- Leica S Typ 007 vs Panasonic GH5
- Panasonic GH5 vs Ricoh WG-60
Specifications: Canon 40D vs Panasonic GH5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 40D||Panasonic GH5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2007||January 2017|
|Launch Price||USD 1,299||USD 1,999|
|Sensor Specs||Canon 40D||Panasonic GH5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||10.1 Megapixels||20.2 Megapixels|
|Image Resolution||3888 x 2592 pixels||5184 x 3888 pixels|
|Pixel Pitch||5.73 μm||3.34 μm|
|Pixel Density||3.03 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/60p Video|
|ISO Setting||100 - 1,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 3,200 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 3||Venus 10|
|DXO Sensor Quality (score)||64||77|
|DXO Color Depth (bits)||22.1||23.9|
|DXO Dynamic Range (EV)||11.3||13.0|
|DXO Low Light (ISO)||703||807|
|Screen Specs||Canon 40D||Panasonic GH5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||230k dots||1620k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 40D||Panasonic GH5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||6.5 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 40D||Panasonic GH5|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||no HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 40D||Panasonic GH5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||410 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||822 g (29.0 oz)||725 g (25.6 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.