Canon 40D vs Panasonic FZ80
The Canon EOS 40D and the Panasonic Lumix DC-FZ80 (labelled Panasonic FZ82 in some countries) are two digital cameras that were officially introduced, respectively, in August 2007 and January 2017. The 40D is a DSLR, while the FZ80 is a fixed lens compact. The cameras are based on an APS-C (40D) and a 1/2.3-inch (FZ80) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 40D||Panasonic FZ80|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||20-1200mm f/2.8-5.9|
|10.1 MP, APS-C Sensor||18 MP, 1/2.3" Sensor|
|no Video||4K/30p Video|
|ISO 100-1600 (100-3200)||ISO 80-3200 (80-6400)|
|Optical viewfinder||Electronic viewfinder (1166k dots)|
|3.0" LCD, 230k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|6.5 shutter flaps per second||10 shutter flaps per second|
|750 shots per battery charge||330 shots per battery charge|
|146 x 108 x 74 mm, 822 g||130 x 94 x 119 mm, 616 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 40D and the Panasonic Lumix DC-FZ80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 40D and the Panasonic FZ80 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ80 is notably smaller (23 percent) than the Canon 40D. In this context, it is worth noting that neither the 40D nor the FZ80 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ80 has a lens built in, whereas the 40D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 40D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 40D gets 750 shots out of its BP-511A battery, while the FZ80 can take 330 images on a single charge of its DMW-BMB9 power pack. The power pack in the FZ80 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 40D»||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299||Canon 40D|
|Panasonic FZ80«||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399||Panasonic FZ80|
|Canon SX740« »||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||Canon SX730|
|Canon 70D« »||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||Canon 70D|
|Canon 1100D« »||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||Canon 1100D|
|Canon 60D« »||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||Canon 60D|
|Canon 50D« »||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299||Canon 50D|
|Canon 450D« »||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||Canon 450D|
|Canon 30D« »||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399||Canon 30D|
|Canon 400D« »||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799||Canon 400D|
|Canon 20D« »||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||Canon 20D|
|Nikon D90« »||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299||Nikon D90|
|Olympus E-30« »||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299||Olympus E-30|
|Panasonic TS7« »||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||Panasonic TS7|
|Panasonic ZS70« »||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||Panasonic ZS70|
|Sony HX350« »||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449||Sony HX350|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ80 was launched at a lower price than the 40D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 40D features an APS-C sensor and the Panasonic FZ80 a 1/2.3-inch sensor. The sensor area in the FZ80 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 40D has a native 3:2 aspect ratio, while the one in the FZ80 offers a 4:3 aspect.
Despite having a smaller sensor, the FZ80 offers a higher resolution of 18 megapixels, compared with 10.1 MP of the 40D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 5.73μm for the 40D). However, it should be noted that the FZ80 is much more recent (by 9 years and 4 months) than the 40D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ80 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ80 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inch or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inch or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inch or 41.5 x 31.1 cm. The corresponding values for the Canon 40D are 19.4 x 13 inch or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inch or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inch or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS 40D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DC-FZ80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 40D||APS-C||10.1||3888||2592||none||22.1||11.3||703||64||Canon 40D|
|Panasonic FZ80||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Panasonic FZ80|
|Canon SX740||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX740|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Canon 70D||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 1100D||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Canon 60D||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 50D||APS-C||15.1||4752||3168||none||21.8||11.4||696||63||Canon 50D|
|Canon 450D||APS-C||12.2||4272||2848||none||21.9||10.8||692||61||Canon 450D|
|Canon 30D||APS-C||8.2||3504||2336||none||21.5||10.8||736||59||Canon 30D|
|Canon 400D||APS-C||10.1||3888||2592||none||22.1||11.0||664||62||Canon 400D|
|Canon 20D||APS-C||8.2||3504||2336||none||21.9||11.0||721||62||Canon 20D|
|Nikon D90||APS-C||12.2||4288||2848||720/24p||22.7||12.5||977||73||Nikon D90|
|Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55||Olympus E-30|
|Panasonic TS7||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic TS7|
|Panasonic ZS70||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Sony HX350||1/2.3||19.9||5152||3864||1080/60p||..||..||..||..||Sony HX350|
Many modern cameras cannot only take still pictures, but also record videos. The FZ80 indeed provides for movie recording, while the 40D does not. The highest resolution format that the FZ80 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ80 has an electronic viewfinder (1166k dots), while the 40D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ80 offers a wider field of view (100%) than the one in the 40D (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 40D has a higher magnification (0.59x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 40D and Panasonic FZ80 along with similar information for a selection of comparators.
|Canon 40D||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Panasonic FZ80||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic FZ80|
|Canon SX740||none||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon 70D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 1100D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 1100D|
|Canon 60D||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 50D||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Canon 450D||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon 450D|
|Canon 30D||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 400D||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon 400D|
|Canon 20D||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Nikon D90||optical||Y||3.0||920||fixed||n||1/4000s||4.5||Y||n||Nikon D90|
|Olympus E-30||optical||Y||2.7||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-30|
|Panasonic TS7||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic TS7|
|Panasonic ZS70||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Sony HX350||202||n||3.0||922||tilting||n||1/4000s||10.0||Y||Y||Sony HX350|
One feature that is present on the 40D, but is missing on the FZ80 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 40D writes its imaging data to Compact Flash cards, while the FZ80 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 40D and Panasonic Lumix DC-FZ80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 40D||Y||none||none||-||-||none||2.0||-||-||-||Canon 40D|
|Panasonic FZ80||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ80|
|Canon SX740||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon 70D||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 1100D||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Canon 60D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 50D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon 450D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 450D|
|Canon 30D||Y||none||none||-||-||none||2.0||-||-||-||Canon 30D|
|Canon 400D||Y||none||none||-||-||none||2.0||-||-||-||Canon 400D|
|Canon 20D||Y||none||none||-||-||none||1.1||-||-||-||Canon 20D|
|Nikon D90||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D90|
|Olympus E-30||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-30|
|Panasonic TS7||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Panasonic ZS70||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Sony HX350||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony HX350|
It is notable that the FZ80 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 40D does not offer wifi capability.
Studio photographers will appreciate that the Canon 40D (unlike the FZ80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ80 is a recent model that features in the current product line-up of Panasonic. In contrast, the 40D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 40D was succeeded by the Canon 50D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon 40D or the Panasonic FZ80 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 40D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 330) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Arguments in favor of the Panasonic Lumix DC-FZ80:
- More detail: Has more megapixels (18 vs 10.1MP), which boosts linear resolution by 31%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 6.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 40D requires a separate lens.
- More compact: Is smaller (130x94mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 40D).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 9 years and 4 months of technical progress since the 40D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the FZ80 emerges as the winner of the match-up (16 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 40D and the Panasonic FZ80 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 40D or the FZ80. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 40D vs Canon 5D
- Canon 40D vs Canon SX740
- Canon 40D vs Nikon 1 V2
- Canon 40D vs Sony HX80
- Canon T8i vs Panasonic FZ80
- Fujifilm GFX 100 vs Panasonic FZ80
- Fujifilm X-A5 vs Panasonic FZ80
- Fujifilm X100V vs Panasonic FZ80
- Nikon 1 J4 vs Panasonic FZ80
- Panasonic FZ80 vs Pentax KP
- Panasonic FZ80 vs Sony NEX-7
- Panasonic FZ80 vs Sony RX100 V
Specifications: Canon 40D vs Panasonic FZ80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 40D||Panasonic FZ80|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||20-1200mm f/2.8-5.9|
|Launch Date||August 2007||January 2017|
|Launch Price||USD 1299||USD 399|
|Sensor Specs||Canon 40D||Panasonic FZ80|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||10.1 Megapixels||18 Megapixels|
|Image Resolution||3888 x 2592 pixels||4896 x 3672 pixels|
|Pixel Pitch||5.73 μm||1.25 μm|
|Pixel Density||3.03 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1600 ISO||80-3200 ISO|
|ISO Boost||100-3200 ISO||80-6400 ISO|
|Image Processor||DIGIC 3||Venus|
|DXO Sensor Quality (score)||64||..|
|DXO Color Depth (bits)||22.1||..|
|DXO Dynamic Range (EV)||11.3||..|
|DXO Low Light (ISO)||703||..|
|Screen Specs||Canon 40D||Panasonic FZ80|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 40D||Panasonic FZ80|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/2000/s|
|Continuous Shooting||6.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 40D||Panasonic FZ80|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 40D||Panasonic FZ80|
|Battery Life (CIPA)||750 shots per charge||330 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||822 g (29.0 oz)||616 g (21.7 oz)|
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