Canon 2000D vs Epson R-D1
The Canon EOS 2000D (called Canon T7 in some regions) and the Epson R-D1 are two digital cameras that were announced, respectively, in February 2018 and March 2004. The 2000D is a DSLR, while the R-D1 is a rangefinder-style mirrorless camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Epson provides 6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 2000D||Epson R-D1|
|Digital single lens reflex||Rangefinder camera|
|Canon EF mount lenses||Leica M mount lenses|
|24 MP, APS-C Sensor||6 MP, APS-C Sensor|
|1080/30p Video||no Video|
|ISO 100-6400 (100-12800)||ISO 200-1600|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 920k dots||2.0" LCD, 235k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||1 shutter flaps per second|
|129 x 101 x 78 mm, 475 g||142 x 89 x 40 mm, 620 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 2000D and the Epson R-D1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 2000D and the Epson R-D1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Epson R-D1 is somewhat smaller (3 percent) than the Canon 2000D. However, the R-D1 is markedly heavier (31 percent) than the 2000D. In this context, it is worth noting that neither the 2000D nor the R-D1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (2000D) and the Leica M Lens Catalog (R-D1).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 2000D»||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Epson R-D1«||5.6 in||3.5 in||1.6 in||21.9 oz||..||n||Mar 2004||2,999||-||Epson R-D1|
|Canon 4000D« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon 200D« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon 200D|
|Canon 800D« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon 1300D« »||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449||-||Canon 1300D|
|Canon 750D« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon 760D|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon 1200D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Leica X Vario« »||5.2 in||2.9 in||3.7 in||24.0 oz||450||n||Jun 2013||2,850||Leica X Vario|
|Nikon D50« »||5.2 in||4.0 in||3.0 in||21.9 oz||400||n||Apr 2005||749||-||Nikon D50|
|Nikon D70s« »||5.5 in||4.4 in||3.1 in||24.0 oz||500||n||Apr 2005||899||-||Nikon D70s|
|Nikon D70« »||5.5 in||4.4 in||3.1 in||24.0 oz||400||n||Jan 2004||999||-||Nikon D70|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 2000D was launched at a markedly lower price (by 85 percent) than the R-D1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the R-D1 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (2000D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon 2000D offers a higher resolution of 24 megapixels, compared with 6 MP of the Epson R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 7.85μm for the R-D1). However, it should be noted that the 2000D is much more recent (by 13 years and 11 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon 2000D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 2000D for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Epson R-D1 are 15 x 10 inch or 38.2 x 25.4 cm for good quality, 12 x 8 inch or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inch or 25.5 x 16.9 cm for excellent quality prints.
The Canon EOS 2000D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Epson R-D1 are ISO 200 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 2000D»||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Epson R-D1«||APS-C||6.0||3008||2000||-||-||-||-||-||Epson R-D1|
|Canon 4000D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon 200D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon 800D« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon 800D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon 1300D« »||APS-C||17.9||5184||3456||1080/30p||-||-||-||-||Canon 1300D|
|Canon 750D« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon 750D|
|Canon 760D« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon Rebel« »||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Leica X Vario« »||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78||Leica X Vario|
|Nikon D50« »||APS-C||6.0||3008||2000||-||20.9||10.8||560||55||Nikon D50|
|Nikon D70s« »||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70s|
|Nikon D70« »||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70|
Many modern cameras cannot only take still pictures, but also record videos. The 2000D indeed provides movie recording capabilities, while the R-D1 does not. The highest resolution format that the 2000D can use is 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The 2000D and the R-D1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Canon 2000D and Epson R-D1 along with similar information for a selection of comparators.
|Canon 2000D»||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Epson R-D1«||optical||n||2.0||235||fixed||n||1/2000s||1.0||n||n||Epson R-D1|
|Canon 4000D« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon 200D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon 800D« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 800D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon 1300D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 1300D|
|Canon 750D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 750D|
|Canon 760D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon Rebel« »||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Leica X Vario« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Vario|
|Nikon D50« »||optical||n||2.0||130||fixed||n||1/4000s||2.5||Y||n||Nikon D50|
|Nikon D70s« »||optical||n||2.0||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70s|
|Nikon D70« »||optical||n||1.8||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70|
One difference between the cameras concerns the presence of an on-board flash. The 2000D has one, while the R-D1 does not. While the built-in flash of the 2000D is not very powerful, it can at times be useful as a fill-in light.
The 2000D writes its imaging data to SDXC cards, while the R-D1 uses SDHC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 2000D and Epson R-D1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 2000D»||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Epson R-D1«||Y||-||-||-||-||-||-||-||-||-||Epson R-D1|
|Canon 4000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon 200D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon 800D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 800D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon 1300D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 1300D|
|Canon 750D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 750D|
|Canon 760D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon Rebel« »||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Leica X Vario« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Vario|
|Nikon D50« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D50|
|Nikon D70s« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D70s|
|Nikon D70« »||Y||-||-||-||-||-||1.0||-||-||-||Nikon D70|
It is notable that the 2000D offers wifi support, while the R-D1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Epson R-D1 (unlike the 2000D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The 2000D is a recent model that features in the current product line-up of Canon. In contrast, the R-D1 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the R-D1 from Epson. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Epson websites.
So what is the bottom line? Is the Canon 2000D better than the Epson R-D1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 2000D:
- More detail: Offers more megapixels (24 vs 6MP) with a 100% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 235k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3 vs 1 flaps/sec) to capture the decisive moment.
- Less heavy: Is lighter (by 145g or 23 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
- More modern: Reflects 13 years and 11 months of technical progress since the R-D1 launch.
Arguments in favor of the Epson R-D1:
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in March 2004).
If the count of individual advantages (bullet points above) is taken as a guide, the 2000D is the clear winner of the match-up (12 : 2 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 2000D and the R-D1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 2000D»||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Epson R-D1«||-||-||-||-||-||Mar 2004||2,999||-||Epson R-D1|
|Canon 4000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon 200D« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon 200D|
|Canon 800D« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon 1300D« »||o||73/100||4/5||3.5/5||4/5||Mar 2016||449||-||Canon 1300D|
|Canon 750D« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon 760D|
|Canon 1200D« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Canon Rebel« »||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Leica X Vario« »||-||-||4/5||4/5||4/5||Jun 2013||2,850||Leica X Vario|
|Nikon D50« »||78/100||+ +||4/5||o||4.5/5||Apr 2005||749||-||Nikon D50|
|Nikon D70s« »||-||-||-||o||5/5||Apr 2005||899||-||Nikon D70s|
|Nikon D70« »||-||+ +||-||o||-||Jan 2004||999||-||Nikon D70|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark IV vs Canon 2000D
- Canon 2000D vs Leica S Typ 007
- Canon 2000D vs Nikon L840
- Canon 2000D vs Panasonic GH5s
- Canon M50 vs Epson R-D1
- Epson R-D1 vs Fujifilm X-A7
- Epson R-D1 vs Nikon D3500
- Epson R-D1 vs Nikon D7200
- Epson R-D1 vs Olympus E-300
- Epson R-D1 vs Olympus E-M1X
- Epson R-D1 vs Panasonic FZ2000
- Epson R-D1 vs Sony NEX-6
Specifications: Canon 2000D vs Epson R-D1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 2000D||Epson R-D1|
|Camera Type||Digital single lens reflex||Rangefinder camera|
|Camera Lens||Canon EF mount lenses||Leica M mount lenses|
|Launch Date||February 2018||March 2004|
|Launch Price||USD 449||USD 2999|
|Sensor Specs||Canon 2000D||Epson R-D1|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.7 x 15.6 mm|
|Sensor Area||332.27 mm2||369.72 mm2|
|Sensor Diagonal||26.8 mm||28.4 mm|
|Sensor Resolution||24 Megapixels||6 Megapixels|
|Image Resolution||6000 x 4000 pixels||3008 x 2000 pixels|
|Pixel Pitch||3.72 μm||7.85 μm|
|Pixel Density||7.22 MP/cm2||1.63 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100-6400 ISO||200-1600 ISO|
|ISO Boost||100-12800 ISO||no Enhancement|
|DXO Sensor Quality (score)||71||..|
|DXO Color Depth (bits)||22.6||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||1009||..|
|Screen Specs||Canon 2000D||Epson R-D1|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||2.0 inch|
|LCD Resolution||920k dots||235k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 2000D||Epson R-D1|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||1 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 2000D||Epson R-D1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB no|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon 2000D||Epson R-D1|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
142 x 89 x 40 mm
(5.6 x 3.5 x 1.6 in)
|Camera Weight||475 g (16.8 oz)||620 g (21.9 oz)|
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