Canon 1Ds vs Sony A5100
The Canon EOS-1Ds and the Sony Alpha A5100 are two digital cameras that were announced, respectively, in September 2002 and August 2014. The 1Ds is a DSLR, while the A5100 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1Ds) and an APS-C (A5100) sensor. The Canon has a resolution of 11 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds and the Sony Alpha A5100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1Ds and the Sony A5100. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The A5100 can be obtained in two different colors (black, white), while the 1Ds is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5100 is considerably smaller (72 percent) than the Canon 1Ds. Moreover, the A5100 is substantially lighter (78 percent) than the 1Ds. It is worth mentioning in this context that the 1Ds is splash and dust resistant, while the A5100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1Ds) and the Sony E-Mount Lens Catalog (A5100). Mirrorless cameras, such as the A5100, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1Ds gets 600 shots out of its NP-E3 battery, while the A5100 can take 400 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the 1Ds has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the A5100 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999|
|2.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|3.||Canon 1D X Mark III||158 mm||168 mm||83 mm||1440 g||2850||Y||Jan 2020||6,499|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Canon 1D C||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999|
|6.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|7.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|8.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|9.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999|
|10.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|11.||Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499|
|12.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|13.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|14.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|15.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|16.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|17.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A5100 was launched at a markedly lower price (by 94 percent) than the 1Ds, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1Ds features a full frame sensor and the Sony A5100 an APS-C sensor. The sensor area in the A5100 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the A5100 offers a higher resolution of 24 megapixels, compared with 11 MP of the 1Ds. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 8.83μm for the 1Ds). However, it should be noted that the A5100 is much more recent (by 11 years and 10 months) than the 1Ds, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A5100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5100 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 1Ds are 20.3 x 13.5 inches or 51.6 x 34.3 cm for good quality, 16.3 x 10.8 inches or 41.3 x 27.5 cm for very good quality, and 13.5 x 9 inches or 34.4 x 22.9 cm for excellent quality prints.
The A5100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1Ds has a native sensitivity range from ISO 100 to ISO 1250, which can be extended to ISO 50-1250. The corresponding ISO settings for the Sony Alpha A5100 are ISO 100 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A5100 offers substantially better image quality than the 1Ds (overall score 17 points higher). The advantage is based on 2 bits higher color depth, 1.7 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|3.||Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 1D C||Full Frame||17.9||5184||3456||4K/24p||24.3||13.0||2155||85|
|6.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|7.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|8.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|9.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|10.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|11.||Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|12.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The A5100 indeed provides for movie recording, while the 1Ds does not. The highest resolution format that the A5100 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 1Ds has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the A5100 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon 1Ds and Sony A5100 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 1Ds||optical||Y||2.0 / 120||fixed||n||1/8000s||3.0||n||n|
|2.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0||Y||n|
|3.||Canon 1D X Mark III||optical||Y||3.2 / 2100||fixed||Y||1/8000s||20.0||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|5.||Canon 1D C||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0||n||n|
|6.||Canon 1D Mark IV||optical||Y||3.0 / 920||fixed||n||1/8000s||10.0||n||n|
|7.||Canon 1D Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||10.0||n||n|
|8.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0||n||n|
|9.||Canon 1D Mark II N||optical||Y||2.5 / 230||fixed||n||1/8000s||8.5||n||n|
|10.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0||n||n|
|11.||Canon 1D Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||8.3||n||n|
|12.||Canon 1Ds Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||4.0||n||n|
|13.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5||Y||n|
|14.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|15.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5||Y||n|
|16.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
|17.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
One feature that is present on the 1Ds, but is missing on the A5100 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A5100 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1Ds does not have a selfie-screen.
The 1Ds writes its imaging data to Compact Flash cards, while the A5100 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds and Sony Alpha A5100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1Ds||Y||- / -||-||-||-||FW||-||-||-|
|2.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon 1D X Mark III||Y||mono / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 1D C||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|6.||Canon 1D Mark IV||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|7.||Canon 1D Mark III||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|9.||Canon 1D Mark II N||Y||- / -||-||-||-||1.1||-||-||-|
|10.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon 1D Mark II||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Canon 1Ds Mark II||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|17.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the 1Ds has a hotshoe, while the A5100 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1Ds (unlike the A5100) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A5100 is a recent model that features in the current product line-up of Sony. In contrast, the 1Ds has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1Ds was succeeded by the Canon 1Ds Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Which of the two cameras – the Canon 1Ds or the Sony A5100 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS-1Ds:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (600 versus 400) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2002).
Reasons to prefer the Sony Alpha A5100:
- More detail: Has more megapixels (24 vs 11MP), which boosts linear resolution by 48%.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 120k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (110x63mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 982g or 78 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (94 percent cheaper at launch).
- More modern: Reflects 11 years and 10 months of technical progress since the 1Ds launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A5100 is the clear winner of the contest (22 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds and the Sony A5100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1Ds or the A5100 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1Ds||..||..||..||+ +||..||..||Sep 2002||8,999|
|2.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549|
|3.||Canon 1D X Mark III||..||+ +||5/5||..||4.5/5||4/5||Jan 2020||6,499|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Canon 1D C||..||..||..||..||..||..||Apr 2012||14,999|
|6.||Canon 1D Mark IV||5/5||..||..||89/100||..||..||Oct 2009||4,999|
|7.||Canon 1D Mark III||..||..||..||..||..||..||Feb 2007||4,499|
|8.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|9.||Canon 1D Mark II N||..||..||..||..||..||..||Aug 2005||3,999|
|10.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299|
|11.||Canon 1D Mark II||..||..||..||+ +||..||..||Jan 2004||4,499|
|12.||Canon 1Ds Mark II||..||..||..||+ +||..||..||Sep 2004||7,999|
|13.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449|
|14.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|15.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|16.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|17.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Sony A5100
- Canon 1Ds vs Canon 50D
- Canon 1Ds vs Canon SX60
- Canon 1Ds vs Fujifilm X-E3
- Canon 1Ds vs Leica D-LUX 6
- Canon 1Ds vs Panasonic GF6
- Canon 1Ds vs Sony NEX-5R
- Fujifilm X-T3 vs Sony A5100
- Nikon P900 vs Sony A5100
- Olympus E-520 vs Sony A5100
- Panasonic G5 vs Sony A5100
- Panasonic GX850 vs Sony A5100
Specifications: Canon 1Ds vs Sony A5100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds||Sony A5100|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||September 2002||August 2014|
|Launch Price||USD 8,999||USD 549|
|Sensor Specs||Canon 1Ds||Sony A5100|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 23.8 mm||23.5 x 15.6 mm|
|Sensor Area||856.8 mm2||366.6 mm2|
|Sensor Diagonal||43.2 mm||28.2 mm|
|Sensor Resolution||11 Megapixels||24 Megapixels|
|Image Resolution||4064 x 2704 pixels||6000 x 4000 pixels|
|Pixel Pitch||8.83 μm||3.91 μm|
|Pixel Density||1.28 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,250 ISO||100 - 25,600 ISO|
|ISO Boost||50 - 1,250 ISO||no Enhancement|
|Image Processor||DIGIC||BIONZ X|
|DXO Sensor Quality (score)||63||80|
|DXO Color Depth (bits)||21.8||23.8|
|DXO Dynamic Range (EV)||11.0||12.7|
|DXO Low Light (ISO)||954||1347|
|Screen Specs||Canon 1Ds||Sony A5100|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||120k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1Ds||Sony A5100|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||6 shutter flaps/s|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 1Ds||Sony A5100|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 1Ds||Sony A5100|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||600 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||1265 g (44.6 oz)||283 g (10.0 oz)|
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