Canon 1D X Mark III vs Sony HX99
The Canon EOS-1D X Mark III and the Sony Cyber-shot DSC-HX99 are two digital cameras that were revealed to the public, respectively, in January 2020 and August 2018. The 1DX Mark III is a DSLR, while the HX99 is a fixed lens compact. The cameras are based on a full frame (1DX Mark III) and a 1/2.3-inch (HX99) sensor. The Canon has a resolution of 20 megapixels, whereas the Sony provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D X Mark III and the Sony Cyber-shot DSC-HX99? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1D X Mark III and the Sony HX99 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX99 is considerably smaller (78 percent) than the Canon 1D X Mark III. It is worth mentioning in this context that the 1DX Mark III is splash and dust resistant, while the HX99 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX99 has a lens built in, whereas the 1DX Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1DX Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1DX Mark III gets 2850 shots out of its LP-E19 battery, while the HX99 can take 370 images on a single charge of its NP-BX1 power pack. As can be seen in the images above, the 1DX Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the HX99 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 1D X Mark III||158 mm||168 mm||83 mm||1440 g||2850||Y||Jan 2020||6,499|
|2.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Canon 1D C||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999|
|6.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|7.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|8.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|9.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|10.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|11.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|12.||Canon 1D||156 mm||158 mm||80 mm||1585 g||500||Y||Sep 2001||6,499|
|13.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|14.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|15.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399|
|16.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|17.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The HX99 was launched at a lower price than the 1DX Mark III, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D X Mark III features a full frame sensor and the Sony HX99 a 1/2.3-inch sensor. The sensor area in the HX99 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 1DX Mark III has a native 3:2 aspect ratio, while the one in the HX99 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 20MP, the 1DX Mark III offers a higher resolution than the HX99 (18MP), but the 1DX Mark III nevertheless has larger individual pixels (pixel pitch of 6.57μm versus 1.25μm for the HX99) due to its larger sensor. Moreover, the 1DX Mark III is a somewhat more recent model (by 1 year and 4 months) than the HX99, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the HX99 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 1D X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1DX Mark III for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Sony HX99 are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.
The 1DX Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D X Mark III has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-819200. The corresponding ISO settings for the Sony Cyber-shot DSC-HX99 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 1D C||Full Frame||17.9||5184||3456||4K/24p||24.3||13.0||2155||85|
|6.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|7.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|8.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|9.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|10.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|11.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|13.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||25.3||14.3||2886||95|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 1DX Mark III provides a higher frame rate than the HX99. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the HX99 has an electronic viewfinder (638k dots), while the 1DX Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 1D X Mark III, the Sony HX99, and comparable cameras.
|1.||Canon 1D X Mark III||optical||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||n|
|2.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|3.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|5.||Canon 1D C||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0/s||n||n|
|6.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|7.||Canon 1D X||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0/s||n||n|
|8.||Canon 1D Mark IV||optical||Y||3.0 / 920||fixed||n||1/8000s||10.0/s||n||n|
|9.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|10.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0/s||n||n|
|11.||Canon 1Ds Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||4.0/s||n||n|
|12.||Canon 1D||optical||Y||2.0 / 120||fixed||n||1/16000s||8.0/s||n||n|
|13.||Nikon D6||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|14.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|15.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|16.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 1DX Mark III, but is missing on the HX99 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The HX99 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1DX Mark III does not have a selfie-screen.
The Canon 1D X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1DX Mark III writes its imaging data to CFexpress cards, while the HX99 uses SDXC or Memory Stick PRO Duo cards. The 1DX Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the HX99 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D X Mark III and Sony Cyber-shot DSC-HX99 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1D X Mark III||Y||mono / mono||Y||Y||mini||3.1||Y||-||Y|
|2.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|3.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 1D C||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|6.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|7.||Canon 1D X||Y||mono / -||Y||-||mini||2.0||-||-||-|
|8.||Canon 1D Mark IV||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|9.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|11.||Canon 1Ds Mark II||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon 1D||Y||- / -||-||-||-||FW||-||-||-|
|13.||Nikon D6||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|14.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the 1DX Mark III has a hotshoe, while the HX99 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1D X Mark III (unlike the HX99) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 1DX Mark III has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 1DX Mark III and the HX99 are recent models that are part of the current product line-up. The 1DX Mark III replaced the earlier Canon 1DX Mark II, while the HX99 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 1D X Mark III and the Sony HX99? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS-1D X Mark III:
- More detail: Offers more megapixels (20 vs 18MP) with a 7% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2850 versus 370) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 1 year and 4 months after the HX99).
Advantages of the Sony Cyber-shot DSC-HX99:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Comes with an integrated lens, while the 1DX Mark III requires a separate lens.
- More compact: Is smaller (102x58mm vs 158x168mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1DX Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in August 2018).
If the number of relative strengths (bullet points above) is taken as a guide, the 1DX Mark III is the clear winner of the match-up (27 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D X Mark III and the Sony HX99 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 1DX Mark III and the HX99 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D X Mark III||..||+ +||5/5||..||4.5/5||4/5||Jan 2020||6,499|
|2.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|3.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Canon 1D C||..||..||..||..||..||..||Apr 2012||14,999|
|6.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|7.||Canon 1D X||5/5||..||..||..||4.5/5||4.5/5||Oct 2011||6,799|
|8.||Canon 1D Mark IV||5/5||..||..||89/100||..||..||Oct 2009||4,999|
|9.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|10.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|11.||Canon 1Ds Mark II||..||..||..||+ +||..||..||Sep 2004||7,999|
|12.||Canon 1D||..||..||..||+ +||..||..||Sep 2001||6,499|
|13.||Nikon D6||..||..||4/5||..||4.5/5||4.5/5||Feb 2020||6,499|
|14.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|15.||Sony WX800||..||..||..||..||..||..||Oct 2018||399|
|16.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429|
|17.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X Mark III vs Canon 1Ds Mark III
- Canon 1D X Mark III vs Canon 5D Mark III
- Canon 1D X Mark III vs Nikon D60
- Canon 1D X Mark III vs Olympus TG-5
- Canon 1D X Mark III vs Sony A1
- Canon 1D X Mark III vs Sony A7 III
- Fujifilm X-E2 vs Sony HX99
- Leica S2 vs Sony HX99
- Leica V-LUX 5 vs Sony HX99
- Nikon D2Xs vs Sony HX99
- Sony HX99 vs Sony RX100 VII
- Sony HX99 vs Sony ZV-E10
Specifications: Canon 1D X Mark III vs Sony HX99
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D X Mark III||Sony HX99|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-720mm f/3.5-6.4|
|Launch Date||January 2020||August 2018|
|Launch Price||USD 6,499||USD 449|
|Sensor Specs||Canon 1D X Mark III||Sony HX99|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||18 Megapixels|
|Image Resolution||5472 x 3648 pixels||4896 x 3672 pixels|
|Pixel Pitch||6.57 μm||1.25 μm|
|Pixel Density||2.31 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||100 - 102,400 ISO||80 - 3,200 ISO|
|ISO Boost||50 - 819,200 ISO||80 - 6,400 ISO|
|Image Processor||DIGIC X||BIONZ X|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.2||..|
|DXO Dynamic Range (EV)||14.5||..|
|DXO Low Light (ISO)||3248||..|
|Screen Specs||Canon 1D X Mark III||Sony HX99|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||638k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 1D X Mark III||Sony HX99|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||20 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CFexpress cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1D X Mark III||Sony HX99|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 1D X Mark III||Sony HX99|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||2850 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
158 x 168 x 83 mm
(6.2 x 6.6 x 3.3 in)
102 x 58 x 36 mm
(4.0 x 2.3 x 1.4 in)
|Camera Weight||1440 g (50.8 oz)||242 g (8.5 oz)|
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