Canon 1D X Mark III vs Panasonic FZ82
The Canon EOS-1D X Mark III and the Panasonic Lumix DC-FZ82 (labelled Panasonic FZ80 in some countries) are two digital cameras that were revealed to the public, respectively, in January 2020 and January 2017. The 1DX Mark III is a DSLR, while the FZ82 is a fixed lens compact. The cameras are based on a full frame (1DX Mark III) and a 1/2.3-inch (FZ82) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D X Mark III and the Panasonic Lumix DC-FZ82? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D X Mark III and the Panasonic FZ82. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ82 is considerably smaller (54 percent) than the Canon 1D X Mark III. It is worth mentioning in this context that the 1DX Mark III is splash and dust resistant, while the FZ82 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the 1DX Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1DX Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1DX Mark III gets 2850 shots out of its LP-E19 battery, while the FZ82 can take 330 images on a single charge of its DMW-BMB9 power pack. As can be seen in the images above, the 1DX Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the FZ82 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 1D X Mark III||158 mm||168 mm||83 mm||1440 g||2850||Y||Jan 2020||6,499|
|2.||Panasonic FZ82||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|5.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|6.||Canon 1D C||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999|
|7.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|8.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|9.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|10.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|11.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|12.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|13.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|14.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|15.||Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|16.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|17.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ82 was launched at a lower price than the 1DX Mark III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D X Mark III features a full frame sensor and the Panasonic FZ82 a 1/2.3-inch sensor. The sensor area in the FZ82 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 1DX Mark III has a native 3:2 aspect ratio, while the one in the FZ82 offers a 4:3 aspect.
With 20MP, the 1DX Mark III offers a higher resolution than the FZ82 (18MP), but the 1DX Mark III nevertheless has larger individual pixels (pixel pitch of 6.57μm versus 1.25μm for the FZ82) due to its larger sensor. Moreover, the 1DX Mark III is a much more recent model (by 3 years) than the FZ82, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ82 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 1D X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1DX Mark III for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic FZ82 are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.
The 1DX Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D X Mark III has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-819200. The corresponding ISO settings for the Panasonic Lumix DC-FZ82 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|5.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|6.||Canon 1D C||Full Frame||17.9||5184||3456||4K/24p||..||..||..||..|
|7.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|8.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|9.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|10.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|11.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|12.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|13.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||..||..||..||..|
|14.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 1DX Mark III provides a higher frame rate than the FZ82. It can shoot video footage at 4K/60p, while the Panasonic is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ82 has an electronic viewfinder (1166k dots), while the 1DX Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1DX Mark III has a higher magnification than the one of the FZ82 (0.76x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D X Mark III and Panasonic FZ82 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 1D X Mark III||optical||Y||3.2||2100||fixed||Y||1/8000s||20.0||n||n|
|5.||Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|6.||Canon 1D C||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|7.||Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|9.||Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|10.||Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|11.||Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|12.||Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
One feature that is present on the 1DX Mark III, but is missing on the FZ82 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 1D X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1DX Mark III writes its imaging data to CFexpress cards, while the FZ82 uses SDXC cards. The 1DX Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ82 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D X Mark III and Panasonic Lumix DC-FZ82 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon 1D X Mark III||Y||mono||mono||Y||Y||mini||3.1||Y||-||Y|
|5.||Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|6.||Canon 1D C||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|7.||Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|9.||Canon 1D X||Y||mono||-||Y||-||mini||2.0||-||-||-|
|10.||Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 1Ds Mark III||Y||mono||-||-||-||-||2.0||-||-||-|
|12.||Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
It is notable that the 1DX Mark III has a microphone port, which is missing on the FZ82. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 1D X Mark III (unlike the FZ82) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 1DX Mark III has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 1DX Mark III and the FZ82 are recent models that are part of the current product line-up. The FZ82 replaced the earlier Panasonic FZ72, while the 1DX Mark III followed on from the Canon 1DX Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon 1D X Mark III or the Panasonic FZ82 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS-1D X Mark III:
- More detail: Offers more megapixels (20 vs 18MP) with a 7% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2850 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 3 years of technical progress since the FZ82 launch.
Reasons to prefer the Panasonic Lumix DC-FZ82:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 1DX Mark III requires a separate lens.
- More compact: Is smaller (130x94mm vs 158x168mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1DX Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2017).
If the number of relative strengths (bullet points above) is taken as a guide, the 1DX Mark III is the clear winner of the match-up (28 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D X Mark III and the Panasonic FZ82 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 1DX Mark III and the FZ82 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D X Mark III||..||+ +||..||4.5/5||4/5||Jan 2020||6,499|
|2.||Panasonic FZ82||..||+ +||..||4.5/5||4.5/5||Jan 2017||399|
|3.||Canon SX740||..||+||..||4/5||4/5||Jul 2018||399|
|4.||Canon SX730||..||+||..||4/5||4/5||Apr 2017||399|
|5.||Canon 1D X Mark II||..||..||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|6.||Canon 1D C||..||..||..||..||..||Apr 2012||14,999|
|7.||Canon 5D Mark III||..||+ +||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|8.||Canon 6D||5/5||+ +||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|9.||Canon 1D X||5/5||..||..||4.5/5||4.5/5||Oct 2011||6,799|
|10.||Canon 5D Mark II||4/5||91/100||79/100||4/5||..||Sep 2008||3,499|
|11.||Canon 1Ds Mark III||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|12.||Canon 1Ds Mark II||..||..||+ +||..||..||Sep 2004||7,999|
|13.||Nikon D6||..||..||..||4.5/5||4.5/5||Feb 2020||6,499|
|14.||Nikon D5||..||..||89/100||4.5/5||5/5||Jan 2016||6,499|
|15.||Panasonic FT7||..||+||..||3.5/5||3.5/5||May 2018||449|
|16.||Panasonic TZ90||..||+ +||..||4/5||4/5||Apr 2017||449|
|17.||Sony HX350||..||..||..||..||4/5||Dec 2016||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Canon 1D X Mark III vs Panasonic FZ82
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D X Mark III||Panasonic FZ82|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||20-1200mm f/2.8-5.9|
|Launch Date||January 2020||January 2017|
|Launch Price||USD 6,499||USD 399|
|Sensor Specs||Canon 1D X Mark III||Panasonic FZ82|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||18 Megapixels|
|Image Resolution||5472 x 3648 pixels||4896 x 3672 pixels|
|Pixel Pitch||6.57 μm||1.25 μm|
|Pixel Density||2.31 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||100 - 102,400 ISO||80 - 3,200 ISO|
|ISO Boost||50 - 819,200 ISO||80 - 6,400 ISO|
|Image Processor||DIGIC X||Venus|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.2||..|
|DXO Dynamic Range (EV)||14.5||..|
|DXO Low Light (ISO)||3248||..|
|Screen Specs||Canon 1D X Mark III||Panasonic FZ82|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1D X Mark III||Panasonic FZ82|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||20 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CFexpress cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1D X Mark III||Panasonic FZ82|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 1D X Mark III||Panasonic FZ82|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||2850 shots per charge||330 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
158 x 168 x 83 mm
(6.2 x 6.6 x 3.3 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||1440 g (50.8 oz)||616 g (21.7 oz)|
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