Canon 1D Mark IV versus Nikon D5
The Canon EOS-1D Mark IV and the Nikon D5 are two professional cameras that were revealed to the public, respectively, in October 2009 and January 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-H (1D Mark IV) and a full frame sensor. The Canon has a resolution of 16 megapixel, whereas the Nikon provides 20.7 MP.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark IV and the Nikon D5. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the 1D Mark IV – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5 is somewhat larger (4 percent) than the Canon 1D Mark IV. Moreover, the D5 is markedly heavier (15 percent) than the 1D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (1D Mark IV) and the Nikon Lens Catalog (D5).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 1D Mark IV (⇒ rgt)||156 mm||157 mm||80 mm||1230 g||1500||YES||2009||4,999||discont.||check|
|Nikon D5 (⇒ lft)||160 mm||159 mm||92 mm||1415 g||3780||YES||2016||6,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon 1D X (⇒ lft | rgt)||158 mm||168 mm||83 mm||1551 g||1120||YES||2011||6,799||discont.||check|
|Canon 60D (⇒ lft | rgt)||145 mm||106 mm||79 mm||755 g||1100||YES||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||148 mm||111 mm||74 mm||860 g||800||YES||2009||1,699||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||152 mm||114 mm||75 mm||850 g||850||YES||2008||3,499||discont.||check|
|Canon 50D (⇒ lft | rgt)||146 mm||108 mm||74 mm||822 g||800||YES||2008||1,299||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||156 mm||156.6 mm||80 mm||1155 g||2200||YES||2007||4,499||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||156 mm||157.6 mm||80 mm||1215 g||1200||YES||2004||7,999||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Nikon D4S (⇒ lft | rgt)||160 mm||157 mm||91 mm||1350 g||3020||YES||2014||6,499||discont.||check|
|Nikon D4 (⇒ lft | rgt)||160 mm||157 mm||91 mm||1340 g||2600||YES||2012||5,999||discont.||check|
|Nikon D3S (⇒ lft | rgt)||160 mm||157 mm||88 mm||1240 g||4200||YES||2009||5,199||discont.||check|
|Nikon D3X (⇒ lft | rgt)||160 mm||157 mm||88 mm||1260 g||4400||YES||2008||7,999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 1D Mark IV was launched at a somewhat lower price (by 23 percent) than the D5, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Nikon D5 a full frame sensor. The sensor area in the D5 is 65 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 20.7MP, the D5 offers a higher resolution than the 1D Mark IV (16MP), but the D5 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 5.70μm for the 1D Mark IV) due to its larger sensor. Moreover, the D5 is a much more recent model (by 6 years and 2 months) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the D5 offers substantially better image quality than the 1D Mark IV (overall score 14 points higher). The advantage is based on 2.3 bits higher color depth, 0.3 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark IV (⇒ rgt)||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Nikon D5 (⇒ lft)||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 1D X (⇒ lft | rgt)||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 60D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Canon 7D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Canon 5D Mark II (⇒ lft | rgt)||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 50D (⇒ lft | rgt)||APS-C||15.1||4752||3168||no||21.8||11.4||696||63|
|Canon 1D Mark III (⇒ lft | rgt)||APS-H||10.1||3888||2592||no||22.7||11.7||1078||71|
|Canon 1Ds Mark II (⇒ lft | rgt)||Full Frame||16.6||4992||3328||no||23.3||11.3||1480||74|
|Nikon D7500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86|
|Nikon D4S (⇒ lft | rgt)||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|Nikon D4 (⇒ lft | rgt)||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D3S (⇒ lft | rgt)||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|Nikon D3X (⇒ lft | rgt)||Full Frame||24.4||6048||4032||no||24.7||13.7||1992||88|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D5 provides a better video resolution than the 1D Mark IV. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The 1D Mark IV and the D5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Canon 1D Mark IV and Nikon D5 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon 1D Mark IV (⇒ rgt)||optical||YES||3.0||920||fixed||no||8000||10.0||no||no|
|Nikon D5 (⇒ lft)||optical||YES||3.2||2359||fixed||YES||8000||14.0||no||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 1D X (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||14.0||no||no|
|Canon 60D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Canon 7D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||8.0||12||no|
|Canon 5D Mark II (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||3.9||no||no|
|Canon 50D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||6.3||13||no|
|Canon 1D Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||10.0||no||no|
|Canon 1Ds Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||4.0||no||no|
|Nikon D7500 (⇒ lft | rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Nikon D4S (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||8000||11.0||no||no|
|Nikon D4 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||8000||11.0||no||no|
|Nikon D3S (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||8000||11.0||no||no|
|Nikon D3X (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||5.0||no||no|
The D5 is a current model that online retailers, such as amazon, will have in stock. In contrast, the 1D Mark IV has been discontinued (but it can be found pre-owned on ebay). There has not been a direct replacement model for the 1D Mark IV from Canon.
So what is the bottom line? Is the Canon 1D Mark IV better than the Nikon D5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS-1D Mark IV:
- Less heavy: Is lighter (by 185g or 13 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced segment (23 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in October 2009).
Advantages of the Nikon D5:
- More detail: Has more megapixels (20.7 vs 16MP), which boosts linear resolution by 14%.
- Better image quality: Scores substantially higher (14 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (3780 versus 1500) out of a single battery charge.
- More modern: Reflects 6 years and 2 months of technical progress since the 1D Mark IV launch.
If the count of relative strengths (bullet points above) is taken as a measure, the D5 is the clear winner of the contest (11 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 1D Mark IV or the D5 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 1D Mark IV (⇒ rgt)||-||89/100 Gold||-||5/5||-||2009||4,999||discont.||check|
|Nikon D5 (⇒ lft)||-||89/100 Gold||4.5/5||5/5||5/5||2016||6,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 1D X (⇒ lft | rgt)||-||-||4.5/5||4.5/5||4.5/5||2011||6,799||discont.||check|
|Canon 60D (⇒ lft | rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||93/100 HiRec||84/100||4.5/5||5/5||4.5/5||2009||1,699||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||91/100||79/100 HiRec||4/5||5/5||-||2008||3,499||discont.||check|
|Canon 50D (⇒ lft | rgt)||90/100 HiRec||HiRec||4.5/5||5/5||4.5/5||2008||1,299||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||-||-||-||reviewed||-||2007||4,499||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||-||HiRec||-||-||-||2004||7,999||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Nikon D4S (⇒ lft | rgt)||-||-||4.5/5||5/5||4.5/5||2014||6,499||discont.||check|
|Nikon D4 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2012||5,999||discont.||check|
|Nikon D3S (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2009||5,199||discont.||check|
|Nikon D3X (⇒ lft | rgt)||-||86/100||4/5||5/5||5/5||2008||7,999||discont.||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, kindly get in touch, and I will try to add information on that model to the database.
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