Canon 1D Mark IV versus Fujifilm X-T2
The Canon EOS-1D Mark IV and the Fujifilm X-T2 are two digital cameras that were revealed to the public, respectively, in October 2009 and July 2016. The 1D Mark IV is a DSLR, while the X-T2 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark IV) and an APS-C (X-T2) sensor. The Canon has a resolution of 16 megapixel, whereas the Fujifilm provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 1D Mark IV vs Fujifilm X-T2
An illustration of the physical size and weight of the Canon 1D Mark IV and the Fujifilm X-T2 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 1D Mark IV – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T2 is considerably smaller (50 percent) than the Canon 1D Mark IV. Moreover, the X-T2 is substantially lighter (59 percent) than the 1D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (1D Mark IV) and the Fujinon X Lens Catalog (X-T2). Mirrorless cameras, such as the X-T2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Canon 1D Mark IV (⇒ rgt)||6.1 in||6.2 in||3.1 in||43.4 oz||1500||YES||2009||4,999||discont.||check|
|Fujifilm X-T2 (⇒ lft)||5.2 in||3.6 in||1.9 in||17.9 oz||340||YES||2016||1,599||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||6.2 in||6.6 in||3.3 in||54.0 oz||1210||YES||2016||5,999||latest||check|
|Canon 1D X (⇒ lft | rgt)||6.2 in||6.6 in||3.3 in||54.7 oz||1120||YES||2011||6,799||discont.||check|
|Canon 60D (⇒ lft | rgt)||5.7 in||4.2 in||3.1 in||26.6 oz||1100||YES||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||5.8 in||4.4 in||2.9 in||30.3 oz||800||YES||2009||1,699||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||6.0 in||4.5 in||3.0 in||30.0 oz||850||YES||2008||3,499||discont.||check|
|Canon 50D (⇒ lft | rgt)||5.7 in||4.3 in||2.9 in||29.0 oz||800||YES||2008||1,299||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||40.7 oz||2200||YES||2007||4,499||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||42.9 oz||1200||YES||2004||7,999||discont.||check|
|Fujifilm X100F (⇒ lft | rgt)||5.0 in||3.0 in||2.0 in||16.5 oz||390||no||2017||1,299||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||4.6 in||2.6 in||1.6 in||12.0 oz||410||no||2016||399||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||5.1 in||3.0 in||1.5 in||12.3 oz||350||no||2016||699||discont.||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||5.6 in||3.3 in||1.8 in||17.5 oz||350||YES||2016||1,699||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||5.1 in||3.5 in||1.9 in||15.5 oz||350||YES||2014||1,699||discont.||check|
|Nikon D4 (⇒ lft | rgt)||6.3 in||6.2 in||3.6 in||47.3 oz||2600||YES||2012||5,999||discont.||check|
|Nikon D3S (⇒ lft | rgt)||6.3 in||6.2 in||3.5 in||43.7 oz||4200||YES||2009||5,199||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T2 was launched at a markedly lower price (by 68 percent) than the 1D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 1D Mark IV vs Fujifilm X-T2
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Fujifilm X-T2 an APS-C sensor. The sensor area in the X-T2 is 29 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the X-T2 offers a higher resolution of 24 megapixel, compared with 16 MP of the 1D Mark IV. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 5.70μm for the 1D Mark IV). However, it should be noted that the X-T2 is much more recent (by 6 years and 8 months) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-T2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark IV (⇒ rgt)||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Fujifilm X-T2 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 1D X (⇒ lft | rgt)||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 60D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Canon 7D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Canon 5D Mark II (⇒ lft | rgt)||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 50D (⇒ lft | rgt)||APS-C||15.1||4752||3168||no||21.8||11.4||696||63|
|Canon 1D Mark III (⇒ lft | rgt)||APS-H||10.1||3888||2592||no||22.7||11.7||1078||71|
|Canon 1Ds Mark II (⇒ lft | rgt)||Full Frame||16.6||4992||3328||no||23.3||11.3||1480||74|
|Fujifilm X100F (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-Pro2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Nikon D4 (⇒ lft | rgt)||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D3S (⇒ lft | rgt)||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-T2 provides a better video resolution than the 1D Mark IV. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison: Canon 1D Mark IV vs Fujifilm X-T2
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-T2 has an electronic viewfinder (2360k dots), while the 1D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 1D Mark IV and Fujifilm X-T2 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon 1D Mark IV (⇒ rgt)||optical||YES||3.0||920||fixed||no||8000||10.0||no||no|
|Fujifilm X-T2 (⇒ lft)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 1D X (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||14.0||no||no|
|Canon 60D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Canon 7D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||8.0||12||no|
|Canon 5D Mark II (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||3.9||no||no|
|Canon 50D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||6.3||13||no|
|Canon 1D Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||10.0||no||no|
|Canon 1Ds Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||4.0||no||no|
|Fujifilm X100F (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||8.0||4.6||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-E2S (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-Pro2 (⇒ lft | rgt)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Fujifilm X-T1 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||4000||8.0||no||no|
|Nikon D4 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||8000||11.0||no||no|
|Nikon D3S (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||8000||11.0||no||no|
The X-T2 is a current model that online retailers, such as amazon, will have in stock. In contrast, the 1D Mark IV has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the 1D Mark IV from Canon.
Review summary: Canon 1D Mark IV vs Fujifilm X-T2
So what is the bottom line? Is there a clear favorite between the Canon 1D Mark IV and the Fujifilm X-T2? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS-1D Mark IV:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (1500 versus 340) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in October 2009).
Advantages of the Fujifilm X-T2:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (133x92mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 723g or 59 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More modern: Reflects 6 years and 8 months of technical progress since the 1D Mark IV launch.
If the count of relative strengths (bullet points above) is taken as a measure, the X-T2 is the clear winner of the contest (12 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 1D Mark IV and the X-T2 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Canon 1D Mark IV (⇒ rgt)||-||89/100 Gold||-||5/5||-||2009||4,999||discont.||check|
|Fujifilm X-T2 (⇒ lft)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 1D X (⇒ lft | rgt)||-||-||4.5/5||4.5/5||4.5/5||2011||6,799||discont.||check|
|Canon 60D (⇒ lft | rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||93/100 HiRec||84/100||4.5/5||5/5||4.5/5||2009||1,699||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||91/100||79/100 HiRec||4/5||5/5||-||2008||3,499||discont.||check|
|Canon 50D (⇒ lft | rgt)||90/100 HiRec||HiRec||4.5/5||5/5||4.5/5||2008||1,299||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||-||-||-||reviewed||-||2007||4,499||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||-||HiRec||-||-||-||2004||7,999||discont.||check|
|Fujifilm X100F (⇒ lft | rgt)||Rec||83/100 Gold||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||-||77/100||4.5/5||-||4.5/5||2016||699||discont.||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4/5||5/5||2014||1,699||discont.||check|
|Nikon D4 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2012||5,999||discont.||check|
|Nikon D3S (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2009||5,199||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please contact me, and I will try to locate and add the respective data to the application.
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