Canon 1D Mark III vs Nikon Z6 II
The Canon EOS-1D Mark III and the Nikon Z6 II are two digital cameras that were officially introduced, respectively, in February 2007 and October 2020. The 1D Mark III is a DSLR, while the Z6 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark III) and a full frame (Z6 II) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Nikon provides 24.3 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Nikon Z6 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1D Mark III and the Nikon Z6 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z6 II is considerably smaller (45 percent) than the Canon 1D Mark III. Moreover, the Z6 II is substantially lighter (39 percent) than the 1D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 1D Mark III gets 2200 shots out of its LP-E4 battery, while the Z6 II can take 410 images on a single charge of its EN-EL15c power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the Z6 II, Nikon provides the MB-N11 vertical grip as an optional accessory (see here on eBay). The power pack in the Z6 II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|2.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|3.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|5.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|6.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|7.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|8.||Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499|
|9.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999|
|10.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|11.||Nikon D780||144 mm||116 mm||76 mm||840 g||2260||Y||Jan 2020||2,299|
|12.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|13.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|14.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|15.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|16.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|17.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Z6 II was launched at a markedly lower price (by 56 percent) than the 1D Mark III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Nikon Z6 II a full frame sensor. The sensor area in the Z6 II is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.3MP, the Z6 II offers a higher resolution than the 1D Mark III (10.1MP), but the Z6 II has smaller individual pixels (pixel pitch of 5.94μm versus 7.21μm for the 1D Mark III). Yet, the Z6 II is a much more recent model (by 13 years and 7 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon Z6 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z6 II for good quality output (200 dots per inch) amounts to 30.2 x 20.1 inches or 76.8 x 51.1 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 40.9 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Z6 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Nikon Z6 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|2.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||..||..||..||..|
|3.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|4.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|5.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|6.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|7.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|8.||Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|9.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|11.||Nikon D780||Full Frame||24.3||6048||4024||4K/30p||..||..||..||..|
|12.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|13.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|14.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|15.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|17.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. The Z6 II indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the Z6 II can use is 4K/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the Z6 II has an electronic viewfinder (3690k dots), while the 1D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the Z6 II has a higher magnification than the one of the 1D Mark III (0.80x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 1D Mark III, the Nikon Z6 II, and comparable cameras.
|1.||Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|2.||Nikon Z6 II||3690||Y||3.2||2100||tilting||Y||1/8000s||14.0||n||Y|
|3.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|4.||Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|5.||Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|6.||Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|7.||Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|8.||Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
|17.||Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The Z6 II has a touchscreen, while the 1D Mark III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z6 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z6 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the Z6 II uses CFexpress or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The Z6 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 1D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Nikon Z6 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|2.||Nikon Z6 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|4.||Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|5.||Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|6.||Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|7.||Canon 1Ds Mark III||Y||mono||-||-||-||-||2.0||-||-||-|
|8.||Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
|17.||Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
It is notable that the Z6 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark III does not provide wifi capability.
Studio photographers will appreciate that the Canon 1D Mark III (unlike the Z6 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The Z6 II is a recent model that features in the current product line-up of Nikon. In contrast, the 1D Mark III has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1D Mark III was succeeded by the Canon 1D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So how do things add up? Which of the two cameras – the Canon 1D Mark III or the Nikon Z6 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS-1D Mark III:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2200 versus 410) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2007).
Arguments in favor of the Nikon Z6 II:
- More detail: Has more megapixels (24.3 vs 10.1MP), which boosts linear resolution by 55%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 4K/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.58x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (134x101mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 450g or 39 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More modern: Reflects 13 years and 7 months of technical progress since the 1D Mark III launch.
If the count of relative strengths (bullet points above) is taken as a measure, the Z6 II is the clear winner of the contest (27 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark III and the Nikon Z6 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1D Mark III and the Z6 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D Mark III||..||..||..||..||..||Feb 2007||4,499|
|2.||Nikon Z6 II||4.5/5||..||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|3.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|4.||Canon 5D Mark III||..||+ +||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|5.||Canon 1D Mark IV||5/5||..||89/100||..||..||Oct 2009||4,999|
|6.||Canon 5D Mark II||4/5||91/100||79/100||4/5||..||Sep 2008||3,499|
|7.||Canon 1Ds Mark III||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|8.||Canon 1D Mark II||..||..||+ +||..||..||Jan 2004||4,499|
|9.||Canon 1Ds||..||..||+ +||..||..||Sep 2002||8,999|
|10.||Fujifilm X-T4||5/5||+ +||..||5/5||5/5||Feb 2020||1,699|
|11.||Nikon D780||5/5||..||87/100||4.5/5||4.5/5||Jan 2020||2,299|
|12.||Nikon Z5||4/5||..||89/100||4.5/5||4/5||Jul 2020||1,399|
|13.||Nikon Z6||5/5||..||..||4.5/5||5/5||Aug 2018||1,999|
|14.||Nikon D3S||5/5||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|15.||Nikon D3||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|16.||Nikon D2Xs||..||..||..||..||..||Jun 2006||4,699|
|17.||Olympus E-M1 III||5/5||..||83/100||4.5/5||4/5||Feb 2020||1,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon 1D Mark III vs Nikon Z6 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark III||Nikon Z6 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Nikon Z mount lenses|
|Launch Date||February 2007||October 2020|
|Launch Price||USD 4,499||USD 1,999|
|Sensor Specs||Canon 1D Mark III||Nikon Z6 II|
|Sensor Format||APS-H Sensor||Full Frame Sensor|
|Sensor Size||28.1 x 18.7 mm||35.9 x 23.9 mm|
|Sensor Area||525.47 mm2||858.01 mm2|
|Sensor Diagonal||33.8 mm||43.1 mm|
|Sensor Resolution||10.1 Megapixels||24.3 Megapixels|
|Image Resolution||3888 x 2592 pixels||6048 x 4024 pixels|
|Pixel Pitch||7.21 μm||5.94 μm|
|Pixel Density||1.92 MP/cm2||2.84 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/60p Video|
|ISO Setting||100 - 3,200 ISO||100 - 51,200 ISO|
|ISO Boost||50 - 6,400 ISO||50 - 204,800 ISO|
|Image Processor||DIGIC III||DUAL EXPEED 6|
|DXO Sensor Quality (score)||71||..|
|DXO Color Depth (bits)||22.7||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||1078||..|
|Screen Specs||Canon 1D Mark III||Nikon Z6 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||230k dots||2100k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark III||Nikon Z6 II|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||14 shutter flaps/s|
|Shutter Life Expectancy||300 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDHC cards||CFexpress or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon 1D Mark III||Nikon Z6 II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 1D Mark III||Nikon Z6 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||2200 shots per charge||410 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
134 x 101 x 70 mm
(5.3 x 4.0 x 2.8 in)
|Camera Weight||1155 g (40.7 oz)||705 g (24.9 oz)|
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