Nikon Z6 II vs Panasonic GH4

The Nikon Z6 II and the Panasonic Lumix DMC-GH4 are two enthusiast cameras that were revealed to the public, respectively, in October 2020 and February 2014. Both the Z6 II and the GH4 are mirrorless interchangeable lens cameras that are based on a full frame (Z6 II) and a Four Thirds (GH4) sensor. The Nikon has a resolution of 24.3 megapixels, whereas the Panasonic provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon Z6 II		Panasonic GH4
Mirrorless system camera		Mirrorless system camera
Nikon Z mount lenses		Micro Four Thirds lenses
24.3 MP – Full Frame sensor		15.9 MP – Four Thirds sensor
4K/60p Video		4K/30p Video
ISO 100-51,200 (50 - 204,800)		ISO 200-25,600
Electronic viewfinder (3690k dots)		Electronic viewfinder (2359k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1036k dots
Tilting touchscreen		Swivel touchscreen
14 shutter flaps per second		12 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
410 shots per battery charge		500 shots per battery charge
134 x 101 x 70 mm, 705 g		133 x 93 x 84 mm, 560 g

Check Z6 II price at
amazon.com
Check GH4 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z6 II and the Panasonic Lumix DMC-GH4? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Nikon Z6 II and the Panasonic GH4. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH4 is notably smaller (9 percent) than the Nikon Z6 II. Moreover, the GH4 is markedly lighter (21 percent) than the Z6 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the Z6 II gets 410 shots out of its Nikon EN-EL15c battery, while the GH4 can take 500 images on a single charge of its Panasonic DMW-BLF19 power pack. The power pack in the Z6 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon Z6 II	134 mm	101 mm	70 mm	705 g	410	Y	Oct 2020	1,999	amazon.com
2.		Panasonic GH4	133 mm	93 mm	84 mm	560 g	500	Y	Feb 2014	1,499	ebay.com
3.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
4.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	1,699	ebay.com
5.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	1,999	amazon.com
6.		Nikon D780	144 mm	116 mm	76 mm	840 g	2260	Y	Jan 2020	2,299	amazon.com
7.		Nikon Z5	134 mm	101 mm	67 mm	675 g	470	Y	Jul 2020	1,399	amazon.com
8.		Nikon Z7 II	134 mm	101 mm	70 mm	705 g	420	Y	Oct 2020	2,999	amazon.com
9.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310	Y	Aug 2018	1,999	ebay.com
10.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	1,799	ebay.com
11.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
12.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
13.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	1,699	amazon.com
14.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
15.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
16.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
17.		Panasonic GH3	133 mm	93 mm	82 mm	550 g	540	Y	Sep 2012	1,299	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH4 was launched at a somewhat lower price (by 25 percent) than the Z6 II, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon Z6 II features a full frame sensor and the Panasonic GH4 a Four Thirds sensor. The sensor area in the GH4 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the Z6 II has a native 3:2 aspect ratio, while the one in the GH4 offers a 4:3 aspect.

With 24.3MP, the Z6 II offers a higher resolution than the GH4 (15.9MP), but the Z6 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.76μm for the GH4) due to its larger sensor. Moreover, the Z6 II is a much more recent model (by 6 years and 8 months) than the GH4, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Nikon Z6 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z6 II for good quality output (200 dots per inch) amounts to 30.2 x 20.1 inches or 76.8 x 51.1 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 40.9 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Panasonic GH4 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The Z6 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Nikon Z6 II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Panasonic Lumix DMC-GH4 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the Z6 II is build around a BSI-CMOS sensor, while the GH4 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the Z6 II provides substantially higher image quality than the GH4, with an overall score that is 20 points higher. This advantage is based on 1.8 bits higher color depth, 1.6 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon Z6 II	Full Frame	24.3	6048	4024	4K/60p	25.0	14.4	3303	94
2.		Panasonic GH4	Four Thirds	15.9	4608	3456	4K/30p	23.2	12.8	791	74
3.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
4.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
5.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
6.		Nikon D780	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	2877	95
7.		Nikon Z5	Full Frame	24.2	6016	4016	4K/30p	25.3	14.3	2929	95
8.		Nikon Z7 II	Full Frame	45.4	8256	5504	4K/60p	26.3	14.7	2841	100
9.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
10.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
11.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
12.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
13.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
14.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
15.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
16.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
17.		Panasonic GH3	Four Thirds	15.9	4608	3456	1080/60p	22.7	12.4	812	71
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Z6 II provides a higher frame rate than the GH4. It can shoot video footage at 4K/60p, while the Panasonic is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z6 II offers a substantially higher resolution than the one in the GH4 (3690k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Nikon Z6 II, the Panasonic GH4, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon Z6 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	14.0/s	n	Y
2.		Panasonic GH4	2359	n	3.0 / 1036	swivel	Y	1/8000s	12.0/s	Y	n
3.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
4.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
5.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
6.		Nikon D780	optical	Y	3.2 / 2359	tilting	Y	1/8000s	12.0/s	n	n
7.		Nikon Z5	3690	n	3.2 / 1040	tilting	Y	1/8000s	4.5/s	n	Y
8.		Nikon Z7 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	10.0/s	n	Y
9.		Nikon Z6	3690	Y	3.2 / 2100	tilting	Y	1/8000s	12.0/s	n	Y
10.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
11.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
12.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
13.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
14.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
15.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
16.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
17.		Panasonic GH3	1746	n	3.0 / 614	swivel	Y	1/4000s	6.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the Z6 II, but is missing on the GH4 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon Z6 II and the Panasonic GH4 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The Z6 II writes its imaging data to CFexpress (type B) or SDXC cards, while the GH4 uses SDXC cards. The Z6 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the GH4 only has one slot. The Z6 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the GH4 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z6 II and Panasonic Lumix DMC-GH4 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon Z6 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Panasonic GH4	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
5.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
6.		Nikon D780	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
7.		Nikon Z5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Nikon Z7 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
9.		Nikon Z6	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
10.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
11.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
13.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
17.		Panasonic GH3	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-

Studio photographers will appreciate that the Panasonic GH4 (unlike the Z6 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The Z6 II is a recent model that features in the current product line-up of Nikon. In contrast, the GH4 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GH4 was succeeded by the Panasonic GH5. Further information on the features and operation of the Z6 II and GH4 can be found, respectively, in the Nikon Z6 II Manual (free pdf) or the online Panasonic GH4 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Nikon Z6 II and the Panasonic GH4? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Nikon Z6 II:

• More detail: Offers more megapixels (24.3 vs 15.9MP) with a 26% higher linear resolution.
• Better image quality: Scores substantially higher (20 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.6 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (2.1 stops ISO advantage).
• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2359k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.67x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1036k dots).
• Faster burst: Shoots at higher frequency (14 vs 12 flaps/sec) to capture the decisive moment.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 6 years and 8 months of technical progress since the GH4 launch.

Reasons to prefer the Panasonic Lumix DMC-GH4:

• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less heavy: Has a lower weight (by 145g or 21 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (500 versus 410) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in February 2014).

If the number of relative strengths (bullet points above) is taken as a guide, the Z6 II is the clear winner of the match-up (20 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon Z6 II and the Panasonic GH4 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z6 II or the GH4. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon Z6 II	4.5/5	..	4/5	89/100	4.5/5	4.5/5	Oct 2020	1,999	amazon.com
2.		Panasonic GH4	5/5	+ +	..	85/100	5/5	5/5	Feb 2014	1,499	ebay.com
3.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
4.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	1,699	ebay.com
5.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	1,999	amazon.com
6.		Nikon D780	5/5	..	5/5	87/100	4.5/5	4.5/5	Jan 2020	2,299	amazon.com
7.		Nikon Z5	4/5	..	4/5	89/100	4.5/5	4/5	Jul 2020	1,399	amazon.com
8.		Nikon Z7 II	4.5/5	..	4.5/5	..	4.5/5	4.5/5	Oct 2020	2,999	amazon.com
9.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	1,999	ebay.com
10.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	1,799	ebay.com
11.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
12.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
13.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	1,699	amazon.com
14.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
15.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
16.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
17.		Panasonic GH3	5/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	1,299	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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